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Books : Biography : Sport : Basketball
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One of the finest non-fiction writers in any line-up, Halberstam likes to alternate what he's deemed his serious work--books like The Best and the Brightest, The Fifties, and The Children--with his sporting interludes, though in his hands, sports are much, much more than fun and games. Books like The Breaks of the Game and October 1964 use sports as a prism. Culture, race, society, and history are all filtered through it, and Halberstam refocuses--and interprets--what comes out the other side.That he would now turn his considerable abilities to exploring Michael Jordan is not surprising. Halberstam loves hoops, and Jordan not only defines the game, he defines an era. His fame crosses international borders as easily as he dribbles past half-court lines. In focusing on Jordan--as athlete and force of nature--and his osmosis from a young hoop dreamer to product pitchman to the world, Halberstam is really examining intangibles like myth and legend, celebrity and fame, wealth and image, excellence and genius, race and style, the qualities of heroism and the pursuit of perfection. "That there had been even one Michael Jordan seemed in retrospect something of a genetic fluke," he writes, "and the idea that anyone would arrive in so short a span of time and do what he did both on and off the court seemed highly unlikely." But the phenomenon that is Jordan did just that.
Understanding, even admiring, what he did, how he did it, and what it means in a basketball context and a larger one is Halberstam's goal, and, despite Jordan's lack of cooperation--or maybe because of it--Halberstam's muscular prose and thinking scores powerfully. Yet, there is a wistfulness, in the end, to Playing for Keeps; the game doesn't seem as much fun and collegial as it used to for Halberstam, and Jordan, great as he may be, emerges with less of the historic grace exhibited by Jackie Robinson, Ali, and Arthur Ashe than with a quality that Halberstam deems the athlete-explorer "in terms of going beyond previously accepted limits of what was humanly possible, and somehow by dint of physical excellence and unmatched willpower, pushing those limits forward that much more." Dazzling, certainly, but not necessarily heroic. Playing for Keeps is also available on audiocassette. --Jeff Silverman
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It's not easy imagining a volume capable of capturing the grace, the joy, the flamboyance, and the wizardry of Michael Jordan, but this hybrid-- melding autobiography, celebration, spectacular photography, and cutting-edge graphics--comes awfully close. Like Jordan driving the lane, it's a thing of beauty; harder to analyse than it is to admire, accept, gaze at, and enjoy.As befits the ultimate star in a game that has marketed itself with perfect razzle- dazzle, For the Love of the Game is as visually brash as it is glitzy. In page after stunning page, Jordan traces his ascension from college star to object of worldwide adoration. While most of the focus is, of course, on the NBA, there are significant side trips into baseball, the 1992 Olympic Dream Team, his advertising omnipresence, his family, and even his privacy. On the surface, the pictures--and their presentation--are more than enough to preserve and praise the Jordan legend, but For the Love of the Game has something more. It has Michael Jordan.
Jordan's text is everything the flashy images are not; it is straight, thoughtful and revealing. At times, the relationship of word and image is breathtaking, especially on a particular pair of two-page layouts. In the first, Jordan asks, "When does jumping become flying?" His answer, framed by photos that would turn Superman green with envy, indicates that Jordan is genuinely amazed by his own talents. The second is his reflection on "The Shot," his buzzer-beater over Cleveland's Craig Ehlo to win game 5 in the 1989 playoffs. The story is told in 24 pictures taken over the final three seconds. Below that is a chart of 25 of Jordan's game-winning shots. But it's this Jordan observation that pulls the image and text together: "I never considered the negative consequence of missing the last shot in a game." It's an attitude that defines the man, and For the Love of the Game reflects it with a stylish combination of elegance, power, and beauty. --Jeff Silverman, Amazon.com
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The first sentence of Larry Bird's candid post-player memoir begins blandly enough: "On August 18, 1992, I announced my retirement from the Boston Celtics." It's the one that follows--"It was one of the happiest days of my life"--that sets the tone for the book. Most stars have to be pulled off centre stage, but as Bird Watching makes clear, the former Celtic legend who returned home to eventually coach the Indiana Pacers is certainly a rare bird. He's not afraid to ruffle feathers. And he's not afraid to tell his truth.Perhaps the most striking revelations concern his heart. On top of the back pain that plagued him through much of his career, from time to time Bird experienced the feeling--and disorienting flush- -of an irregular heartbeat, which he kept hidden from the Celtics. Even now, in the stress-filled world of coaching, Bird has almost passed out on the bench a couple of times--but he remains a fierce competitor. "I'm not going to be stupid about this heart condition, but I'm not going to live my whole life in fear of this thing either. If it goes, it goes."
Bird Watchingspends virtually no time with Bird the player; he's not one for looking back. He's more interested in explaining his evolution and thinking as a coach, examining the current state of the NBA and picking apart the Pacer's disastrous 1999 playoff loss to the Knicks. He does, however, reminisce upon his amazing connection to Magic Johnson, comparing it to the connection between Ali and Frazier. "I knew it was going to be like that forever after I played him in college for the national championship," Bird writes. "I never came up against anyone, other than Magic, who could challenge me mentally. Magic always took me to the limit." From Bird, it's hard to imagine a more heartfelt compliment. --Jeff Silverman
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