Books : Music, Stage & Screen : Performing Arts

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Books : Music, Stage & Screen : Performing Arts

  • At My Mother's Knee ...: and Other Low Joints: And Other Low Joints

    Paul O'Grady

    At My Mother's Knee ...: and Other Low Joints: And Other Low Joints
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  • Look Who it Is!: My Story

    Alan Carr

    Look Who it Is!: My Story
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  • Just Me

    Sheila Hancock

    Just Me
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  • Why Do I Say These Things?

    Jonathan Ross

    Why Do I Say These Things?
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  • My Booky Wook

    Russell Brand

    My Booky Wook
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  • Doctor Faustus (A TEXT)

    Christopher Marlowe', u"John O'Connor"

    Doctor Faustus (A TEXT)
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  • Tricks of the Mind

    Derren Brown

    Tricks of the Mind
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  • Me Cheeta: The Autobiography

    Cheeta

    Me Cheeta: The Autobiography
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  • The Importance of Being Earnest (Penguin Popular Classics)

    Oscar Wilde

    The Importance of Being Earnest (Penguin Popular Classics)
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  • Moab is My Washpot

    Stephen Fry

    Moab is My Washpot
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  • Burlesque and the Art of the Teese / Fetish and the Art of the Teese

    Dita Von Teese

    Burlesque and the Art of the Teese / Fetish and the Art of the Teese
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  • Bounder!: The Biography of Terry-Thomas

    Graham McCann

    Bounder!: The Biography of Terry-Thomas
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  • Clips from a Life

    Denis Norden

    Clips from a Life
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  • I Don't Mean to be Rude, But...: The Truth About Fame, Fortune and My Life in Music

    Simon Cowell

    I Don't Mean to be Rude, But...: The Truth About Fame, Fortune and My Life in Music
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  • The Animator's Survival Kit: A Working Manual of Methods, Principles and Formulas for Computer, Stop-motion, Games and Classical Animators (Applied Arts)

    Richard Williams

    The Animator's Survival Kit: A Working Manual of Methods, Principles and Formulas for Computer, Stop-motion, Games and Classical Animators (Applied Arts)
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  • A Doll's House (Dover Thrift)

    Henrik Ibsen

    A Doll's House (Dover Thrift)
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  • Romeo and Juliet (Penguin Popular Classics)

    William Shakespeare

    Romeo and Juliet (Penguin Popular Classics)
    This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton
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  • Hiding the Elephant: How Magicians Invented the Impossible

    Jim Steinmeyer

    Hiding the Elephant: How Magicians Invented the Impossible
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  • Hamlet (Penguin Popular Classics)

    William Shakespeare

    Hamlet (Penguin Popular Classics)
    Undoubtedly the most famous of all of Shakespeare's plays, Hamlet remains one of the most enduring but also enigmatic pieces of western literature. The story of Hamlet, the young Prince of Denmark, his tortured relationship with his mother, and his quest to avenge his father's murder at the hand of his brother Claudius has fascinated writers and audiences ever since it was written around 1600.

    For many years interest focused on both Hamlet's inability to avenge his father's death, claiming that "the native hue of resolution / Is sicklied o'er with the pale cast of thought", and, according to none other than Freud, his oedipal fixation with his mother. However, more recently critics have turned their attention to Hamlet's bold theatrical self-reflexivity (most famously reflected in the performance of "The Mousetrap"), its fascination with issues of theology and Renaissance humanism, and its dense, complex poetic language. What is so remarkable about the play is the way in which it tends to uncannily reflect the concerns of different epochs. As a result, Hamlet has been at different moments defined as a romantic rebel, an angst-ridden existentialist, a paralysed intellectual and an ambivalent New Man. Whatever subsequent generations make of Hamlet, they are unlikely to exhaust the possibilities of this most extraordinary play. --Jerry Brotton

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  • Macbeth (Penguin Popular Classics)

    William Shakespeare

    Macbeth (Penguin Popular Classics)
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