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Books : Fiction : Authors, A-Z : B : Blume, Judy
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Passed on from babysitters to their young charges, from big sisters to little brothers and from parents to children, Tales of a Fourth Grade Nothing and its cousins (Superfudge, Fudge-a-mania, and Otherwise Known as Sheila the Great) have entertained children since they first appeared in the early 1970s. The books follow Peter Hatcher, his little brother Fudgie, baby sister Tootsie, their neighbour Sheila Tubman, and various pets and minor characters through New York City and on treks to suburbs and camps.Tales of a Fourth Grade Nothing is the first of these entertaining yarns. Peter, because he's the oldest, must deal with Fudgie's disgusting cuteness, his constant meddling with Peter's stuff, and other grave offences, one of which is almost too much to bear. All these incidents are presented with the unfailing ear and big-hearted humour of the masterful Judy Blume. Though some of her books for older kids have aroused controversy, the Hatcher brothers and their adventures remain above the fray, where they belong. (Peter's in fourth grade, so the book is suitable for children ages 8 and older.)
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Judy Blume first won legions of fans with such young adult classics as Are You There God? It's Me, Margaret and Forever, in which she tackles the cultural hot button of teenage sexuality. In Summer Sisters, her third novel for adults, the author again explores the ramifications of love--and lust--for two friends. Initially, the differences between Caitlin Somers and Victoria Leonard (or "Vix", as Caitlin christens her) draw them together: privileged Caitlin is wild and outspoken, beautiful but emotionally fragile, while working-class Vix is shy, reserved and plain in comparison. After Caitlin selects Vix to accompany her to her father's home in Martha's Vineyard for the summer, the two become inextricably connected as "summer sisters".On the Vineyard, Vix and Caitlin first find love, then sex--and lots of it. Yet Blume soon moves beyond hot fun in the summer sun, tracing the romantic and familial travails of the two from pre-adolescence to adulthood. Solid Vix evolves into Victoria, an equally solid, Harvard-educated, Manhattan public relations executive. Unpredictable Caitlin opts out of college and travels to Europe, where she has a string of short-lived affairs with a series of intriguing (in every sense of the word) foreigners. It is only after she returns to the Vineyard that Caitlin does the unthinkable, forever changing both her friendship with Vix and their lives. Blume once again proves herself a master of the female psyche, and Summer Sisters is likely to entertain both her post-adolescent and more mature readers.
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Double Fudge continues the embarrassing adventures of Peter Hatcher's little brother Fudge. Now aged five and back in New York he is causing 12-year-old Peter as much pain and nuisance as in the previous stories, begun with Tales of a Fourth Grade Nothing. Narrated sensitively by Peter, this instalment covers Fudge's obsession with money (and thus, with his new rich friend Richie Potter), his horror at finding there's another Farley Drexel in the world, getting Uncle Feather to talk and the realisation by Peter that Fudge is growing up.The presence of Harry Potter, the internet and mobile phones will appear as anachronisms to Judy Blume's first generation of fans who met the Hatchers in the 1970s and 1980s, but will obviously not be blinked at by the intended audience of today's children. Though the world in which Blume is writing may have aged since she first endeared herself to young readers, her characters and their problems remain universally appealing. Two Hatcher families, two Farley Drexels and two girl cousins mean double trouble for adolescent Peter, double sympathy from pre-teen readers and most likely double fun for younger readers. As for Fudge, he's a little confused at first if it means fun or trouble for him, but he (and we) soon find out.
Double Fudge offers one alternative look at American values--Peter's cousins don't eat candy or watch TV--but by the end reassures us that the American childhood we know from books and films is still munching its popcorn, going to grade school and being smart with its parents. Long live super double Fudge! (Ages 7-12) --Olivia Dickinson