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Books : Crime, Thrillers & Mystery : Authors, A-Z : L : Leon, Donna
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Donna Leon's engaging books have been the cheapest way to travel to Italy for quite some time -- and her legion of admirers know that the Venice of her protagonist Commissario Brunetti is a wonderful destination for the crime fiction lover. Leon, an American expat who now lives in la Serenissima (with such luminaries as opera singer Cecilia Bartoli as one of her friends) has gone native - in no uncertain terms. Her knowledge of Brunetti's water-logged beat is transmuted into vivid and evocative narratives: the Grand Canal and the Rialto Bridge are often the dark passageways to another, darker Italy, where hidden (and not-so-hidden) corruption - in politics and daily life - is very much an everyday thing (as headlines in the papers - not just in Donna Leon's books -remind us on a daily basis).The Girl of his Dreams demonstrates how much life is left in the Leon/Brunetti criminal world. A child's body is found floating near some steps on the Grand Canal - it is that of a dead girl. But there have been no reports of missing children -- and the search for the identity of the youthful victim and her family takes Brunetti to many varied destinations, including a Gypsy encampment on the mainland, and (eventually), he turns up some very nasty secrets. As ever, it's not just the villains who thwart Brunetti at every turn - it's the venality and clandestine nature of the establishment that hampers him, almost as a matter of course.
This is Leon on effortless form - Brunetti fans need not hesitate. --Barry Forshaw
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Amazingly, Wilful Behaviour is Donna Leon's 11th novel featuring Commisario Guido Brunetti, and there's not a trace of the repetition or autopilot plotting that seems to kick in on so many long-running series. Set in Venice once more (US expat Leon's home patch), Brunetti's life is made even more difficult than in such illustrious previous outings as Friends in High Places.An extraordinary art collection owned by an elderly Austrian woman is kept, rather rashly, in her flat. When she is discovered dead, the case lands in Brunetti's lap, and Leon's sardonic copper soon discovers secrets involving collaboration and the exploitation of Italian Jews during the war. The brick wall he encounters seems impregnable--very few people are happy to talk about what they know. But this time his wife Paola becomes involved. One of her students tells Brunetti about a crime committed by her grandfather who died in a mental home after escaping prison, then the girl is savagely stabbed to death What is her connection with the murdered Austrian woman with and her art collection? Brunetti gets closer to a labyrinthine plot that cuts across every level of Venetian society.
Brunetti remains one of the most persuasively characterised protagonists in crime fiction, and it's nice to see Paola Brunetti move centre stage in this one--she's a winning character. Donna Leon's authoritatively written novels combine machine-tooled plotting with her customarily vivid Italian locations. Living in Venice for over 20 years has given Leon a finger-tip knowledge of her locale, and she's unbeatable at conjuring up La Serenissima. But these are detective novels that don't merely utilise Venice as an exotic backdrop for mysteries and bloodletting; we are given brilliantly observed vignettes of workaday Venice as well. Wilful Behaviour may be slower exerting its grip than earlier Brunettis, but Leon's inexorable skills soon have us gripped quite as comprehensively as ever. --Barry Forshaw
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Doctored Evidence is every bit as impressive as any previous outing for the urbane Commissario Brunetti we've encountered--and reading a Donna Leon novel is almost as good as a trip to Italy, so evocative is the ex-pat of her adoptive country. Not that Signor Berlusconi would necessarily approve of the multiple levels of Italian corruption and double-dealing that Leon has strip-mined for her unflappable copper to take on--and her view of the other dark sides of Italy strays quite some way from the tourist's point of view.Here, Brunetti seems to have come up against an open-and-shut case; a well-heeled Venetian is found bloodily murdered in her flat, with her missing maid, a Romanian immigrant, the prime suspect. The maid is tracked down, but meets a violent end on a railway track attempting to escape. Needless to say, Brunetti doesn't takes things at face value and when it transpires that the money found on the maid has not been stolen, this (along with other factors) has Brunetti doing a little unofficial sleuthing, and uncovering a very tangled web of motives indeed--with revelations quite different from the attempts to cover up municipal shenanigans that have often been the worm in the bud of previous Brunetti cases.
