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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : B : Bernieres, Louis De
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Captain Corelli's Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn't so bad--at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of "Heil Hitler" with his own "Heil Puccini", and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island--the drunken priest, the strongman, the fisherman who swims with dolphins--would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli's Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.
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With The War of Don Emmanuel's Nether Parts Louis de Bernières's sardonic pen has concocted a spicy olla podrida of a novel, set in a fictitious Latin American country, with all the tragedy, ribaldry and humour Bernières can muster from a debauched military, a clueless oligarchy and an unconventional band of guerrillas. There's a plague of laughing, a flood of magical cats and a torture-happy colonel. The cities, villages, politics and discourse are an inspired amalgam of Latin Americana, but the comedy, horror, adventure and vibrant individuals are pure de Bernières. This masterpiece, the first of a trilogy, is followed by Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. --James Barry
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Louis de Bernières is a masterful writer, which is to say his command of the various crafts of writing--creating character, innovative description, telling a whopping good story--weaves a spell and sucks you into the magic. From the moment Dionisio Vivo and Ramón "Cochinillo" Dario attend to the cravate corpse deposited in his garden by the coca lords, you become ensconced in the world of Ipasueño, its passions, ironies and political intrigues, and cease to be aware of the hand of Bernières behind the scenes.Dionisio, a professor of philosophy, writes a series of letters, published in the prestigious journal La Prensa, castigating the coca trade, and from there the story spins furiously in many directions and subplots. There's the love affair of the century between Dionisio and Anica Moreno, Lazaro's tragic dance with leprosy, and--to the great pleasure of fans of Bernières's previous novel, The War of Don Emmanuel's Nether Parts--further interactions with the magical jaguars and human inhabitants of Cochadebajo de los Gatos. Events take their course in the way of a grand tragicomedy, with the devastation that's expected followed by the irrepressible joy of life that's never expected and Bernières's tongue-in-cheek touch throughout.
It's a delightfully mesmerising book. Set in a mythical South American country that's a composite of real South American history and Bernières's fertile imagination, and therefore a perfect companion to take on a south-of-the-border vacation--the book is awash in the realities and flavour of South America and the lunacies of Bernières's genius. --Stephanie Gold
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Readers familiar with the epic sweep of Louis de Bernières' previous novels, and especially his phenomenally successful Captain Corelli's Mandolin, might be shocked by this small volume of (literally) shaggy dog stories. But those who have enjoyed the humour of those same novels will appreciate this sleeker, slimline de Bernières.In 1998, de Bernières visited the mining towns of Western Australia and stumbled across a bronze statue of Red Dog (1971-1979) outside Dampier. Inspired by this legendary canine, he made another visit, collecting the stories of his life and gently fictionalising them. We follow Red Dog, the itinerant, resourceful, if flatulent hero ("a real dag of a dog") as he seduces all who meet him at Hamersley Iron Transport. After his early residence with New Zealander John is cut short by John's untimely death, however, Red Dog undertakes "his greatest adventures" with "absolute liberty", criss-crossing the country with amazing ease, becoming the "Pilbara Wanderer, the Dog of the North-West, who belonged to everyone because he couldn't find the one he loved the most, and wouldn't settle for less".
Whether undermining the Hitlerian trailer-park managers, or hitch-hiking from Perth, Red Dog always comes up trumps. Dealing with his hero's inevitable decline, de Bernières manages to secure real empathy for the dog, without declining into mawkishness--perhaps because we all know a Red Dog, canine or otherwise. As one character points out: "Everyone's got a Red Dog story. Someone ought to write them down." Louis de Bernières thankfully has. --Alan Stewart
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Captain Corelli's Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn't so bad--at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of "Heil Hitler" with his own "Heil Puccini", and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island--the drunken priest, the strongman, the fisherman who swims with dolphins--would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli's Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.
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Captain Corelli's Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn't so bad--at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of "Heil Hitler" with his own "Heil Puccini", and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island--the drunken priest, the strongman, the fisherman who swims with dolphins--would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli's Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.
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Captain Corelli's Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn't so bad--at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of "Heil Hitler" with his own "Heil Puccini", and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island--the drunken priest, the strongman, the fisherman who swims with dolphins--would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli's Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.
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Readers familiar with the epic sweep of Louis de Bernières' previous novels, and especially his phenomenally successful Captain Corelli's Mandolin, might be shocked by this small volume of (literally) shaggy dog stories. But those who have enjoyed the humour of those same novels will appreciate this sleeker, slimline de Bernières.In 1998, de Bernières visited the mining towns of Western Australia and stumbled across a bronze statue of Red Dog (1971-1979) outside Dampier. Inspired by this legendary canine, he made another visit, collecting the stories of his life and gently fictionalising them. We follow Red Dog, the itinerant, resourceful, if flatulent hero ("a real dag of a dog") as he seduces all who meet him at Hamersley Iron Transport. After his early residence with New Zealander John is cut short by John's untimely death, however, Red Dog undertakes "his greatest adventures" with "absolute liberty", criss-crossing the country with amazing ease, becoming the "Pilbara Wanderer, the Dog of the North-West, who belonged to everyone because he couldn't find the one he loved the most, and wouldn't settle for less".
Whether undermining the Hitlerian trailer-park managers, or hitch-hiking from Perth, Red Dog always comes up trumps. Dealing with his hero's inevitable decline, de Bernières manages to secure real empathy for the dog, without declining into mawkishness--perhaps because we all know a Red Dog, canine or otherwise. As one character points out: "Everyone's got a Red Dog story. Someone ought to write them down." Louis de Bernières thankfully has. --Alan Stewart
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A short story by the author of Captain Corelli's Mandolin.
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