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Books : Science Fiction & Fantasy : Authors, A-Z : V : Vonnegut, Kurt
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It took Vonnegut more than 20 years to put his Dresden experiences into words. He explained, "there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again." Slaughterhouse Five is a powerful novel incorporating a number of genres. Only those who have fought in wars can say whether it represents the experience well. However, what the novel does do is invite the reader to look at the absurdity of war. Human versus human, hedonist politicians pressing buttons and ordering millions to their deaths all for ideologies many cannot even comprehend. Flicking between the US, 1940's Germany and Tralfamadore, Vonnegut's semi- autobiographical protagonist Billy Pilgrim finds himself very lost. One minute he is being viewed as a specimen in a Tralfamadorian Zoo, the next he is wandering a post-apocalyptic city looking for corpses. Slaughterhouse Five-Or The Children's Crusade A Duty-Dance with Death is a remarkable blend of black humour, irony, the truth and the absurd. The author regards his work a "failure", millions of readers do not. Released the same time bombs were falling on South East Asia, this title caused controversy and awakening. Essential reading for all. So it goes. --Jon Smith
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Kurt Vonnegut's second SF novel was published way back in 1959 but remains horribly timeless. For all the book's wild inventiveness, it's one of the most blackly nihilistic comedies ever published in the genre. The tragicomic godgame is presided over by Winston Niles Rumfoord, who has accidentally become a standing wave in space/time and knows the past and the future. Since the future is fixed, he can't change it even though it involves him arranging nasty fates for many people--in particular Malachi Constant, richest man in the world since his father's career of interpreting the Bible as a coded guide to the stockmarket. Despite his struggles, Constant is destined for a grimly comic pilgrimage around the Solar System to Titan, home since 203,117 BC of the visiting alien Salo whose presence has warped the whole of human history. Salo's far-off people manipulated us into building Stonehenge, the Great Wall of China and other vast constructions as reassuring signals to their stranded emissary--who himself is carrying a message of truly cosmic unimportance. Small wonder that Rumfoord tries to cheer up humanity by founding the Church of God the Utterly Indifferent. Vonnegut scatters crazed ideas in all directions, forcing you into painful laughter at the grandiose futility of his cosmos. Another worthy Millennium SF Masterworks classic. --David Langford
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Kurt Vonnegut wasn't too crazy about the first version of his latest (and, he says, last) book Timequake, which is part memoir, part rescued novel. As he writes in the introduction, "My great big fish, which stunk so, was entitled Timequake." The book was originally going to be about a cosmic rerun, where the whole world does one decade over again exactly as it did before. However, after a decade in a writer's block continuum, Vonnegut decided to jump ship and salvage what he could from the wreckage of "a novel that never wanted to be written." He "filleted" the big stinky sucker, took its best parts out and made a "stew", seasoning it with memories and personal anecdotes. Vonnegut's alter ego, Kilgore Trout, the science fiction writer from previous novels (Slaughterhouse Five, Galapagos, Breakfast of Champions), looks back on his life as well when he meets up with Vonnegut at a clambake after history has repeated itself. Both authors discuss the idea of paralyzed "free will", the loss of loved ones and why "being alive is a crock of shit". Although it's filled with Vonnegut's unmistakable sarcasm and quirky insights, Timequakeisn't a streamlined novel with a tightly bound plot and strictly directed characters. It's a loose, free-flowing farewell from one of America's most beloved voices in popular fiction.
