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Featured Categories : Young Adult : Horror
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Despite being mostly known for his fantastical graphic novels and adult fiction, Neil Gaiman's first book for children is everything that you would expect from such a massive imagination as his. It's special and wonderful and very weird indeed. Described by some as the new Alice in Wonderland, Coraline is actually more bizarre than that, much more frightening and its modest length definitely adds to the book's undiluted potency.Shortly after moving into an old house with strange tenants above and below, Coraline discovers a big, carved, brown wooden door at the far corner of the drawing room. And it is locked. Curiosity runs riot in Coraline's mind and she unlocks the door to see what lies behind it. Disappointingly, it opens onto a brick wall. Days later, after exploring the rest of the house and garden, Coraline returns to the same mysterious door and opens it again. This time, however, there is a dark hallway in front of her. Stepping inside, the place beyond has an eerie familiarity about it. The carpet and wallpaper are the same as in her flat. The picture hanging on the wall is the same. Almost. Strangest of all, her mum and dad are there too. Only they have buttons for eyes and seem more possessive than normal. It's a twisted version of her world that is familiar, and yet sinister. And matters get even more surreal for Coraline when her "other" parents seem reluctant to let her leave.
Her attempted escape from this nightmare alternative reality sees Coraline experience a chilling series of ever more bizarre encounters. Some are plainly odd, others disturbingly spooky and together they combine to form an immensely readable story. It's like all the best bits of the Goosebumps books condensed into 160 pages. A unique reading experience guaranteed. (Ages 10 and over)--John McLay
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Coming hot and bloodily on the heels the two opening Darren Shan sagas, Cirque du Freak and The Vampire's Assistant, this third episode in the life of a vampire-to-be is reassuringly gut-wrenching and still as addictive.Shan again makes no bones about his new life as a half-vampire in the shadow of his full-vampire master, Mr Crepsley. It's brutal and gory, but also fascinating and compelling. Darren's life is different from those around him and he's plagued by feelings of rejection. He's fit and energetic, with superb sensory perception--and he's growing stronger every day. Yet, he is tormented by the human life he has left behind. He can't make normal friends and has no family except the strange and unearthly collection of hobos who inhabit his usual home--the touring circus-of-horrors that is the Cirque du Freak.
In Tunnels of Blood, Shan and the snake-boy Evra--who seems hell-bent on tracking down a rogue vampire on the loose--visit a nameless city on the coat-tails of Crepsley. Vampire law, such that as is, has been violated and a particularly foul and loathsome creature of the night is killing humans in a distinctly uncivilised way. But the monster has picked Crepsley's home town in which to wreak havoc and he must be stopped. Darren, however, has suspicions about Crepsley's motives and his intervention at a crucial point in the hunt threatens dire consequences for all concerned.
Throughout, Shan is debunking myths of the undead by the page-load and then creating a fair few of his own too. Garlic and a fear of the cross is hokum it seems, but Vampire Generals and Vampaneze are fair game.
Despite the story being a bit thinner than in the previous two books, it's still inventive and original, with page-turning action and cliffhanging chapters galore. Shan is trying very hard to entertain and he's getting away with it. --John McLay
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