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Books : History : Cultural History : General AAS
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Georgiana Spencer was, in a sense, an 18th-century "It Girl". She came from one of England's richest and most landed families, and married into another. She was, beautiful, sensitive and extravagant. Acquainted fairly young with Charles James Fox, her move from parties to Parties led her to become the intimate of ministers and princes, and she canvassed assiduously for the Whig cause, most famously in the Westminster election of 1784. By turns she was caricatured and fawned on by the press, and she provided the inspiration for Lady Teazle in Sheridan's School For Scandal. But, luckily for her biographer, she also had weaknesses that were to taint her life. As gin gripped the masses, so gambling enthralled the aristocracy. By 1784 Georgiana owed "many, many, many thousands", and the creditors she acquired dogged her until her death, but the sterility of her marriage meant that she never came close to disclosing the magnitude of her debts. Amanda Foreman describes astutely the mess that was personal relationships for the aristocratic subculture (Georgiana and the Duke engaged for many years in a ménage à trois with Lady Elizabeth Fraser, who inveigled her way into his bed and her heart). She is, by her own admission, a little in love with her subject, which can lead to occasional lapses of perspective, but generally it adds zest to a narrative built on, rather than burdened by, scholarship, that is at once accessible and learned. An impressive debut, in every sense. --David Vincent
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Who would have thought that a book about the English language would be so entertaining? Certainly not this grammar-allergic reviewer, but The Mother Tongue pulls it off admirably. Bill Bryson--a zealot--is the right man for the job. Who else could rhapsodise about "the colourless murmur of the schwa" with a straight face? It is his unflagging enthusiasm, seeping from between every sentence, that carries the book.
Bryson displays an encyclopedic knowledge of his topic, and this inevitably encourages a light tone; the more you know about a subject, the more absurd it becomes. No jokes are necessary, the facts do well enough by themselves, and Bryson supplies tens per page. As well as tossing off gems of fractured English (from a Japanese eraser: "This product will self- destruct in Mother Earth."), Bryson frequently takes time to compare the idiosyncratic tongue with other languages. Not only does this give a laugh (one word: Welsh), and always shed considerable light, it also makes the reader feel fortunate to speak English.
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