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Books : Mind, Body & Spirit : Mythology : Children's Books
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This excellent collection of 16 favourite Greek myths catches all the magic of the stories for today's readers with its lively retellings and appealing illustrations. Included in this collection are the adventures of Jason, Theseus and Odysseus, the story of Icarus who flew too close to the sun, and King Midas whose touch turns everything to gold. In addition, there are also lesser-known stories such as Atalanta-- the goddess who can run faster than any man--and Arachne the spinner who boasts too much and is turned into a spider.These stories have been wonderfully adapted by talented storyteller Geraldine McCaughrean who has captured all the thrills and drama of the original tales. Gloriously illustrated by Emma Chichester Clark this is a super collection of stories and a superb gift to give, read and enjoy.
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Harry Potter and the Goblet of Fire is the long-awaited, heavily hyped fourth instalment of a phenomenally successful series that has captured the imagination of millions of readers, young and old, across the globe. For J K Rowling the pressure is certainly on to continue to come up with thrilling, pacey storylines that allow her hero to mature into a young man without detracting from the magical secret that has made Harry into a superstar. In this book, the teenage Harry has a certain gawky charm that fits well with his advancing adolescence. As the story moves on, Harry too moves on to a new level of maturity that leaves the reader wondering how he will learn from his experiences, and liking him all the more as a character.Once returned to Hogwarts after his summer holiday with the dreadful Dursleys and an extraordinary outing to the Quidditch World Cup, the 14-year-old Harry and his fellow pupils are enraptured by the promise of the Triwizard Tournament: an ancient, ritualistic tournament that brings Hogwarts together with two other schools of wizardry--Durmstrang and Beauxbatons--in heated competition. But when Harry's name is pulled from the Goblet of Fire, and he is chosen to champion Hogwarts in the tournament, the trouble really begins. Still reeling from the effects of a terrifying nightmare that has left him shaken, and with the lightning-shaped scar on his head throbbing with pain (a sure sign that the evil Voldemort, Harry's sworn enemy, is close), Harry becomes at once the most popular boy in school. Yet, despite his fame, he is totally unprepared for the furore that follows.
This is a hefty volume: 636 pages, of which probably at least 200 could have been cut without detracting from the story. The weight and complexity of the book is perhaps a hint that Rowling now has her eye sharply focused on her adult audience, and the average child-reader (particularly one who is coming to Harry Potter for the first time) may well find its girth daunting. Rowling's ironic and pointed observations on tabloid journalism and the nature of media hype is just one of the references littered through the book that will tickle the grown-ups but may well fly over the heads of her young fans.
However, after a slow start, Harry Potter and the Goblet of Fire really starts to sparkle halfway through with Rowling's familiar magic (and yes, there is a death--sudden and tragic--and yes, Harry does start to notice girls). The crux of this story, however, is Harry's gradual coming-of-age and his handling of the increasingly determined threats to his own life.
This book is pivotal, not just for the author for whom the heat is well and truly on, but for Harry and his readers who, by the last chapter, are left in little doubt that there is much more to come. (Ages 10 to adult) --Susan Harrison
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Somewhere inside Ray Bradbury's head is a place where it's always golden autumn, in 1920s midwest America, and every night is Halloween. He has a gift for evoking childhood thrills where joy and terror come heart-stoppingly close. Here eight kids dressed as horrors for Halloween go hunting darkness and find it:... one hundred million tons of night all crammed in that huge dark pit, that dank cellar, that deliciously frightening ravine.
Awaiting them is the comic-sinister trickster Moundshroud, who whirls the boys on a tour through time that shows them the roots of Halloween--cavemen trembling from the dark, Egyptians whose lives revolved around death, Druids appeasing their terrible gods, and so on to the grim carnival of Mexico's Day of the Dead. It's full of poetic flashes, as when "all the old beasts, all the old tales, all the old nightmares, all the unused demons-put- by" are summoned from every corner of Europe to become gargoyles in the newly-built Notre Dame Cathedral.Bradbury's theme of celebrating life by celebrating death is underlined by fleeting appearances of the gang's missing ninth boy, the one we soon realise is gravely ill and may not last the night. But Moundshroud, who is more than he seems, offers a deal ... The Halloween Tree is written as though for children, with lashings of exclamation marks--but, just as in a fairground, adults too can let their hair down and enjoy the wild roller- coaster ride. --David Langford
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