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Special Features : Regular Stores : Picador Store
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On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com
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Elvis's wimpled sister rocks on in a convent she calls Graceland; Nancy Sinatra gets out her boots made for walking with the Kray Sisters; Mrs Midas misses the touch of her now dangerous golden-handed husband; and Queen Herod decrees the killing of each mother's son to protect her baby daughter in Carol Ann Duffy's startling new collection The World's Wife. Doubling is one of the most common themes--and stylistic ploys--of Western culture and thought, and the concept around which Duffy has ingeniously organised this profoundly playful collection. Mrs Midas, Mrs Aesop, Mrs Darwin, Frau Freud, Anne Hathaway, Mrs Rip Van Winkle, the Kray Sisters; these are some of the wives, and sisters, whose stories are told. These inventive, metaphorically precise poems offer much more, however, than just a recovery of the historical voice of her (supposedly) silenced indoors. Duffy dexterously rewrites Judao-Christian and classical mythologies, subverts fairytale and zestfully reinterprets the more modern myths of Darwin and Freud.Humour is the abundant keynote of this accessible collection. Mrs Rip Van Winkle enjoys the freedom to travel and paint allowed by her husband's permanent slumbers, "Until the day / I came home with pastel of Niagara / and he was sitting up in bed rattling Viagra." Frau Freud analyses her over-exposure to "ding-a-ling, member and jock, / of todger and nudger and percy and cock," and confesses with irony to being, "as au fait with Hunt-the Salami / as Ms M. Lewinsky." Mrs Aesop groans about her husbands unstoppable garrulousness: "By Christ, he could bore for Purgatory," and Mrs Darwin evolves the following summary her husband's research:
"7 April 1852
Went to the Zoo.
I said to Him--
Something about that Chimpanzee over there
reminds me of you."
The World's Wife throws open the windows on the stuffy annals of historical myth and breezes through some of its highlights with a sense of revelry and laugh-out-loud observation. In this wry take on the historical ubiquity of heterosexual coupledom that permeates so many cultural myths, Duffy has separated vibrant women from the shadows of their more famous husbands and brothers, and divorced them from the distortions of historical silence. --Rachel Holmes
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