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Featured Categories : Young Adult : History & Historical Fiction
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Philippa Gregory has long been one of the most assured practitioners of historical fiction, but her profile was raised even higher by the film of her novel The Other Boleyn Girl. Gregory admirers, however, were heard to remark of that movie: `Not as good as the book!' And if her new novel, the highly accomplished The Other Queen is ever afforded the Hollywood treatment, there will no doubt be a similar chorus. The reason for this dedication by her readers is not hard to fathom: assiduously researched historical facts are married to consummate storytelling skills - and the effortless ability to rescue historical figures from the dusty pages of the past.
At the centre of this novel is Mary Queen of Scotland, forced to flee into England. Mary, a devout Catholic, is, of course, a living threat to the rule of her cousin Elisabeth, whose Protestant reign is uncertain. We've been here before, of course, in various books and films. But Philippa Gregory's story this time has a different emphasis: Elizabeth's chief advisor, Cecil, formulates a plan in which the destabilising Mary will live under guard with his faithful friend, Bess of Hardwick. Bess is a remarkable woman herself; someone who has forged her own destiny, and is now in her fourth marriage, to the distinguished Earl of Shrewsbury. But soon Bess and Mary find themselves plunged into very different personal crises - with Bess's marriage under considerable strain.
The Other Queen is wonderfully accomplished stuff, evoking a much-pored-over era with a totally fresh eye.
--Barry Forshaw
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Emperor - Field of Swords takes Colin Iggulden's sequence of novels about the rise of Julius Caesar to a point where Caesar is forced to bid for mastery of the Roman world. Iggulden is intelligent and precise about the internal dynamics of the triumvirate of Caesar, the elderly rich Crassus and the proud Pompey. This alliance was never more than pragmatic and there was always going to be a settling of accounts--thus far so good, but Iggulden's idealizing of Caesar leads him at times into ignoring the sheer complexity of the affairs of the late Republic. This is a version of Rome which downplays the alliance of street and snob, and treats Caesar as if he were always an apostle of order--it is a historical novel which plays worrying games with historical fact.Iggulden is fascinating on Caesar as governor and general--in the areas, that is, where we have the words of the man himself, rather than the spin put on his actions by his enemies. There is a real sense here of the practicalities of ancient warfare, of hard footslogging in difficult terrain and planning supplies for the long haul of sieges and forced marches - Iggulden may oversimplify politics, but he is intelligent about battle. --Roz Kaveney
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The first volume of a sequence of novels about Julius Caesar, The Gates of Rome is at its best in its scenes of gruelling training in swordplay and dirty fighting. Iggulden's Caesar is more or less fated from the start by his circumstances to be a gifted and cynical player in the great game of Roman senatorial politics--his father is an old-fashioned servant of the public good who dies in a slave revolt. Young Caesar finds himself having to hit the ground running--family alliances throw him onto the losing side in a battle for power between generals Marius and Sulla.One reservation about Iggulden's story is that he simplifies the pushing and shoving of Rome's two most powerful men to a degree that makes Caesar's choices and loyalties too simple--this is a version of Rome in which politics is only about power and never about ideas. Caesar's friendship with his blood-brother Marcus is too redolent with historical irony--Marcus will be his assassin--and Iggulden is a little novelette-ish in his portrayal of young Caesar's affairs of the heart. This is a competent, routine account of material that deserves better than this handling of it. --Roz Kaveney
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The first book in Conn Iggulden's highly impressive Emperor series, The Gates of Rome, immediately marked the author out as one of the most accomplished practitioners of the sweeping historical novel at work today. The second book, The Death of Kings, creates another massive panoply of the Ancient World with the young Caesar serving onboard a war galley in the dangerous tempest-tossed waters of the Mediterranean. Achieving a striking victory with his already fully formed intellect and forceful personality, things suddenly turn disastrous for him when he is captured by pirates and imprisoned on the North Coast of Africa. But Caesar knows he is not fated to end his prospects here, and uses his charisma and leadership abilities to forge a lean and lethal squadron of warriors who break out of captivity and find themselves involved in a bloody uprising in Greece. And, inevitably, Caeser is soon back on his way to Rome for another encounter that will have tremendous consequences both for him and his fellow Romans.Iggulden's skills are many and varied: he is well aware that narratives such as this must have an irresistible forward impetus, and that's maintained with an inexorable control here. And he knows that the reader must constantly have the details of these fabulous ancient times conjured afresh throughout the book--but never at the expense of the trajectory of the story. The author's key achievement, though, is in his laser-sharp characterisation of Caesar and those he encounters--and this is where the real splendour of The Death of Kings lies: Caesar is very much a man of his time, but the conjuring trick of allowing the modern reader to enter his psychology is always handled with quiet assurance.
It's only matter of time before Hollywood gets its hand on this property, with its copious action, mighty sea battles and vivid backdrops--but this is the way to enjoy it, leaping with vigour from the printed page. --Barry Forshaw
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