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Books : Science Fiction & Fantasy : Fantasy : Magic & Wizards
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The Colour of Magic is Terry Pratchett's maiden voyage through the bizarre land of Discworld. His entertaining and witty series has grown to more than 20 books, and this is where it all starts--with the tourist Twoflower and his hapless wizard guide, Rincewind ("All wizards get like that... it's the quicksilver fumes. Rots their brains. Mushrooms, too."). Pratchett spoofs fantasy clichés--and everything else he can think of--while marshalling a profusion of characters through a madcap adventure. The Colour of Magic is followed by The Light Fantastic. --Blaise Selby, Amazon.com
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Like a venerable patriarch, Magician stands at the head of a great tribe of fantasy writing. When Raymond Feist's enormous novel was published, critics called it "the best new fantasy concept in years", and Feist has refined and explored that concept over a dozen novels. His "concept" was to bring together two (and later, more) whole, intricately realised fantasy worlds. Midkemia is a Tolkienian realm, a European- Medieval series of kingdoms in which magic is prominent, and where men share the earth with dwarves and elves. Feist's genius was inventing another sword and sorcercy realm based more closely on eastern models, the Empire of Tsuranuanni, as vast as Ancient China, as formalised and devoted to the arts of war as a samurai Japan. A magical rift in time-space brings these two worlds clashing together, and the young boy Pug and his soldier friend Tomas are thrown into the ensuing maelstrom of invasion and epic battle, before embarking on a more fundamental magical journey towards the very roots of evil itself. Feist's two sequels to Magician, Silverthorn and A Darkness at Sethanon complete the richly conceived Riftwar Saga, and Feist has gone on to chronicle other aspects of his invented worlds. With Janny Wurts he wrote the Empire trilogy, which charts the rise, through the rigid patriarchy of the Empire of Tsuranuanni, of a remarkable female heroine, a woman who eventually reaches the heights of the imperial throne itself Daughter of the Empire, Servant of the Empire and Mistress of Empire. More recently he has returned to the world of Medkemia, and to his hero Pug, with the Serpentwar saga, beginning with Shadow of a Dark Queen and continuing with Rise of a Merchant Prince, Rage of a Demon King and Shards of a Broken Crown. Heroic Fantasy is a crowded-enough field, but Feist stands out in it for his sheer inventive power, the scope and range of his narratives, the diversity of his characters and his thundering battle sequences. Start reading here, and you may find yourself unable to stop until you have followed the saga right up to date. --Adam Roberts
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Terry Pratchett's 22nd Discworld novel, The Last Continent, is a lighthearted tour of the fantasy land of Fourecks, a very Australian sort of place, with brief courses in theoretical physics and evolution thrown in for good measure. Pratchett returns to his first Discworld protagonist, the inept and cowardly wizard Rincewind, who habitually runs into trouble as fast as he flees. Rincewind's arrival in Fourecks has distorted the space-time continuum, and he has to sort it out before the whole place dries up and blows away. The situation is complicated because the actual problem is located 30,000 years in the past--just where the Faculty of the Unseen University currently are. Pretty frightening, given "the true wizard's instinct to amble aimlessly into dangerous places," and then "stop and argue ... about exactly what kind of danger it [is]."If you're baffled by all this, no worries, mate. You needn't have read Pratchett before--not even the five previous Discworld novels starring Rincewind (The Colour of Magic, The Light Fantastic, Sourcery, Eric, and Interesting Times)--to enjoy this latest romp. Nor to have visited Australia. When you finish, however, you'll likely want to rush out and do both. --Nona Vero
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"In the Beginning there was Arnold Bros (est 1905), the great department store...." and so begins Terry Pratchett's hugely entertaining and effervescent The Bromeliad trilogy.From the First Book of the Nomes, Truckers where the nomes have to face up to the harsh reality that their comfortable and somewhat lazy lives beneath the floorboards of mankind are threatened; through to Diggers where the battle for survival really begins; culminating in Wings as the intrepid Masklin, with the aid of the electrical Thing, plots to return the nomes to Home on a Ship that will take them back to the stars where they belong, Pratchett never fails to excite.
With his amazing sense of the ridiculous and his sly, witty, ironic wordsmithery this intelligent and occasionally totally ludicrous three-in-one fantasy combo certainly does nothing to detract from Pratchett's reputation as one of the coolest and cultiest writers of his era. --Susan Harrison