By now, we're all very comfortable with the Commissario and his dogged head-butting at complacent institutions. But Leon is not one to rest on her laurels--there are new elements here (notably in the brilliantly orchestrated final chapters) that take us into new territory. But all the things we love about this series are firmly in place: vivid, acutely detailed locales, the usual exemplary characterisation (not just of Brunetti--the whole dramatis personae here is spot-on); and of course that impeccable plotting. --Barry Forshaw
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Uniform Justice, the latest outing for Donna Leon's creation, Commissario Brunetti, is a prime example of Leon's non pareil scene-setting and brilliantly wrought plots, which often take their own sweet time to establish an inexorable grip. After the death in the first few pages that sets the narrative in progress, the reader (and Brunetti) has to crack a particularly knotty puzzle. Did the young cadet at a prestigious military school die at his own hand, or was it murder? And, if his death was self-inflicted, was it intentional or accidental?The boy's parents are separated, and Brunetti learns that his mother was the victim of a shooting some years ago. Further, the boy's sister has disappeared. At the military school, Brunetti encounters a polite wall of silence, but that's nothing new for him, and this resourceful Italian copper thrives on unsolvable crimes. This time, however, the complex mystery he encounters lends itself to no easy solution. The heady brew here yokes in high-level corruption involving Italian army procurement and the allegation of transgressive sexual practices.
As ever, Leon juggles these elements with consummate skill, and it's a given that the Venetian setting is as impeccably conjured as ever. The treatment of Brunetti is fresh, too: the frustration and intransigence he struggles with are particularly counterpointed by his identification with the case--Brunetti has a son of the same age as the dead boy. But what's notably pleasing here is Donna Leon's refusal to tie everything up in a too-neat and orderly fashion. Its messy compromises are much more like real life than the contrivances of most crime novels. --Barry Forshaw
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In this eighth Donna Leon police procedural set in Venice, honest cop Brunetti finds himself, for once, bending the rules severely. His wife, Paola, has been arrested for vandalism and malicious damage. She has, of course, acted out of the highest of motives--the tourist agency whose windows she smashed specialises in trips for unaccompanied men to the Far East. But just how far is it legitimate to go when faced with something like sex tourism? And how can Brunetti pursue justice with his wife taking the law into her own hands?This has all of Leon's regular cast of characters--Brunetti's indolent and corrupt superior Patta, only too pleased to use his zealous commissario as a scapegoat, and Paola's somewhat sinister father, Count Falier, one of the men who, for good and ill, run the city of Venice. As always, the plot switchbacks from crime to crime and issue to issue. Leon's endlessly superior capacity for leading her readers up a variety of garden paths has rarely been so clearly on display. Above all, it shows what has been one of the more attractive marriages in modern detective fiction under serious stress for the first time; these have always been detective stories that offered more rewards than those of crime and punishment and this one is no exception.--Roz Kaveney
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Donna Leon's sweetly cynical Venetian cop Brunetti has his principles, but is always prepared to bend them a little, to appeal to his own Friends in High Places. When bureaucrat Rossi starts to investigate whether his apartment in a historic building has any right to exist, he and his wife start to look for leverage;At no time did it occur to him, as it did not occur to Paola, to approach the matter legally, to find out the names of the proper offices and officials and the proper steps to follow ... Venetians ignored them, knowing that the only way to deal with problems like this was by means of acquaintances, friendships, contacts and debts built up over a lifetime.
When Rossi rings him at his office, seeking help, and is found dead under some scaffolding, Brunetti feels a particular obligation to find out whether he fell, or was thrown. His investigations take him to the heart of corruption, to money lenders and officials and drug dealers and petty thugs, and to solutions and resolutions that are only ever going to be partial. Brunetti is an attractive detective because he has a human preparedness to make compromises and a judicious sense of when it is morally appropriate, and when it is not. And as always in this excellent and popular series, the true protagonist is the city of Venice, its buildings and its weather and its smells. --Roz Kaveney
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The latest of Donna Leon's novels about principled Venetian cop Brunetti, Blood from a Stone is one of her timeliest. Two mysterious white men carry out a professional hit on one of the Somali traders who illegally hawk counterfeit luggage in a local square, and for some reason, Brunetti's superiors are remarkably keen that the case be left unsolved. Is this mere casual institutional racism, or something even more sinister? Brunetti, like many other fictional policemen, has no particular gift for obedience to unreasonable orders, and has also a left-wing academic wife to prod his already active conscience. Donna Leon is not usually as political as she is here; this is one of her more biting thrillers in its indictment of international trade and the security state.Brunetti has rarely been this melancholy--this is a thriller set in the dead of a Venice winter, and the cold, wet winds eat into our bones as we read. ---Roz Kaveney
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