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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : F : Fraser, George Macdonald
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There are certain authors whose very names are an absolute guarantee of quality, and George Macdonald Fraser has long been one of those. His Flashman books are much loved, and the exploits of his engaging rogue have been delighted readers for years. But is Flashman on the March up to the customary Fraser standard? After all, the number of Flashman books is now legion, and even the author's most dedicated admirers would admit that some Flashman outings (while diverting enough) have lacked the freshness of the early books. It's good to report, therefore, that Flashman on the March is almost vintage Fraser, with all the elements that have won him an ironclad following largely in place. There are, of course, two elements that make these books such fun: the vivid and pungent historical detail (always effortlessly integrated, and never self-consciously laid on as in so many historical novels, serious or otherwise); the author's refusal to be politically correct (the Flashman books have always played fast and loose with the accepted views of morality and society, and their bawdy, amoral charms are refreshing in an age in which such things are looked at askance -- even if Fraser, like Frederick Forsyth, is far better encountered in his entertaining books rather than in his more splenetic role as pundit).Here, that least heroic possessor of a Victoria Cross, Sir Harry Flashman, finds himself catapulted into a highly dangerous assignment in Abyssinia: he is to rescue British prisoners from a demented emperor. Abyssinia (as seen through Fraser's highly colourful imagination) is a land of lethal seductresses, terrifying warriors and a jawdropping female monarch whose idea of what she should feed her lions is… unorthodox. It's up to Flashman (as so often before) to triumph over insuperable odds by the most unlikely methods. Needless to say, untrammelled sexual activity is firmly on the menu. If you're a George Macdonald Fraser fan, or a Flashman fan, what are you waiting for? --Barry Forshaw
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It's almost a century and a half since Harry Flashman first sprang into the nation's consciousness, stealing the show in Thomas Hughes' Tom Brown's Schooldays. From the outset, he was clearly the most valuable man in the book--in his dashing ruthlessness, definitely sexier than that simpering Tom--and it was clear to everyone that he would go on to great things--a glittering military career and the Victoria Cross, no less. Thank goodness that the great man saw fit to pen his memoirs before his death in 1915. We owe a debt of gratitude to George MacDonald Fraser, to whom the papers were entrusted after they appeared in a tea-chest in 1966, for his quite remarkable devotion to their conscientious editing.Flashman and the Tiger, the latest gleanings from the manuscript treasures, comprises three gems. The longest by far is a novella entitled "The Road to Charing Cross" (1878 and 1883-4), in which Harry helps out a "human ferret", Times correspondent Henri Blowitz, to get a remarkable scoop at the Congress of Berlin, only to find himself rewarded by a nasty encounter with Bismarck. In "The Subtleties of Baccarat" (1890 and 1891), Harry helps Bertie the Bounder (that's the future Edward VII to you) deal with a case of suspected "stake-padding" by a senior military man; while in "Flashman the Tiger" (1879 and 1894) our hero is "in Zulu country" on the path of "Tiger" Jack Moran (thanks to Fraser's fastidious endnotes, properly identified as an assassin in the employ of Sherlock Holmes's nemesis, Moriarty.)
It's all tremendous stuff. Flashman devotees will be heartened to hear that their hero has lost none of his bluster, wit and fire, but these later memoirs do hint at the possible twinges of age. As he observes sadly, "You think twice about committing murder when you're over seventy." --Alan Stewart
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In Black Ajax, George MacDonald Fraser tells the story of a black man from the United States who nearly became England's champion boxer during the early 19th century. This historical novel is based on the true story of Tom Molineaux, a former slave who won his freedom in a boxing match, then travelled to England, refined his skills, and almost became the first black champ. The story is told by over a dozen witnesses to Molineaux's bouts with the reigning champion, Tom Cribb. Molineaux's trainer recalls the fighter's awe-inspiring strength and speed. A butler who asks to remain anonymous divulges information about the fighter's love affair with an English noblewoman. Molineaux's manager, a former slave and retired boxer, speaks bitterly of his disappointment in the youth for failing to prove to the English that a black man could be as capable a fighter as any white man. Nearly all the witnesses to the first match between the two fighters thought Molineaux lost mainly because the judges gave the white opponent an unfair advantage.All the characters in this novel speak in 19th-century dialect, and it's diverting to try to decipher their many odd turns of phrase. For those who cannot determine the meanings of words such as "Spike Hotel", "toco", "winker", and "wistycastor" from context, the author provides a glossary at the end of the book. Unfortunately, almost all of the characters seem overly fond of using racial epithets, which draws attention to the shortcomings of this book. The main one is that Tom Molineaux, who undoubtedly was a complex, fascinating character, comes across as a stereotype here: a hulk with not many brains but a lot of sex drive. Although Fraser fails in that respect, this novel does vividly chronicle an intriguing episode in the history of sport and race relations. --Jill Marquis