- Leavitt, David
- Jewish
- Taylor, Bernhard
- IMovie
- Tobin, Betsy
- Sibley, Celestine
- Parr, Delia
- Advanced
- Oudot, Susan
- Dictionaries
- Hill, Sandra
- Gould, Judith
- Military Vehicles
- Hercules
- Middle East
- Wong, Shawn
- Before 1500
- Price, Susan
- Eddie Izzard
- Introduction
- General AAS
- Upcher, Caroline
- Skelton, John
- Y
- Francis, Dick
- Music, Stage & Screen
- Devon
- Proust, Marcel
- Reference & Price Guides
- Joel
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : F : Foden, Giles
-
-
-
No, we're not talking Bonnie Prince Charlie here. The title character of Giles Foden's debut novel, The Last King of Scotland, is none other than Idi Amin, the former dictator of Uganda. Told from the viewpoint of Nicholas Garrigan, Amin's personal physician, the novel chronicles the hell that was Uganda in the 1970s. Garrigan, the only son of a Scots Presbyterian minister, finds himself far away from Fossiemuir when he accepts a post with the Ministry of Health in Uganda. His arrival in Kampala coincides with the coup that leads to President Obote's overthrow and Idi Amin Dada's ascendancy to power. Garrigan spends only a few days in the capital city, however, before heading out to his assignment in the bush. But a freak traffic accident involving Amin's sports car and a cow eventually brings the good doctor into the dictator's orbit; a few months later, Garrigan is recalled from his rural hospital and named personal physician to the president. Soon enough, Garrigan finds himself caught between his duty to his patient and growing pressure from his own government to help them control Amin.From Nicholas Garrigan's catbird seat, Foden guides us through the horrors of Amin's Uganda. It would be simple enough to make the dictator merely monstrous, but Foden defies expectation, rendering him appealing even as he terrifies. The doctor "couldn't help feeling awed by the sheer size of him and the way, even in those unelevated circumstances, he radiated a barely restrained energy...I felt--far from being the healer--that some kind of elemental force was seeping into me." And Garrigan makes a fine stand-in for Conrad's Marlow as he travels up a river of blood from Naiveté to horrified recognition of his own complicity. As if this weren't enough, Foden also treats us to a finely drawn portrait of Africa in all its natural, political and social complexity. The Last King of Scotland makes for dark but compelling reading. --Alix Wilber, Amazon.com
-
-
-
At present, Sudan suffers from a horrendous civil war: 1.4 million people have died here, while many more have been displaced. The Weekenders is a collection of fiction and non-fiction that takes an impressive array of British writers into the heart of Sudan's conflict, shedding light on this frequently ignored tragedy (profits from the book are going to help the relief effort).Here is a mysterious tale from Alex Garland, WF Deedes' debut piece of fiction, and--the centrepiece of the collection--a disturbing novella by Irvine Welsh in which Welsh's trademark skewering of the vileness of human urges is counterbalanced by his fluid prose and the story's troubling setting. Paradoxically, however, the shortest piece of fiction--Andrew O'Hagan's Fish River--is also the most impressive, as O'Hagan succeeds with brilliance and grace in conveying the thought patterns of a Sudanese child whose mother has been raped and enslaved.
But although the setting is grim, the horror underscoring the collection is leavened by perhaps the funniest thing that Tony Hawks has written, as he recounts his doomed attempts to compose music in a war-ravaged town, and--more seriously--the moral dilemmas which arise when rich Europeans descend upon war-torn Africa. These problems are fleshed out more fully by Victoria Glendinning in the final piece, as she considers the ethics of NGOs and big business working in Sudan.
This is an illuminating and thought-provoking book which raises disturbing questions for us all. In an alarmingly prescient fiction on the American bombing of Khartoum in 1998 in their first search for Osama bin Laden, Giles Foden describes the response of the CIA operative in the region:
"Everything was screwed up. Sometimes it blew [his] head what a tangled world it was that he existed in."
--Toby Green
-
-
Zanzibar is Giles Foden's ambitious, if somewhat flawed third novel. Like his previous books, its setting is beautiful but abused Africa and its backbone is provided by real events, in this case, prophetically, the 1998 bombing of the US Embassy in Tanzania by Osama Bin Laden's al-Qaida network. (In an author's note Foden explains that most of the novel was actually completed before the events of September 11, 2001.)Zanzibar is ostensibly a political thriller-cum-romantic adventure yarn. An ageing maverick CIA agent, Jack Quiller, a motorcycling, marine biologist, Nick Karolides, and a young, ambitious American embassy staffer Miranda Powers, become, as the book jacket says, "embroiled in a terrorist conspiracy". It's not however, a simplistic heroes versus villains story. The Clinton/Lewinsky scandal provides an omnipresent backdrop, bin Laden puts in an appearance and the book's overriding theme is the nature of moral responsibility. As with his impressive Idi Amin-centred debut The Last King of Scotland, Foden is interested in exploring the grey area between good and evil. Quiller, for instance, helped train bin Laden--or Mr Sam as he was once affectionately known by the CIA. Betrayed and scarred for life by bin Laden, he is the only agent who believes that he poses a serious threat. Khaled al-Khidr, an islander who joined al-Qaida after the murder of his parents, realises, unfortunately too late, that terrorism is against the teachings of Allah. Fragments of the island's troubled colonial history, liberally distributed throughout the tale, also help broaden the ethical tapestry.
