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Books : History : Countries & Regions : Europe : World War I 1914-1918
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If you buy only one book about the First World War you would be hard-pressed to do better than this one. From the dust jacket reproduction of C.R.W. Nevinson's harrowing painting, French Troops Resting, to the clear, well-presented series of maps at the end, it displays the very highest standards of production. In between the covers it is positively brimming with an extensive selection of photographs, posters and paintings from or about the period. Some are well-known though many are less so and have clearly been rooted out in a thorough and wide-ranging archive search. This alone brings something to the book that few others on the subject can match: the ability to evoke the spirit of the time through the imagery and sights--though thankfully not the sounds and smells--of the period, transporting the mind of reader back in time.This, however, is only one aspect of the book. The other is a series of 23 authoritative, scholarly essays by renowned historians on various aspects of the war. The subjects are comprehensive in scope, taking in the expected areas such as the origins of the war, the strategies employed by the Central and Entente powers, the war at sea and in the air, and economic warfare. There are also fascinating chapters on Mutinies and Military Morale, Women, War, and Work, The Challenge to Liberalism: The Politics of the Home Fronts and finally a touching and poignant chapter, Memory and the Great War, which examines the haunting legacy of the cataclysm. As the war gradually recedes from living memory this book will surely become a significant part of that legacy for current and future generations--lest they forget. -- Alisdair Bowles
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In the very first words of her prize-winning book, Peacemakers, Margaret Macmillan says, "In 1919 Paris was the capital of the world." In the aftermath of the First World War, the great and good of all nations were there to reshape the world. New nations sprang into existence during lunches in expensive Parisian hotels; borders that had lasted centuries were altered with the stroke of a pen; empires that had outlived their sell-by date were unceremoniously dismantled. Presiding over this wholesale remaking of the globe were Woodrow Wilson, Lloyd George and the French prime minister Georges Clemenceau.Margaret Macmillan's pen portraits of the Big Three, and of many of the other extraordinary delegates to the Peace Conference--from Lawrence of Arabia to the Polish pianist and politician Ignace Paderewski--are superb. Her own writing is engagingly witty and she has a knack for finding apposite and funny quotes to enhance it. This is one of the very few books on diplomacy and international relations that can make a reader laugh out loud. The liveliness and vigour of her writing rests on the solid foundation of her wide-ranging knowledge. The delegates presumed not only to solve the problems of war-ravaged Europe but were happy to turn their attentions to Africa, the Middle East and China. Margaret Macmillan seems equally comfortable discussing the intricacies of Balkan boundaries, the creation of new states like Czechoslovakia, war between Greece and Turkey, Zionist settlement in Palestine, Japanese ambitions in the Pacific and a host of other subjects. Above all she works hard to be fair to the participants in the conference.
We know that an even more terrible war was only 20 years in the future. They didn't and they were all working sincerely to create a world in which war would be impossible. Macmillan is rightly dismissive of the notion that the peace devised at Paris was so flawed that another war was inevitable. Her book not only does justice to the Paris Peace Conference but it's also massively readable. That's quite an achievement. --Nick Rennison
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The events set in motion by the outbreak of the First World War in 1914 changed many lives irrevocably. For Vera Brittain, an Oxford undergraduate who left her studies to volunteer as a nurse in military hospitals in England and France, the war was a shattering experience; she not only witnessed the horrors inflicted by combat through her work, but she lost the four men closest to her at that time--her fiancé Roland Leighton, brother Edward and two close friends, Geoffrey Thurlow and Victor Nicholson, who all died on the battlefields. Letters from a Lost Generation, a collection of previously unpublished correspondence between Brittain and these young men--all public schoolboys at the start of the war--chronicles her relationship with them and reveals "the old lie": The idealised glory of patriotic duty which was soon overtaken by the grim reality of the Flanders' trenches. The letters are lively, dramatic, immediate and, despite the awfulness of war, curiously optimistic: "... somehow I feel the end is not destined to be here and now. We have not fulfilled ourselves--and someday we shall live our roseate poem through", wrote Vera to in one of her last letters to Roland in December 1915, just days before he was killed by a sniper's bullet. Following his death, and later those of their mutual friends Victor and Geoffrey, Vera's letters take on a new, raw intensity as she concentrates all her emotions on her brother--a hero awarded the Military Cross--until his death on the Italian Front in June 1918. These letters formed the basis of Vera Brittain's remarkable autobiography, Testament of Youth and vividly bring to life the voices of the "lost generation" whose words threaten to be lost forever as the First World War recedes even further from living memory. --Catherine Taylor
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