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Books : Mind, Body & Spirit : Occultism
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One might expect The Satanic Bible at least to offer a few prancing demons or a virgin sacrifice, but if you're looking for a tour of the house of horrors, this is the wrong book. Far from a manual for conquering the realms of earth, air, fire and water, The Satanic Bible is Anton LaVey's manifesto of a new religion separate from the "traditional" Judeo-Christian definitions of Satanism. While LaVey rails against the deceit of the Christian church and white magicians, he busily weaves his own deceptions.
The Satanic Bible claims the heritage of a horde of evil deities--Bile', Dagon, Moloch, and Yao Tzin to name a few--but these ancient gods have no coherent connection between each other or to Satanism, except that all have been categorised by Christianity as "evil". Calling on these ancient names like a magician shouting, "Abracadabra", LaVey attempts to shatter the classical depiction of Satanism as a cult of black mass and child sacrifice. As the smoke clears, he leads us through a surprisingly logical argument in favour of a life focused on self-indulgence. The Satanic Bible is less bible and more philosophy (with a few rituals thrown in to keep us entertained), but this philosophy is the backbone of a religion that, until LaVey entered the scene, was merely a myth of the Christian church. It took LaVey, and The Satanic Bible, to turn this myth into a legitimate public religion.--Brian Patterson, Amazon.com
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Until recently Wiccans--the name that present day witches prefer--used to claim that their religion was a recreation, even a continuation of ancient beliefs widespread in Europe before Christianity drove them out. Most of today's Wiccans are more honest, more ready to accept that theirs is a new religion, self-consciously created to serve a need not met by existing mainstream religions.
Ronald Hutton's The Triumph of he Moon is a history of modern pagan witchcraft, examining not only its origins half a century ago but the many ideas and enthusiasms of the last few centuries that paved the way for it. He finds powerful influences in 18th and 19th-century Freemasonry, 19th-century Rosicrucian-type societies, including the Hermetic Order of the Golden Dawn, as well as in the tradition of wise women, dispensers of herbal remedies and folk wisdom. Interestingly, these last, who many Wiccans would see as the main forerunners of themselves, Hutton finds to have little real significance. With the benefit of scholarly insight, he also points out the unreliability of the most influential literary and / or supposedly academic works supporting the idea of ancient European religion, such as Charles Leland's Aradia, Margaret Murray's The Witch-Cult in Western Europe and The God of the Witches, J.G. Frazer's The Golden Bough and Robert Graves' The White Goddess.
Hutton, a regular contributor to TV documentaries about Neo-Pagansism, is Professor of History at Bristol University. The Triumph of the Moon is that rarity, a very readable academic book, which will be fascinating to anyone with an interest in the history of witchcraft. --David V. Barrett
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