Unfortunately, much of Zanizbar's power is diluted by a completely unconvincing love story. Quiller and al-Khidr are marginalised by the unprepossessing Nick Karolides and Miranda Powers, who, although they drive much of the narrative, are little more than stock thriller characters. Powers is a feisty female who adored her late father. Karolides, also mourning the loss of his father, is a sensitive yet hunky environmental scientist. Their emotional range is further hampered by the fact that Foden equips them with Mall Rat-style--"Man, she looked good", "big way", "the old guy, he was really nice"--American parlance. It's almost as if a cigar-chewing Hollywood mogul with an eye on the film rights has demanded a "love interest" and Foden has duly obliged. Despite its faults it's good to see a writer at least attempting to wrestle, if a little didactically, with Islamic fundamentalism and American Imperialism. --Travis Elborough
-
-
-
-
Zanzibar is Giles Foden's ambitious, if somewhat flawed third novel. Like his previous books, its setting is beautiful but abused Africa and its backbone is provided by real events, in this case, prophetically, the 1998 bombing of the US Embassy in Tanzania by Osama Bin Laden's al-Qaida network. (In an author's note Foden explains that most of the novel was actually completed before the events of September 11, 2001.)Zanzibar is ostensibly a political thriller-cum-romantic adventure yarn. An ageing maverick CIA agent, Jack Quiller, a motorcycling, marine biologist, Nick Karolides, and a young, ambitious American embassy staffer Miranda Powers, become, as the book jacket says, "embroiled in a terrorist conspiracy". It's not however, a simplistic heroes versus villains story. The Clinton/Lewinsky scandal provides an omnipresent backdrop, bin Laden puts in an appearance and the book's overriding theme is the nature of moral responsibility. As with his impressive Idi Amin-centred debut The Last King of Scotland, Foden is interested in exploring the grey area between good and evil. Quiller, for instance, helped train bin Laden--or Mr Sam as he was once affectionately known by the CIA. Betrayed and scarred for life by bin Laden, he is the only agent who believes that he poses a serious threat. Khaled al-Khidr, an islander who joined al-Qaida after the murder of his parents, realises, unfortunately too late, that terrorism is against the teachings of Allah. Fragments of the island's troubled colonial history, liberally distributed throughout the tale, also help broaden the ethical tapestry.
Unfortunately, much of Zanizbar's power is diluted by a completely unconvincing love story. Quiller and al-Khidr are marginalised by the unprepossessing Nick Karolides and Miranda Powers, who, although they drive much of the narrative, are little more than stock thriller characters. Powers is a feisty female who adored her late father. Karolides, also mourning the loss of his father, is a sensitive yet hunky environmental scientist. Their emotional range is further hampered by the fact that Foden equips them with Mall Rat-style--"Man, she looked good", "big way", "the old guy, he was really nice"--American parlance. It's almost as if a cigar-chewing Hollywood mogul with an eye on the film rights has demanded a "love interest" and Foden has duly obliged. Despite its faults it's good to see a writer at least attempting to wrestle, if a little didactically, with Islamic fundamentalism and American Imperialism. --Travis Elborough
-
-
Zanzibar is Giles Foden's ambitious, if somewhat flawed third novel. Like his previous books, its setting is beautiful but abused Africa and its backbone is provided by real events, in this case, prophetically, the 1998 bombing of the US Embassy in Tanzania by Osama Bin Laden's al-Qaida network. (In an author's note Foden explains that most of the novel was actually completed before the events of September 11, 2001.)
Zanzibar is ostensibly a political thriller-cum-romantic adventure yarn. An ageing maverick CIA agent, Jack Quiller, a motorcycling, marine biologist, Nick Karolides, and a young, ambitious American embassy staffer Miranda Powers, become, as the book jacket says, "embroiled in a terrorist conspiracy". It's not however, a simplistic heroes versus villains story. The Clinton/Lewinsky scandal provides an omnipresent backdrop, bin Laden puts in an appearance and the book's overriding theme is the nature of moral responsibility. As with his impressive Idi Amin-centred debut The Last King of Scotland, Foden is interested in exploring the grey area between good and evil. Quiller, for instance, helped train bin Laden--or Mr Sam as he was once affectionately known by the CIA. Betrayed and scarred for life by bin Laden, he is the only agent who believes that he poses a serious threat. Khaled al-Khidr, an islander who joined al-Qaida after the murder of his parents, realises, unfortunately too late, that terrorism is against the teachings of Allah. Fragments of the island's troubled colonial history, liberally distributed throughout the tale, also help broaden the ethical tapestry.
