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Books : Music, Stage & Screen : Film : Production & Technology : Cinematography
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Offers the reader a tutorial in how to get the very best from digital film-making technology. This handbook serves as a reference for the digital film enthusiast - whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
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Combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. This guide shows you how to become a strong visual storyteller through smart, effective choices for your shots. It shows you how to master the rules, then break them.
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Suitable for those working in or aspiring to work in VFX, this book covers techniques and solutions various VFX artists, producers, and supervisors need to know, from preproduction, to digital character creation and compositing of both live-action and CG elements.
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With the aid of photographs and diagrams, this text concisely presents concepts and techniques of motion picture camerawork and the allied areas of film-making with which they interact with and impact. Included are discussions on: cinematic time and space; compositional rules; and types of editing.
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First published in 1949, Alton's study of cinematography remains a major statement on the art of motion picture photography. He explains the job of the cinematographer and explores how lighting, camera techniques and choice of locations determine the visual mood of film.
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English photographer Eadweard Muybridge (1830-1904) was a pioneer in visual studies of human and animal locomotion. This book traces the life and work of Muybridge, from his early thinking about anatomy and movement to his photographic experiments, and is illustrated with his locomotion plates as well as biographical pictures and texts.
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Written by television trainers who run their own courses on Multiskilling, this book offers a comprehensive introduction to the broad range of skills and technical knowledge required in this industry. It details all the essential information you need to know, acting as an on-the-job reference source for everyday use.
For many broadcasting technicians, one of the biggest challenges in recent years has been the transition from a career working in a solo core skill such as camerawork or audio, to acquiring the experience and expertise of a range of production jobs. Many people are expected to work in a number of crafts and to equip themselves with a much wider range of television techniques than had been customary in the past.
Multiskilling has become an integral part of television culture, requiring that new entrants are competent in several specialist production skills. Multiskilling for Television Production concentrates on the techniques associated with news and magazine programme production, where most tecnhical operators are usually employed, but most techniques are shared across the whole spectrum of television and film making.
Anyone baffled by the range and scope of skills to be mastered will find this book invaluable.
*A complete guide to the skills, techniques and operational procedures for today's television environ
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The Digital Filmmaking Handbook's title is something of an oxymoron, since this very thorough book covers everything you ever needed to know about filmmaking production, from concept to screening. The only missing element is film itself.Film and video production is in transition. Film and analog videotape are rapidly approaching the end of their technological life, being replaced by digital videotape and digital cameras. You can buy computers that connect to DV cameras and edit DV tape just about anywhere, and they cost only slightly more than an entry-level computer. So The Digital Filmmaking Handbook is for anyone buying into the DV revolution who wants to do more than shoot home movies of the kids. It's for filmmakers young and old, pro and hobbyist, who want to learn to shoot, edit and make great movies.
Unlike traditional filmmaking books, in which only the camera and some audio and editing equipment are addressed, part of this book approaches the medium from a computer hardware and software perspective. Numerous hardware issues such as choosing the components for an editing workstation, the kind of digital video camera to use, selecting editing and audio software, and various output formats are discussed. Also, there are chapters on effects, making video look like film and digital titling.
The book never strays from speaking to filmmakers rather than
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Offers a view of the relationship between the story/script structure and the visual structure of a film, video, animated piece, or video game. This book helps you learn how to structure your visuals. It is suitable for writers, directors, photographers, production designers, art directors, and editors.
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