Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : A : Allende, Isabel

Shop Categories

...A

The House of the Spirits

Isabel Allende
Ines of My Soul

Isabel Allende
Eva Luna

Isabel Allende
City of the Beasts

Isabel Allende
Forest of the Pygmies

Isabel Allende
Daughter of Fortune

Isabel Allende

Until Isabel Allende burst onto the scene with her 1985 debut, The House of the Spirits, Latin American fiction was, for the most part, a boys' club comprised of such heavy hitters as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. But the Chilean Allende shouldered her way in with her magical realist multigenerational tale of the Trueba family, followed it up with four more novels and a spate of non-fiction and has remained in a place of honour ever since. Her sixth work of fiction, Daughter of Fortune, shares some characteristics with her earlier works: The canvas is wide, the characters are multigenerational and multiethnic, and the protagonist is an unconventional woman who overcomes enormous obstacles to make her way in the world. Yet one cannot accuse Allende of telling the same story twice; set in the mid-1800s, this novel follows the fortunes of Eliza Sommers, Chilean by birth but adopted by a British spinster, Rose Sommers, and her bachelor brother, Jeremy, after she is abandoned on their doorstep.
"You have English blood, like us", Miss Rose assured Eliza when she was old enough to understand. "Only someone from the British colony would have thought to leave you in a basket on the doorstep of the British Import and Export Company, Limited. I am sure they knew how good-hearted my brother Jeremy is and felt sure he would take you in. In those days I was longing to have a child and you fell into my arms, sent by God to be brought up in the solid principles of the Protestant faith and the English language."
The family servant, Mama Fresia, has a different point of view, however: "You, English? Don't get any ideas, child. You have Indian hair, like mine." And certainly Eliza's almost mystical ability to recall all the events of her life would seem to stem more from the Indian than the Protestant side.
As Eliza grows up, she becomes less tractable and when she falls in love with Joachin Andieta, a clerk in Jeremy's firm, her adoptive family is horrified. They are even more so when a now-pregnant Eliza follows her lover to California where he has gone to make his fortune in the 1849 goldrush. Along the way Eliza meets Tao Chi'en, a Chinese doctor who saves her life and becomes her closest friend. What starts out as a search for a lost love becomes, over time, the discovery of self; and by the time Eliza finally catches up with the elusive Joachin, she is no longer sure she still wants what she once wished for. Allende peoples her novel with a host of colourful secondary characters. She even takes the narrative as far afield as China, providing an intimate portrait of Tao Chi'en's past before returning to 19th-century San Francisco, where he and Eliza eventually end up. Readers with a taste for the epic, the picaresque and romance that is satisfyingly complex will find them all in Daughter of Fortune.--Margaret Prior, Amazon.com
The Sum of Our Days

Isabel Allende
Kingdom of the Golden Dragon

Isabel Allende
Zorro

Isabel Allende

If admirers of the exquisitely talented novelist Isabel Allende had to pick the least likely subject for a novel by her, it would probably be the swashbuckling yarn Zorro. But that's exactly what Allende has tackled, and with her first adult novel since 2001's Portrait in Sepia--and the result (against all the odds) is a conspicuous success.
It is, after all, something of a surprise that Allende proves herself so adept at a novel chronicling the adventures of this masked superhero figure of the old world. In such books as her signature novel The House of the Spirits, the author's territory has been the careful and insightful delineation of human character against richly atmospheric settings. Swashbuckling adventure has hardly been her metiér, but in some ways Zorro proves to be a more successful resurrection of the much-loved tale than the rather self-conscious Antonio Banderas movie incarnation.
Diego de la Vega is a man caught between two societies: he inherits his aristocratic background from his Spanish father, a high-ranking military officer who has become a landowner. His mother, however was a Shosone Indian, and it is from his Indian grandmother that he absorbs Indian ways, while achieving the unparalleled swordsmanship skills of his father. As his country suffers under the yoke of Napoleon's autocratic rule, Diego becomes a member of la Justicia, an underground movement dedicated to the overthrow of the tyrant. He then finds himself called upon to use his warrior skills to deliver those around him--and to confront a deadly rival.
Of necessity, the character drawing here has to be on a larger scale than we are used to from Allende, but she is still able to freight much of her subtle observation into the colourful canvas that is Zorro. Will her long-time admirers be able to accept such a radical change of pace from the author of The House of the Spirits? If they can't, they are doing themselves a disservice--and those addicted to novels of high adventure can add a new title to their lists.--Barry Forshaw
Paula

Isabel Allende
La Casa de Los Espiritus (Compendios Vosgos)

Isabel Allende
The House of the Spirits (Black Swan)

