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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : K : Kennedy, Douglas
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At first, it's hard to like Ned Allen, the ambitious, yuppie salesman who is the protagonist of Douglas Kennedy's new thriller. The moral dilemmas and frustrations that trouble Ned on his rise to the sophisticated heights of Manhattan seem an afterthought, perhaps tacked on in response to their total absence in his first, highly trumpeted but ultimately unsuccessful novel, The Big Picture. But Ned begins to grow on the reader. Brutally fired, then blacklisted in his own industry, he watches his Faustian bargain with a ruthless real estate tycoon unravel, and it gets easier to root for him.
This entry in the recent genre of thrillers set in the world of downsized corporate America isn't quite up to the high standards established by Donald Westlake in The Ax, but it'll make the time go by a little faster on the red-eye back to the home office. --Jane Adams
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The Pursuit of Happiness opens with a funeral scene, swiftly setting the tone for this tragic love story-cum-damning indictment of the McCarthy witch hunts of the 1940s and 50s. Douglas Kennedy's 500-page epic delivers a consummate yet intimate look at post-war New York, gripped by the fear of the enemy within and purging the country of Communists, told through the story of Sara Smythe, a small-c conservative striving to make sense of her own place in the world. Sara's story unfolds as Kate, the daughter of the recently deceased Dorothy Malone, reads a manuscript handed to her by an elusive woman who appears at her mother's graveside.
This, Sara's account, begins 55 years earlier at a Manhattan party hosted by her brother Eric, a successful gag writer on the hugely successful Marty Manning Show. Searching the room aimlessly, her gaze locks with that of Jack Malone and for the next 24 hours the pair are inseparable. Jack must return to Europe but not before securing Sara's promise that she will be there on the dock in nine months time. However, it is another five years before the pair reunite as divided loyalties, duty and fate combine to thwart them. As the years pass, Kennedy treats us to an urbane look at Manhattan life: from Duke Ellington to highballs to the Stork Club; from Thomas E. Dewey to Pearl Buck to Rita Hayworth, the prose is enlivened by contemporary allusions to every facet of city life. As Sara, Eric and Jack's lives converge, though, the narrative's themes of betrayal and disloyalty on a personal and national level (echoing those of McCarthy himself) collide.
Kennedy's final damning moral is that chance only plays a small part in how our lives turn out--it is the choices we make subsequently that determine our destinies. The Pursuit of Happiness is therefore not a comforting read but it is ultimately affirming if you see that each step counts and the pursuit is everything. --Nicola Perry
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