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It took Vonnegut more than 20 years to put his Dresden experiences into words. He explained, "there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again." Slaughterhouse Five is a powerful novel incorporating a number of genres. Only those who have fought in wars can say whether it represents the experience well. However, what the novel does do is invite the reader to look at the absurdity of war. Human versus human, hedonist politicians pressing buttons and ordering millions to their deaths all for ideologies many cannot even comprehend. Flicking between the US, 1940's Germany and Tralfamadore, Vonnegut's semi- autobiographical protagonist Billy Pilgrim finds himself very lost. One minute he is being viewed as a specimen in a Tralfamadorian Zoo, the next he is wandering a post-apocalyptic city looking for corpses. Slaughterhouse Five-Or The Children's Crusade A Duty-Dance with Death is a remarkable blend of black humour, irony, the truth and the absurd. The author regards his work a "failure", millions of readers do not. Released the same time bombs were falling on South East Asia, this title caused controversy and awakening. Essential reading for all. So it goes. --Jon Smith
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Kurt Vonnegut's second SF novel was published way back in 1959 but remains horribly timeless. For all the book's wild inventiveness, it's one of the most blackly nihilistic comedies ever published in the genre. The tragicomic godgame is presided over by Winston Niles Rumfoord, who has accidentally become a standing wave in space/time and knows the past and the future. Since the future is fixed, he can't change it even though it involves him arranging nasty fates for many people--in particular Malachi Constant, richest man in the world since his father's career of interpreting the Bible as a coded guide to the stockmarket. Despite his struggles, Constant is destined for a grimly comic pilgrimage around the Solar System to Titan, home since 203,117 BC of the visiting alien Salo whose presence has warped the whole of human history. Salo's far-off people manipulated us into building Stonehenge, the Great Wall of China and other vast constructions as reassuring signals to their stranded emissary--who himself is carrying a message of truly cosmic unimportance. Small wonder that Rumfoord tries to cheer up humanity by founding the Church of God the Utterly Indifferent. Vonnegut scatters crazed ideas in all directions, forcing you into painful laughter at the grandiose futility of his cosmos. Another worthy Millennium SF Masterworks classic. --David Langford
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Kurt Vonnegut wasn't too crazy about the first version of his latest (and, he says, last) book Timequake, which is part memoir, part rescued novel. As he writes in the introduction, "My great big fish, which stunk so, was entitled Timequake." The book was originally going to be about a cosmic rerun, where the whole world does one decade over again exactly as it did before. However, after a decade in a writer's block continuum, Vonnegut decided to jump ship and salvage what he could from the wreckage of "a novel that never wanted to be written." He "filleted" the big stinky sucker, took its best parts out and made a "stew", seasoning it with memories and personal anecdotes. Vonnegut's alter ego, Kilgore Trout, the science fiction writer from previous novels (Slaughterhouse Five, Galapagos, Breakfast of Champions), looks back on his life as well when he meets up with Vonnegut at a clambake after history has repeated itself. Both authors discuss the idea of paralyzed "free will", the loss of loved ones and why "being alive is a crock of shit". Although it's filled with Vonnegut's unmistakable sarcasm and quirky insights, Timequakeisn't a streamlined novel with a tightly bound plot and strictly directed characters. It's a loose, free-flowing farewell from one of America's most beloved voices in popular fiction.
-
It took Vonnegut more than 20 years to put his Dresden experiences into words. He explained, "there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again." Slaughterhouse Five is a powerful novel incorporating a number of genres. Only those who have fought in wars can say whether it represents the experience well. However, what the novel does do is invite the reader to look at the absurdity of war. Human versus human, hedonist politicians pressing buttons and ordering millions to their deaths all for ideologies many cannot even comprehend. Flicking between the US, 1940's Germany and Tralfamadore, Vonnegut's semi- autobiographical protagonist Billy Pilgrim finds himself very lost. One minute he is being viewed as a specimen in a Tralfamadorian Zoo, the next he is wandering a post-apocalyptic city looking for corpses. Slaughterhouse Five-Or The Children's Crusade A Duty-Dance with Death is a remarkable blend of black humour, irony, the truth and the absurd. The author regards his work a "failure", millions of readers do not. Released the same time bombs were falling on South East Asia, this title caused controversy and awakening. Essential reading for all. So it goes. --Jon Smith
-
-
Kurt Vonnegut's second SF novel was published way back in 1959 but remains horribly timeless. For all the book's wild inventiveness, it's one of the most blackly nihilistic comedies ever published in the genre. The tragicomic godgame is presided over by Winston Niles Rumfoord, who has accidentally become a standing wave in space/time and knows the past and the future. Since the future is fixed, he can't change it even though it involves him arranging nasty fates for many people--in particular Malachi Constant, richest man in the world since his father's career of interpreting the Bible as a coded guide to the stockmarket. Despite his struggles, Constant is destined for a grimly comic pilgrimage around the Solar System to Titan, home since 203,117 BC of the visiting alien Salo whose presence has warped the whole of human history. Salo's far-off people manipulated us into building Stonehenge, the Great Wall of China and other vast constructions as reassuring signals to their stranded emissary--who himself is carrying a message of truly cosmic unimportance. Small wonder that Rumfoord tries to cheer up humanity by founding the Church of God the Utterly Indifferent. Vonnegut scatters crazed ideas in all directions, forcing you into painful laughter at the grandiose futility of his cosmos. Another worthy Millennium SF Masterworks classic. --David Langford
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