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Azincourt

Bernard Cornwell
The Shack

William P. Young
The Private Patient (Adam Dalgliesh Mystery)

P.D. James

Given the astonishing length of the writing career of PD James (her first novel was published in 1962), it is perhaps not surprising that her work often consciously refers back to an earlier era of British crime writing -- but it's none-the worse for that. In fact, James' clever and affectionate reinventions of the devices and conventions of that era afford a particular pleasure -- as is the case with her latest, The Private Patient.
Uncompromising investigative journalist Rhoda Gradwyn has booked herself into the Chandler Powell private clinic in Dorset. She has decided to remove a disfiguring facial scar, and is looking forward to what she hopes will be a new life after the surgery. But Rhoda will not leave the clinical alive - she is killed. After her murder, Commander Adam Dalgliesh is summoned to investigate. As he begins to examine suspects, scene and motives, a second death occurs, and Dalgliesh finds himself faced with one of the most complex and challenging mysteries of his career.
In many ways, The Private Patient has the structure of a novel from the golden age of crime fiction, and James is well aware of the very best writing from that era (including Cyril Hare, who James succeeded as premier crime writer for her publisher, Faber). Needless to say, she freights in a very modern level of psychological investigation, more penetrating than that of her great predecessors. If the novel seems less initially engaging than other recent work by the author, there is perhaps a subtle agenda here: James is avoiding the more obvious reader-grabbing tactics to present a low-key investigation of character than she has chosen to deal with in recent books. If a little more patience is required than usual, the result of this understated approach pays dividends. And admirers of James (and her doughty detective Dalgliesh) will be prepared to be flexible for the pleasures of the cogently handled narrative here. --Barry Forshaw
A Most Wanted Man
The Temporal Void (Void Trilogy)

Peter F. Hamilton
Bones of the Hills (Conqueror 3)

Conn Iggulden

One can only hope that the phenomenal success of his co-authored The Dangerous Book for Boys does not take attention away from the prodigious storytelling skills of Conn Iggulden. As Bones of the Hills forcefully reminds us, Iggulden is the real deal when it comes to historical fiction on the grandest scale. And here, all of his characteristic skills are well to the fore.

A boy was abandoned in the wilderness by his tribe -- but he did not die. As those Iggulden admirers who have read Wolf of the Plains and Lords of the Bow will know, this luckless boy has grown into one of the most feared and powerful figures in history, Genghis Khan. He has persuaded the tribes that had been tearing each other to pieces to ignore their differences and unite under his leadership to battle their oldest enemies. Under his ruthless (and ferociously inspired) leadership, a mighty nation has been forged. But this is only the beginning of his struggles: Khan sends out emissaries, but they are tortured and killed. He attempts to open trade routes; his efforts are met with violent rebuff. Soon, the Mongolian army is stretched to the furthest corners of Khan's realm, and destruction looms.

This is epic storytelling on a nigh-operatic scale. Iggulden has long been the master of the broad brush stroke and conjures up the ancient world with great panache. Of course, the success of a book such as Bones of the Hills depends on the vivid characterisation of its larger-than-life central character, and of the many novels which have attempted to capture Genghis Khan, none have mastered the task as successfully as Conn Iggulden.
--Barry Forshaw
The Brass Verdict

Michael Connelly
Revelation (Shardlake)

C.J. Sansom
Lords of the Bow (Conqueror 2)

Conn Iggulden
The Business

Martina Cole
The Girl with the Dragon Tattoo

Stieg Larsson
Silks

Dick Francis, Felix Francis

There are few thriller writers who have had such long and distinguished careers as Dick Francis, and his lengthy series of books (with their zesty recreations of the racing world) are among many readers' favourite novels in the genre. Recently, ill-health seemed to threaten the author's reliable productivity, and the death of his wife (who had long been a behind-the-scenes collaborator on his books) made it appear that the golden days of the Dick Francis racing thriller were firmly in the past. However, here is Silks, the result of a collaboration between Dick Francis and his son Felix -- and it will be a welcome arrival for the legions of Francis admirers.
Julian Trent is found guilty of a violent unprovoked attack on an innocent family and a charge of attempted murder. He is accused by the judge of showing no remorse for his actions, but receives a remarkably light sentence. Surprisingly, this news is not welcome to his defence barrister, Geoffrey Mason, who was secretly hoping for a more severe judgement against his client, whom he does not like. Mason is a part-time jockey (this is a novel with Dick Francis's name on the jacket, after all), and when Mason dons his racing silks and travels to Sandown to follow his real passion -- riding a thoroughbred in a heated steeplechase -- he finds that he cannot leave the violence that is often the bread and butter of his profession behind him A fellow rider is savagely killed by a pitchfork driven through the chest, and there is a persuasive amount of evidence against champion jockey Steve Mitchell as the killer, but Mason becomes involved -- and finds all the various aspects of his life coalescing in a lethal fashion.
Dick Francis has 41 novels under his belt, and remains the consummate thriller practitioner. Felix, his son, had helped with the research on his father's novels over the last 40 years (notably Twice Shy, Shattered and Under Orders). Silks is their second full collaboration after Dead Heat, and should provides Francis aficionados with all the elements they've grown accustomed to. --Barry Forshaw
Wolf of the Plains (Conqueror 1)

Conn Iggulden
No Time For Goodbye

Linwood Barclay
Devil Bones

Kathy Reichs
The Other Queen

Philippa Gregory

Philippa Gregory has long been one of the most assured practitioners of historical fiction, but her profile was raised even higher by the film of her novel The Other Boleyn Girl. Gregory admirers, however, were heard to remark of that movie: `Not as good as the book!' And if her new novel, the highly accomplished The Other Queen is ever afforded the Hollywood treatment, there will no doubt be a similar chorus. The reason for this dedication by her readers is not hard to fathom: assiduously researched historical facts are married to consummate storytelling skills - and the effortless ability to rescue historical figures from the dusty pages of the past.

At the centre of this novel is Mary Queen of Scotland, forced to flee into England. Mary, a devout Catholic, is, of course, a living threat to the rule of her cousin Elisabeth, whose Protestant reign is uncertain. We've been here before, of course, in various books and films. But Philippa Gregory's story this time has a different emphasis: Elizabeth's chief advisor, Cecil, formulates a plan in which the destabilising Mary will live under guard with his faithful friend, Bess of Hardwick. Bess is a remarkable woman herself; someone who has forged her own destiny, and is now in her fourth marriage, to the distinguished Earl of Shrewsbury. But soon Bess and Mary find themselves plunged into very different personal crises - with Bess's marriage under considerable strain.

The Other Queen is wonderfully accomplished stuff, evoking a much-pored-over era with a totally fresh eye.
--Barry Forshaw
Batman: The Killing Joke (Deluxe Edition)

Alan Moore
A Killing Frost

R.D. Wingfield
Requiem (Brethren Trilogy 3)

Robyn Young
A Cure for All Diseases

Reginald Hill