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Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
The End of the Affair (Vintage Classics)

Graham Greene

Set in London during and just after World War II, Graham Greene's The End of the Affair is a pathos-laden examination of a three-way collision between love of self, love of another and love of God. The affair in question involves Maurice Bendrix, a solipsistic novelist, and a dutifully married woman, Sarah Miles. The lovers meet at a party thrown by Sarah's dreary civil-servant husband, and proceed to liberate each other from boredom and routine unhappiness. Reflecting on the ebullient beginnings of their romance, Bendrix recalls: "There was never any question in those days of who wanted whom--we were together in desire". Indeed, the affair goes on unchecked for several years until, during an afternoon tryst, Bendrix goes downstairs to look for intruders in his basement and a bomb falls on the building. Sarah rushes down to find him lying under a fallen door, and immediately makes a deal with God, whom she has never particularly cared for:
"I love him and I'll do anything if you'll make him alive... I'll give him up forever, only let him be alive with a chance... People can love each other without seeing each other, can't they, they love You all their lives without seeing You".
Bendrix, as evidenced by his ability to tell the story, is not dead, merely unconscious, and so Sarah must keep her promise. She breaks off the relationship without giving a reason, leaving Bendrix mystified and angry. The only explanation he can think of is that she's left him for another man. It isn't until years later, when he hires a private detective to ascertain the truth, that he learns of her impassioned vow. Sarah herself comes to understand her move through a strange rationalisation. Writing to God in her journal, she says:
"You willed our separation, but he [Bendrix] willed it too. He worked for it with his anger and his jealousy, and he worked for it with his love. For he gave me so much love, and I gave him so much love that soon there wasn't anything left, when we'd finished, but You".
It's as though the pull toward faith were inevitable, if incomprehensible--perhaps as punishment for her sin of adultery. In her final years, Sarah's faith only deepens, even as she remains haunted by the bombing and the power of her own attraction to God. Set against the backdrop of a war-ravaged city, The End of the Affair is equally haunting as it lays forth the question of what constitutes love in troubling, unequivocal terms. --Melanie Rehak
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Alentejo Blue

Monica Ali
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane (Thorndike Core)

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane.

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Alentejo Blue

Monica Ali
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane: A Novel

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Alentejo Blue

Monica Ali
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Brick Lane

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
Alentejo Blue

Monica Ali
Brick Lane: A Novel

Monica Ali

With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.
Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.
This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw
In the Kitchen

Monica Ali
ALENTEJO BLUE

Monica ALI
BRICK LANE - SIGNED

ALI MONICA