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Books : Science Fiction & Fantasy : Authors, A-Z : H : Herbert, Brian
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Acclaimed SF novelist Brian Herbert is the son of Dune author Frank Herbert. With his father, Brian wrote Man of Two Worlds, and later edited The Notebooks of Frank Herbert's Dune. Kevin J Anderson has written many bestsellers, alternating original SF with novels set in the X Files and Star Wars universes. Together they bring personal commitment and a life long knowledge of the Dune Chronicles to this ambitious expansion of a series which transformed SF itself.
House Atreides chronicles the early life of Leto Atreides, prince of a minor House in the galactic Imperium. Leto comes to confront the realities of power when House Vernius is betrayed in an imperial plot involving a quest for an artificial substitute to melange, a substance vital to interstellar trade found only on the planet Dune. Meanwhile House Harkonnen schemes to bring Leto into conflict with the Tleilax, and the Bene Gesserit manipulate Baron Harkonnen as part of a plan stretching back 100 generations. In the Imperial palace treason is afoot, and on Dune itself, planetologist Pardot Kynes embarks on a secret project to transform the desert world into a paradise.
Dune remains the bestselling SF novel ever, such that three decades later no prequel can possibly have the same impact. Yet in House Atrides the authors have written a compelling, labyrinthine, skilfully imagined extension of the world Frank Herbert created, which ably commands the attention for almost 600 pages. It is powerful SF continuing a great tradition, and in itself is a very considerable achievement. --Gary S. Dalkin
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The Butlerian Jihad opens a new series of Brian Herbert and Kevin J Anderson's prequels to the classic Dune by Frank Herbert (Brian's father). Set more than 10,000 years before Dune, this covers the evil times when machine intelligence ruled the Old Empire of human worlds. The implacably efficient "Omnius" AI must be overthrown.
Many familiar names appear; Salusa Secundus now green and fertile, but fated to become a hellhole prison planet, is one of the free human enclaves on the fringes of Omnius's "Synchronized Worlds". So is Giedi Prime, later the evil Harkonnen HQ. Both are attacked by fearsome robot fleets and ex-human cyborg killers when Omnius makes a new expansionist push. Much space-operatic mayhem follows.
Major characters include Serena Butler, who will become the driving force of the jihad against computer dictatorship; her lover Xavier Harkonnen, heroic defender of Salusa Secundus; Vorian Atreides, son of Omnius's chief cyborg Agamemnon, convinced by slanted histories that the Synchronized Worlds are the good guys; Erasmus, an independent robot who plays devil's advocate to Omnius and conducts unspeakably gory experiments to determine the wayward nature of humanity; and Selim, a desert exile on planet Arrakis (Dune), who becomes the first man to master the dread sandworms.
Many other firsts are rather improbably crowded together here. This is the first serious export of Dune's life-prolonging spice; the first (perhaps) spice-induced prophetic vision; first forcefield body shield; and the first antigravity "suspensors" that are invented by a girl genius who may be the first Mentat--those super-gifted humans who will replace prohibited computers. She's also busy inventing the first interstellar jump-drive. Elsewhere, telepathic "Sorceresses" prefigure the Reverend Mothers of the Bene Gesserit.
Despite a few nuances like the "good" society being flawed by its toleration of slavery, The Butlerian Jihad lacks the richness of Frank Herbert's work--his psychological intensity, the multi-layered subtlety of his characters' schemes and duel-like conversations. Instead, this is straightforwardly rousing space opera, with battle, counterstrikes, kidnapping, vows of vengeance, a fateful love triangle, and lashings of gratuitous violence and dismemberment. --David Langford
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Don't even think about reading House Harkonnen without reading its predecessor Prelude to Dune: House Atreides; anyone who does so risks sinking in the sands between Frank Herbert's original Dune and this new prequel trilogy by Herbert's son, Brian, and Kevin J. Anderson. The purist argument that had Herbert wanted to go backwards he would have done so is, at least in part, negated by the sheer narrative verve, and by the fact that Anderson and Brian Herbert manage to pull some genuine surprises out of this long-running space-opera. House Harkonnen is a massive book, and there are places where it becomes plot heavy, but in following the story of Duke Leto Atreides and the conflicts with House Harkonnen, the authors succeed in spinning a gripping adventure while going off in some unexpected directions. Anderson, who has written many successful Star Wars novels, has noted his particular admiration for The Empire Strikes Back, and his desire to emulate that film's dark take on the genre. In House Harkonnen the conflict encompasses the tragedy of nuclear war, is marked by grief and horror, vengeance and torment, and all while the complex intrigues continue to unfold.
Everything has its cost. We pay to create our future, we pay for the mistakes of the past. We pay for every change we make--and we pay just as dearly if we refuse to change.
Ultimately this is the theme of a compelling game of consequences, choices and responsibility, a study of Leto's growth into power and the price of politics and love. --Gary S. Dalkin -
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The Butlerian Jihad opens a new series of Brian Herbert and Kevin J Anderson's prequels to the classic Dune by Frank Herbert (Brian's father). Set more than 10,000 years before Dune, this covers the evil times when machine intelligence ruled the Old Empire of human worlds. The implacably efficient "Omnius" AI must be overthrown.
Many familiar names appear; Salusa Secundus now green and fertile, but fated to become a hellhole prison planet, is one of the free human enclaves on the fringes of Omnius's "Synchronized Worlds". So is Giedi Prime, later the evil Harkonnen HQ. Both are attacked by fearsome robot fleets and ex-human cyborg killers when Omnius makes a new expansionist push. Much space-operatic mayhem follows.
Major characters include Serena Butler, who will become the driving force of the jihad against computer dictatorship; her lover Xavier Harkonnen, heroic defender of Salusa Secundus; Vorian Atreides, son of Omnius's chief cyborg Agamemnon, convinced by slanted histories that the Synchronized Worlds are the good guys; Erasmus, an independent robot who plays devil's advocate to Omnius and conducts unspeakably gory experiments to determine the wayward nature of humanity; and Selim, a desert exile on planet Arrakis (Dune), who becomes the first man to master the dread sandworms.
Many other firsts are rather improbably crowded together here. This is the first serious export of Dune's life-prolonging spice; the first (perhaps) spice-induced prophetic vision; first forcefield body shield; and the first antigravity "suspensors" that are invented by a girl genius who may be the first Mentat--those super-gifted humans who will replace prohibited computers. She's also busy inventing the first interstellar jump-drive. Elsewhere, telepathic "Sorceresses" prefigure the Reverend Mothers of the Bene Gesserit.
Despite a few nuances like the "good" society being flawed by its toleration of slavery, The Butlerian Jihad lacks the richness of Frank Herbert's work--his psychological intensity, the multi-layered subtlety of his characters' schemes and duel-like conversations. Instead, this is straightforwardly rousing space opera, with battle, counterstrikes, kidnapping, vows of vengeance, a fateful love triangle, and lashings of gratuitous violence and dismemberment. --David Langford
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