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Books : Fiction : Genre : Science Fiction : General AAS
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If any comic has a claim to have truly reinvigorated the genre then The Dark Knight Returns by Frank Miller--known recently for his excellent Sin City series and, previously, for his superb rendering of the blind superhero Daredevil--is probably the supreme contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. In his introduction the great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argues that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, streetgangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
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The Colour of Magic is Terry Pratchett's maiden voyage through the bizarre land of Discworld. His entertaining and witty series has grown to more than 20 books, and this is where it all starts--with the tourist Twoflower and his hapless wizard guide, Rincewind ("All wizards get like that... it's the quicksilver fumes. Rots their brains. Mushrooms, too."). Pratchett spoofs fantasy clichés--and everything else he can think of--while marshalling a profusion of characters through a madcap adventure. The Colour of Magic is followed by The Light Fantastic. --Blaise Selby, Amazon.com
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The third volume of his six-volume fantasy epic A Song of Ice and Fire, A Storm of Swords continues Martin's vigorous account of the civil wars which follow the death of King Robert, the usurper who deposed a dynasty gone mad and dangerous, and the judicial murder by his widow and heir of Ned Stark, the man who made him king. The surviving Stark children are scattered--Robb leading revolt in the North, Arya learning hard lessons as she treks through the war zone, Sansa an observer of court intrigue, crippled Bran heading towards a sorcerous destiny, Jon engaged in desperate defence of the icewall against barbarians and worse things. Daenerys, pretender and ruler of dragons, is building an empire elsewhere. And characters we have thought of as villains, notably Jaime Kingslayer, are developing belated consciences ... Martin keeps on upping the ante of violence and betrayal in this compelling saga of a fantasy middle ages soiled with blood and mud; his economic use of magic and his fascination with complex characters make this the sword-and-sorcery series for people with adult taste. As the series proceeds, his writing gets ever leaner and sharper, the evocation of the magical ever more sinister. --Roz Kaveney
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It seems strange to find a 1954 vampire novel in Millennium's "SF Masterworks" classic reprints series. I Am Legend, though, was a trailblazing and later much imitated story that reinvented the vampire myth as SF. Without losing the horror, it presents vampirism as a disease whose secrets can be unlocked by scientific tools. The hero Robert Neville, perhaps the last uninfected man on Earth, finds himself in a paranoid nightmare. By night, the bloodthirsty undead of small-town America besiege his barricaded house: their repeated cry "Come out, Neville!" is a famous SF catchphrase. By day, when they hide in shadow and become comatose, Neville gets out his wooden stakes for an orgy of slaughter. He also discovers pseudoscientific explanations, some rather strained, for vampires' fear of light, vulnerability to stakes though not bullets, loathing of garlic, and so on. What gives the story its uneasy power is the gradual perspective shift which shows that by fighting monsters Neville is himself becoming monstrous--not a vampire but something to terrify vampires and haunt their dreams as a dreadful legend from the bad old days. I Am Legend was altered out of recognition when filmed as The Omega Man (1971), starring Charlton Heston. Avoid the movie; read the book. --David Langford
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