Unfortunately, much of Zanizbar's power is diluted by a completely unconvincing love story. Quiller and al-Khidr are marginalised by the unprepossessing Nick Karolides and Miranda Powers, who, although they drive much of the narrative, are little more than stock thriller characters. Powers is a feisty female who adored her late father. Karolides, also mourning the loss of his father, is a sensitive yet hunky environmental scientist. Their emotional range is further hampered by the fact that Foden equips them with Mall Rat-style--"Man, she looked good", "big way", "the old guy, he was really nice"--American parlance. It's almost as if a cigar-chewing Hollywood mogul with an eye on the film rights has demanded a "love interest" and Foden has duly obliged. Despite its faults it's good to see a writer at least attempting to wrestle, if a little didactically, with Islamic fundamentalism and American Imperialism. --Travis Elborough
-
-
Zanzibar is Giles Foden's ambitious, if somewhat flawed third novel. Like his previous books, its setting is beautiful but abused Africa and its backbone is provided by real events, in this case, prophetically, the 1998 bombing of the US Embassy in Tanzania by Osama Bin Laden's al-Qaida network. (In an author's note Foden explains that most of the novel was actually completed before the events of September 11, 2001.)Zanzibar is ostensibly a political thriller-cum-romantic adventure yarn. An ageing maverick CIA agent, Jack Quiller, a motorcycling, marine biologist, Nick Karolides, and a young, ambitious American embassy staffer Miranda Powers, become, as the book jacket says, "embroiled in a terrorist conspiracy". It's not however, a simplistic heroes versus villains story. The Clinton/Lewinsky scandal provides an omnipresent backdrop, bin Laden puts in an appearance and the book's overriding theme is the nature of moral responsibility. As with his impressive Idi Amin-centred debut The Last King of Scotland, Foden is interested in exploring the grey area between good and evil. Quiller, for instance, helped train bin Laden--or Mr Sam as he was once affectionately known by the CIA. Betrayed and scarred for life by bin Laden, he is the only agent who believes that he poses a serious threat. Khaled al-Khidr, an islander who joined al-Qaida after the murder of his parents, realises, unfortunately too late, that terrorism is against the teachings of Allah. Fragments of the island's troubled colonial history, liberally distributed throughout the tale, also help broaden the ethical tapestry.
Unfortunately, much of Zanizbar's power is diluted by a completely unconvincing love story. Quiller and al-Khidr are marginalised by the unprepossessing Nick Karolides and Miranda Powers, who, although they drive much of the narrative, are little more than stock thriller characters. Powers is a feisty female who adored her late father. Karolides, also mourning the loss of his father, is a sensitive yet hunky environmental scientist. Their emotional range is further hampered by the fact that Foden equips them with Mall Rat-style--"Man, she looked good", "big way", "the old guy, he was really nice"--American parlance. It's almost as if a cigar-chewing Hollywood mogul with an eye on the film rights has demanded a "love interest" and Foden has duly obliged. Despite its faults it's good to see a writer at least attempting to wrestle, if a little didactically, with Islamic fundamentalism and American Imperialism. --Travis Elborough
-
-
-
-
Zanzibar is Giles Foden's ambitious, if somewhat flawed third novel. Like his previous books, its setting is beautiful but abused Africa and its backbone is provided by real events, in this case, prophetically, the 1998 bombing of the US Embassy in Tanzania by Osama Bin Laden's al-Qaida network. (In an author's note Foden explains that most of the novel was actually completed before the events of September 11, 2001.)Zanzibar is ostensibly a political thriller-cum-romantic adventure yarn. An ageing maverick CIA agent, Jack Quiller, a motorcycling, marine biologist, Nick Karolides, and a young, ambitious American embassy staffer Miranda Powers, become, as the book jacket says, "embroiled in a terrorist conspiracy". It's not however, a simplistic heroes versus villains story. The Clinton/Lewinsky scandal provides an omnipresent backdrop, bin Laden puts in an appearance and the book's overriding theme is the nature of moral responsibility. As with his impressive Idi Amin-centred debut The Last King of Scotland, Foden is interested in exploring the grey area between good and evil. Quiller, for instance, helped train bin Laden--or Mr Sam as he was once affectionately known by the CIA. Betrayed and scarred for life by bin Laden, he is the only agent who believes that he poses a serious threat. Khaled al-Khidr, an islander who joined al-Qaida after the murder of his parents, realises, unfortunately too late, that terrorism is against the teachings of Allah. Fragments of the island's troubled colonial history, liberally distributed throughout the tale, also help broaden the ethical tapestry.
Unfortunately, much of Zanizbar's power is diluted by a completely unconvincing love story. Quiller and al-Khidr are marginalised by the unprepossessing Nick Karolides and Miranda Powers, who, although they drive much of the narrative, are little more than stock thriller characters. Powers is a feisty female who adored her late father. Karolides, also mourning the loss of his father, is a sensitive yet hunky environmental scientist. Their emotional range is further hampered by the fact that Foden equips them with Mall Rat-style--"Man, she looked good", "big way", "the old guy, he was really nice"--American parlance. It's almost as if a cigar-chewing Hollywood mogul with an eye on the film rights has demanded a "love interest" and Foden has duly obliged. Despite its faults it's good to see a writer at least attempting to wrestle, if a little didactically, with Islamic fundamentalism and American Imperialism. --Travis Elborough