- Slot Machines
- Gastroenterology
- Western Front
- Perry, Anne
- Asia
- Art Nouveau
- Divorce & Children
- Thomson, Amy
- English Language
- Reference
- Bush, George W.
- Berenson, Laurien
- Hern, Candice
- Audio CDs
- Integral Equations
- Korea
- By Publisher
- Citizenship
- Evanovich, Janet
- Energy Conversion & Storage
- Modesitt, L.E.
- GTK
- Barre, Richard
- General
- Tanzania
- Religious
- Quantum Physics
- Reformation In Europe
- Agricultural
- McCarthy, Cormac
Books : Poetry, Drama & Criticism
-
-
"Each Peach Pear Plum. I spy Tom Thumb!" In this engaging, interactive book for the very young, familiar nursery-rhyme characters such as Mother Hubbard and Baby Bunting sneak their way into the gentle drawings. Even young children who might not know all the fairy-tale stars can find them lurking in the cupboard, on the stairs or deep in the woods. In the happy finale, the whole cast meets up for plum pie in the sun, where the little one on your lap will gleefully find everyone.
-
-
-
-
-
-
-
-
-
Winnie the Pooh: The Complete Collection of Stories and Poems was originally published in 1994, but this beautifully produced slip-cased edition has been specially created to commemorate the 75th anniversary of the publication of the very first stories about Winnie the Pooh.It consists of the classic, well-loved, tried-and-tested stories by AA Milne, from "Winnie the Pooh" (1926), "The House at Pooh Corner" (1928) and the poetry from "When We Were Very Young" (1924) and "Now We Are Six" (1927).
Here is Edward Bear coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't. Anyhow, here he is at the bottom, and ready to be introduced to you. Winnie-the-Pooh.
So begins the opening sentences of chapter one of this wonderful book "in which we are introduced to Winnie-the-Pooh... and the stories begin".Although the stories are aimed at young children, older children (i.e.,adults!) of all ages will be able to recapture the wonderful Pooh stories of their childhood, remembering once again playing at Pooh sticks, reading about Hundred Acre Wood and finding out why Edward Bear is called Winnie-the-Pooh. Was he really named after a swan?
The poems are not as well-known as the Pooh stories, but nevertheless some of them are ones to which children can still relate today, even though they were written 75 years ago when, in some circles, nannies and nurseries were commonplace.
Half Way Down
This exquisite book will make an excellent gift for young and old alike. --Susan Naylor
Half way down the stairs
Is a stair
Where I sit
There isn't any
Other stair
Quite Like
It
I'm not at the bottom
I'm not at the top
So this is the stair
Where
I always
Stop
-
-
-
Alan Fletcher's The Art of Looking Sideways is an absolutely extraordinary and inexhaustible "guide to visual awareness", a virtually indescribable concoction of anecdotes, quotes, images and bizarre facts that offers a wonderfully twisted vision of the chaos of modern life. Fletcher is a renowned designer and art director and the joy of The Art of Looking Sideways lies in its beautiful design. Loosely arranged in 72 chapters with titles like "Colour", "Noise", "Chance", "Camouflage" and "Handedness", Fletcher's book, which he describes as "a journey without a destination", is "a collection of shards" that captures the sensory overload of a world that simply contains too much information. In one typical section, entitled "Civilization", the reader encounters six Polish flags designed to represent the world, a photograph of an anthropomorphic hand bag, Buzz Aldrin's bootprint on the moon, drawings of Stone Age pebbles, a painting of "Ireland--as seen from Wales" and a dizzying array of quotations and snippets of information, including the wise words of Marcus Aurelius, Stephen Jay and Gandhi's comment, "Western civilization? I think it would be a good idea". Fletcher's mastery of design mixes type, space, fonts, alphabets, colour and layout combined with a "jackdaw" eye for the strange and profound to produce a stunning book that cannot be read, but only experienced. --Jerry Brotton
-
-
What could be a more promising poetic project than the greatest of early English poems, Beowulf, newly translated by arguably the greatest of living poets writing in English, Seamus Heaney? The literary pedigree of this great fabular epic in the hands of Nobel Laureate Heaney matches Ted Hughes' award-winning rewrite of Ovid's Metamorphosis, Tales from Ovid. Heaney has chosen the plain, prosaic yet subtly cadenced vernacular of his Northern Irish roots as the poetic voice into which he renders this famous Anglo-Saxon fabular epic of a dragon-slaying Danish warrior. The result is an engaging evocation of the highly alliterative, densely metaphorical texture of Anglo-Saxon verse, which is famously hard to capture in modern English poetic forms."It's narrative elements may belong to a previous age but as a work of art it lives in the present," writes Heaney of this tale of monstrous, murderous Grendel, heroic, kingly Beowulf, blood-feuds, dragon-slaying and spiritual grace. The very plain-spokenness of Heaney's translation makes it admirably easy to read and understand, whilst rendering an often true translation at a galloping narrative pace. Heaney's Beowulf opens up one of the most famous founding epics of European literature to a modern world of new readers. --James Barry
-
-
-
-
