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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : D : Dunmore, Helen
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Helen Dunmore, author of Zillah and Me and The Silver Bead, begins a trilogy for children with a novel that describes both an idyllic life, growing up beside the sea, and an undersea world of wonder and amazement with equal aplomb. It's not easy to imagine life under the waves, living and breathing amongst an ancient people without resorting to stereotypes. But Dunmore's original description throughout this book is one of its best qualities.
Set in Cornwall, Ingo is the story of Sapphire and her brother Conor, and what happens to them after their father mysteriously disappears at sea. Sapphire still thinks her father is alive. Somewhere. She remembers stories he used to tell her about a Mer creature who fell in love with a human, but could not come to live with him in the dry air.
The following summer, both Conor and Sapphire are inexorably drawn to the water, despite the worries of their mother. They love the water so much, and spend hours in the nearby cove. When Sapphire follows Conor one day, after he has been gone a long time, she meets Faro--a Merman who introduces her to Ingo, an underwater world she could only have dreamed existed. And Ingo blood runs deep through her veins and it is not long before the call of that other world becomes too strong to resist.
Dunmore is an accomplished writer for adults, she was the first winner of the Orange Prize for Fiction, but her books for younger readers, despite having all the same qualities and powerful storytelling talent, have not been as critically or commercially successful. Ingo, however, is sure to change that perception. It is a beautiful novel, both enchanting and exciting, that appeals to readers on many levels. It is seductively easy to read and stays in the memory for a long time.
(Age 10 and over) --John McLay
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The final words of Helen Dunmore's The Siege--"No, I shall not wholly die..."(Alexander Pushkin)--respond to the stark threat with which the novel begins: "Re: The future of Leningrad ... The Führer has decided to have Leningrad wiped from the face of the earth". In this powerful work of fiction, Dunmore writes through her fascination with one of the most remarkable, and painful, episodes in Russian history: the siege of Leningrad through the winter of 1941 during which untold thousands perished of cold and starvation.
The Siege is a type of memorial, a literary document to an experience in which, as Dunmore writes, "being dead is normal". People die in the streets, in their beds; whole families are frozen, "bodies piled up by the Karpovka canal, or outside the cemeteries". What does it take to survive? Dunmore explores that question through the powerful characters--Anna Levin, Kolya (her child-brother) and Andrei (her lover)--who people this novel, conjuring the contest with death that becomes the daily existence of the Leningraders, their belief in a world beyond the siege. The Siege is itself part of that world, stricken by memory and the question of what it means for a novel (and a novelist) to take on the "flesh of all those other Leningraders who died of hunger in silent, frigid rooms". This is part of the wager, and accomplishment, of Dunmore's extraordinary book and confirmation of the extraordinary skill and sensitivity, of her writing. --Vicky Lebeau
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