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Books : Reference : Other Reference By Subject : Music, Stage & Screen : Guides & Reference : General AAS
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How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term MOS come to mean without sound? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable Screenwriter's Bible. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's "a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guidexcfb [and] a resource guide." Much of Trottier's advice is common sense: "Don't write anything that cannot appear on the screen"; to keep casting options open, don't make your physical descriptions too specific; "don't say Ron Howard is looking at the project if he is not." But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the "stacking action" style; in query letters and scripts alike, avoid "big blocks of black ink." Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. "If you write a script that features a character who has a clear and specific goal," says Trottier, "where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent."(By the way, MOS is said to have "originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'"). --Jane Steinberg, Amazon.com
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This new version of the Star Trek Encyclopedia is a reissue of the 1997 edition plus a 128-page supplement of additional material that updates Deep Space Nine to the end of its run and Voyager to midway through season five. It also covers the movie Star Trek: Insurrection. The supplement is as meticulously detailed as the rest of the volume, listing such fascinating trivia as chadre kab (Seven of Nine's first meal), "Kahless and Lukara" (a Klingon opera) and voraxna (a Cardassian poison), as well as all the new characters and species. Appendices include illustrations of starships, cast and crew listings, a historical timeline and a bibliography. All photographs and illustrations (except a few historical shots) are in colour. The encyclopedia was devisedin part to help production staff on the various Star Trek TV series keep up with the ever-increasing level of detail generated by over more than 30 years of creative effort. It is an excellent reference volume and, whether you want to settle an argument or write a novel, this book will answer your questions. But beware: The extensive cross-referencing leads to curious time-distortion effects, in which the unwary reader, dipping in to settle a single query, encounters an irresistible urge to browse further, during which hours of normal time can pass in the wink of aneye. --Elizabeth Sourbut
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