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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : C : Coelho, Paulo
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Like the one-time bestseller Jonathan Livingston Seagull, The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sense a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalucian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity."
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"On 11 November 1997, Veronika decided that the moment to kill herself had--at last!--arrived": so begins Paulo Coelho's extraordinary new novel, Veronika Decides to Die. Renowned for the international success of The Alchemist, Coelho has secured his reputation as an outstanding storyteller and a key figure in world literature (his work has been translated into over 40 languages). Translated from the Portuguese by Margaret Jull Costa, Veronika Decides to Die is a compelling story of a woman's struggle with and against life, told with Coelho's wit, subtlety and economy. On the track of whatever it is that makes life worth living, Coelho plots Veronika's fate with infinite care, weaving the mystery of her decision to take her own life into the themes of national identity--Veronika is a citizen of Slovenia, "that strange country that no one seemed quite able to place"--and madness.Veronika does not die; instead, she wakes up in Villette--the "famous and much-feared lunatic asylum"--only to be told that, having damaged her heart irreparably, she has just a few days to live. What she faces now is a waiting game and the strange world of Villette: the rules and regulations which govern the lives of its inmates and the doctors who treat them. Coelho's question may be a familiar one: crudely, who, or what, is mad? But his fiction is a remarkable, sometimes chilling, response to it. "Everyone has an unusual story to tell" is the starting-point of the new treatment initiated at Villette by the enigmatic Dr Igor; it's also the insight from which this book takes off to explore the impact of a "slow, irreparable death" on a young woman and the mad men and women around her. --Vicky Lebeau
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Paulo Coelho's astonishingly beautiful writing in Eleven Minutes virtually guarantees it the cult status that The Alchemist already enjoys. But what is the Paulo Coelho phenomenon? How can an author who (only a short time ago) was virtually unknown to most readers have taken the world of books by storm--and without the benefit of glitzy advertising? The answer is simple: quality. Such books as The Fifth Mountain andThe Devil and Miss Prym are enough to explain a considerable following for the author, with their atmospheric prose and involving characters.Eleven Minutes tells the story of young Maria living an innocent life in a Brazilian village and is played out in a measured fashion, but with all the author's brilliant scene-setting (very lush here) fully in place. But then Maria experiences love and suffers great pain. From this point, Coelho has us inexorably in his grip. Maria's disillusionment with love leads her to Geneva where she finally ends up selling her body (Coelho may offer us the beauty of life, but never at the expense of its harshness). Maria's approach to sex is complex--this is no mere revulsion arising from what she is now doing with her life. And then she meets a seductive young painter, who may or may not offer her a new path in life. But does she prefer to continue on the dark sexual odyssey she has embarked on, at the expense of real love?
There are echoes of DH Lawrence in Coelho's exploration of the sacred and spiritual aspects of sex and it's a brave author who tackles a subject that can so easily slip into strained seriousness. That never happens here, and Maria's journey is one that the reader willingly undertakes; the lesson she learns are lessons for the reader. --Barry Forshaw
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Those used to the Brazilian author Paulo Coelho's esoteric novels will find this slim book rather different. Each page of Manual of the Warrior of Light is a new passage, an inspirational thought, a message of wisdom and guidance and encouragement.Who is the Warrior of Light? Any of us, reaching out to be the fullest person we can be, not afraid to have doubts and fears and to make mistakes and to learn from them. "That is why he is a warrior of light, because he has been through all this and yet has never lost hope of being better than he is." It is a path of tolerance: "In order to have faith in his own path, he does not need to prove that someone else's path is wrong." It is a path of intuition: "the warrior knows that intuition is God's alphabet and he continues listening to the wind and talking to the stars." If we are met with the same problems and situations over and over again, instead of becoming depressed we should learn: "Yes, you have been through all this before," replies his heart. "But you have never been beyond it." Then the warrior realises that these repeated experiences have but one aim: to teach him what he does not want to learn.
Collected from Coelho's newspaper columns in the mid-90s, these short passages are not always easy or comfortable; but maybe that's because life isn't either. This is a book for dipping into for spiritual refreshment and sustenance. --David V Barrett
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The Devil and Miss Prym is the conclusion to the trilogy And on the Seventh Day which began with By the River Piedra, I Sat Down and Wept and the hugely popular Veronika Decides to Die. Each of the three books focuses on a week in the life of ordinary people faced with a major life-changing force; be it love, death or power, it is Coelho's firm belief that "the profoundest changes take place within a very reduced time frame".The Devil and Miss Prym sees a stranger arriving in the remote mountain village of Viscos carrying with him a notebook and 11 bars of gold. The first person to strike up conversation with the stranger is the inappropriately named Miss Prym, the hotel barmaid. Unbeknownst to her, Chantal Prym is exactly the subject the man had been hoping to find. The stranger puts a proposition to Chantal and with it gives her the power to prove or disprove a supposition that has tormented him for years--"Given the right set of circumstances every human being on this earth would be willing to commit evil". Should Chantal prove him right, all her dreams of escape to a new life would come true, but proving the stranger right would mean casting aside her deeply ingrained beliefs about right and wrong. So ensues a moral dilemma and a spiritual struggle between good and evil that will impact on everyone in the village.
This slim novel has the timeless quality of a parable. The sophisticated plot blends seamlessly with Coelho's uncomplicated language. As "the story of one man is the story of all men" so the reader is invited to think carefully about the struggle that is taking place within their own soul, to consider whether they would have the courage to stand out from the crowd. This is a truly accomplished novel from the pen of a philosopher and a master storyteller. --Sarah Crawford
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Like the one-time bestseller Jonathan Livingston Seagull, The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sense a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalucian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity."
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Like the one-time bestseller Jonathan Livingston Seagull, The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sense a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalucian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity."
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