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Books : Sports, Hobbies & Games : Football : European : General AAS
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"1974 was actually very painful to us all," says Dutch psychoanalyst Anna Enquist. "We can't admit to ourselves that something can be so important. But it matters very much. There is still a deep, unresolved trauma about 1974. It's a very living pain, like an unresolved crime."
En Vincent zag het koren
En Einstein het getal
En Zeppelin de Zeppelin
En Johan zag de bal(And Vincent saw the corn
And Einstein the number
And Zeppelin the Zeppelin
And Johan saw the ball)
--Dutch cabaret songThe intellectualisation of football has always foundered on a simple problem--the players. Doing all your most rewarding thinking with your feet seems to dull the philosophical impulse. Unless, of course, you are Dutch. According to legend, Europeans played a moronic, muscular version of the world's game, until Holland proclaimed its vision of total football in the 1974 World Cup, and enlightenment dawned.
In Brilliant Orange--the neurotic genius of Dutch football, journalist David Winner explores his personal fascination with the land that gave the world Van Gogh, Rembrandt and Johan Cruyff--searching for reasons why such a tiny country has produced some of football's most intelligent, enigmatic and unfulfilled teams.
Winter talks with the players, past and present--including Johnny Rep and Ruud Krol from the losing World Cup Final sides of 1974 and 1978--uncovering their personal experience of the public triumphs and disasters. But it is the breadth of his enquiry into what it may mean to be Dutch--reconciling a colonial past with a multi-cultural present; living with the memories of wartime occupation and collaboration; the tensions between a fiercely individualistic, libertarian spirit and the principles of communality--that makes this such an extraordinary and wonderful book. --Alex Hankin
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For the last few months Anglo-Italian novelist Tim Parks has been writing of his devotion to Italian football club Hellas Verona in The Guardian. In A Season with Verona we get a chance to read the full and absorbing narrative that lay behind those short snippets.In some ways the book is a standard travelogue. In following his lowly Series A team in their seasonal slog around Italy, Parks gets to visit all the famous sights and cities. What makes this journey so different and so interesting is that Parks is accompanied by vividly ordinary, honestly working-class, determinedly urban Italians and gets to share their Nick Hornbyish highs and lows. This in turn provides a credible, fresh and revealing insight into the Italian character. These fans do all the normal soccer-supporter things like fight, drink, despair, exult, rant and put each other in comas; but they also do more surprising things, like sing songs in praise of the murderous Liverpool fans of Heysel and give voice to racist feelings about their southern compatriots.
This may not sound like most people's image of southern loveliness. Indeed it isn't. But it is a much needed antidote to all that saccharine-sweet Under The Tuscan Sun stuff; and it also makes this book a splendid bedside companion to the Italian campaign in the next, or indeed any, World Cup. --Sean Thomas
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English writer Phil Ball has put the history of Spanish football into the context of the epomymous Morbo. Hard to pin down in translation (though the author manfully spends a chapter trying to explain the term in its fullest sense), "morbo" encapsulates the fierce rivalry across a club scene fragmented by history, language and politics. The bitter feeling between Barcelona and Real Madrid has, of course, been well-documented elsewhere. Here that famous rivalry is only one component of a landscape of antagonism. In particular, the Basque country in the north-west and Seville in the south both provide breeding grounds for a healthy portion of "morbo", and receive Ball's attention accordingly. The narrative captures the essence of that feeling perfectly, without failing to inform on a historical basis. A splendid chapter traces the ancestry of football in Spain back to the labourers in the English-owned copper mines in Huelva, Andalucia. While Spanish club football has always had its stars, from Di Stefano to Cruyff and Butragueno through to Raul and Luis Figo today, Ball shows that there is a greater force running in its lifeblood. Yet still there remains a paradox; he analyses the historical under-achievement of the Spanish national side in major international tournaments.The new millennium has seen excellent books focusing on football culture in Holland and France--namely Brilliant Orange and Le Foot. At a time when the stock of Spanish club football has perhaps not been higher since the heyday of Real Madrid in the late 50s and early 60s, Morbo, a triumph in the same vein, thankfully allows us to add Spain to the list. --Trevor Crowe
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Tor! The Story of German Football does exactly "what it says on the tin". As the author explains, his aim was to write an entertaining history of the German game. He has certainly achieved his goal, or "tor" as they would say in Germany. Hesse-Lichtenberger sets out to prove that football in Germany is not necessarily the efficient, predictable machine that those of us believing in the German stereotype might think. Again, he succeeds. From the foundation of the game to the present day (and dare I mention the historic 5-1 defeat at the hands of the English in Munich in September 2001), the narrative finds plenty of room to include the quirky, amusing and unexpected. The seemingly curious names of many German club sides are dissected, while the fact that the national side managed to win the 1954 World Cup before the advent of the first professional national league only serves to amaze. The author proclaims his belief that it is people who shape events, and misses no opportunity to investigate the diverse personalities who have made the German game what it is, from the obsession of Herberger to the maverick brilliance of Netzer. The upshot is a wonderfully colourful history, and one that will no doubt surprise even most the avid of Europhile football followers. The latest in the line of recent books in English on European football, Tor!, like a number of German teams of the past, is a clear winner. --Trevor Crowe
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In Ajax, the Dutch, the War, Simon Kuper, broadsheet journalist and author of the bestselling Football Against the Enemy, turns his attention to the Dutch club Ajax of Amsterdam, and the hidden history of the Nazi occupation of Holland in WW2.At one level the book can be seen as an investigation into the mystery of how and why Ajax, like one or two other of Europe's major club sides, are considered to be a Jewish team--their supporters, of no discernable faith, still wave an Israel flag at matches; in return some rival fans revel in anti-Semitic language and gestures. Kuper tries to locate the roots of this alignment through interviews with the ever-decreasing number of living witnesses, players, club officials and supporters, who experienced the period from the early 1930s to the end of the Second World War in 1945--a time in which the soul of Amsterdam, "the city of Jews and bicycles", was indelibly stained by the horrors of occupation, ghettoisation and the Holocaust.
What he finds is the story of a city, its people and its football team, that challenges the semi-truths and misconceptions about civilian lives in wartime that most of us hold--including how and why the mass obsession with football thrived in the unlikeliest circumstances. It's a personal history too. Kuper's parents, Jews from South Africa, moved to the Netherlands more than 30 years after the war had ended, but were confronted by its legacy at every turn.
By weaving himself, his family and the contemporary voices of ordinary people into what is essentially a book on a facet of 20th Century Northern European history, Kuper pulls off the remarkable feat of creating a readable, entertaining work out of potentially difficult material. Free of the occasionally pompous, cod-academic tone that soured parts of Football Against the Enemy, the book breathes a little more easily, is more involving, funnier, and more moving than its predecessor--and as such, is warmly recommended. --Alex Hankin
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