Isabel Allende
Paula

Isabel Allende
Of Love and Shadows

Isabel Allende
Aphrodite

Isabel Allende

There is something about reading suggestive material that awakens the senses--too often ignored in the fray of modern life--and fires the imagination. Perhaps it brings us back to those breathless, palpitating moments from childhood when puberty was a rosy smudge on the horizon and sex was an abstract term. Aphrodite is a long, savoury, enthralling ode to sensuality.
In this bawdy memoir-cum-cookbook, Allende has put together an apothecary of aphrodisiacs, from snake's blood and rhinoceros horn to the more commonplace and more palatable oysters, "those seductive tears of the sea, which lend themselves to slipping from mouth to mouth like a prolonged kiss ... can be purchased in bottles, but there they look like malignant tumours; in contrast, moist and turgid in their shells they suggest delicate vulvae--a prime example of food that appeals to the eye." Chapters such as "Alligators and Piranhas"; "Supreme Stimulus for Lechery"; "Bread, God's Grace"; "Forbidden Fruits"; and "The Saucy Way to Foreplay" offer categorical listings on the aphrodisiac qualities of meats, spices, fruits and vegetables, and alcohol. A few chapters into the book, one begins to wonder what foods aren't considered erotic: "the shape of the wheat head is considered phallic, which proves human imagination knows no limits." Wine (no surprise there) is recommended because "it lessens inhibitions, relaxes, and fosters joy, three fundamental requirements for good performance, not only in bed but at the piano as well." However, as in many situations, moderation is key: too much and you may find your guest asleep in the soup.
Allende dismisses nouvelle cuisine in favour of earthier foods and more satisfying portions. More than 100 recipes are provided, from sauces and soups to hors d'oeuvres, supplemented with her voluptuous commentary. Recipes such as Mykonos Sauce, with walnuts, pistachios, basil, garlic, and milk; Widower's Figs; Filet Mignon Belle Epoque; and Alicante Cream Soup, with leeks, shrimp, oysters, paprika, and cream will have you in an apron (and perhaps not much else) in no time.
"If cookbooks make up part of your library," Allende notes, "books on eroticism should, too." And what more delightful combination of the two than Aphrodite, which provocatively underscores the relationship between sustenance and sexuality, and the aphrodisiac qualities of watching a man cook: "[Women] suppose that if he can remember how many minutes frog legs can tolerate in the skillet, how much greater reason he will have to remember how many tickles our G spot demands." Spiced with litanies of lust and longing from Anais Nin, W.B. Yeats, Pablo Neruda, and Lady Onogoro, and enriched with Allende's warm humour and lusty joie de vive, Aphrodite will tantalise your senses and engender lascivious grins. Recommended in delicious but moderate doses, this book is not for the faint of ... er, heart. - -Jhana Bach, Amazon.com
The Stories of Eva Luna

Isabel Allende
La Ciudad de las Bestias / The City of the Beasts

Isabel Allende
My Invented Country: A Memoir

Isabel Allende

"Nostalgia is my vice," admits Isabel Allende in My Invented Country. A question about nostalgia propels an exploration of her past, including the complicated history and politics of Chile, where she spent the better part of her childhood. Despite her strong connection with Chile, Allende says she has been an outsider nearly all her life. Her stepfather was a diplomat, so her family moved quite frequently. However, in her travel diary Allende compares everything to Chile, her "one eternal reference" point.
"From saying goodbye so often my roots have dried up," she notes. She successfully reclaims them, however, through two channels. Allende relays anecdotes about what she calls her untraditional family--whom she has based some of her novels upon, including The House of the Spirits. Like a few of her novels, though, her own story is lost in heavy policy analysis. Interspersed among her ancestors' tales is an all-too-exhaustive report of Chile: the terrain, its people, customs and language, its heroes and villains and its government.
Allende fled Chile after the military coup on September 11, 1973. Twenty-eight years later and now living in the United States, she is haunted by this date when terrorists attack New York City and Washington, DC. Allende admits that the place she is homesick for may have never existed. In spite of that, Allende asserts that she can live and write anywhere: "I don't belong to one land, but to several, or perhaps only to the ambit of the fiction I write." The irony is that she steadfastly has "one foot in Chile and another here". --C.J. Carrillo, Amazon.com
The Sum of Our Days

Isabel Allende
Portrait in Sepia

Isabel Allende

Isabel Allende has established herself as one of the most consummate of all modern storytellers, a reputation that is confirmed in her novel Portrait in Sepia. Allende offers a compelling saga of the turbulent history, lives and loves of late 19th-century Chile, drawing on characters from her earlier novels, The House of Spirits and Daughter of Fortune.
The book's heroine is Aurora del Valle, who "came into the world one Tuesday in the autumn of 1880, in San Francisco". As Aurora sets out to retell her own history and that of her family, she admits "there are so many secrets in my family that I may never have time to unveil them all: truth is short-lived, watered down by torrents of rain". In typical Allende fashion, Portrait in Sepia is crammed with love, desire, tragedy and dark family secrets, all played out against the dramatic backdrop of revolutionary Chile. Aurora's mother is a Chilean-Chinese beauty, whilst her father is a dissolute scion of the wealthy and powerful del Valle family. At the heart of Aurora's slow, painful recreation of her childhood towers one of Allende's greatest fictional creations, the heroine's grandmother, Paulina del Valle. An "astute, bewigged Amazon with a gluttonous appetite", Paulina holds both the del Valle family and Allende's novel together, as she presides over Aurora's adolescence in a haze of pastries, taffeta and overweening love.
One of the most interesting aspects of the novel is Allende's decision to turn her heroine into a photographer, bringing together the written word and the photograph as a way of holding onto the past: "through photography and the written word I try desperately to conquer the transitory nature of my existence, to trap moments before they evanesce, to untangle the confusion of my past". There is little confusion in Allende's elegantly crafted and hugely enjoyable novel. --Jerry Brotton