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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : L : Lodge, David
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In Thinks..., David Lodge writes another witty satire on the vagaries and triumphs of contemporary British academic life and achieves a fine balance between multiple points of narrative interest. He gains much momentum from psychologically nuanced romantic intrigue, and also manages to offer intelligent speculation on the state of play in the scientific and philosophical investigations into the nature and workings of human consciousness, without preaching or becoming ponderous.
Thinks... recounts the experiences of Helen Reed, distinguished novelist, who accepts a creative writing teaching gig at the fictional University of Gloucester after the sudden death of her husband. Here she meets Ralph Messenger, scholar, spin doctor, philanderer and head of the illustrious Colt Belling Centre for Cognitive Science. Scientist and novelist spar:
She asks them what they were working on. Jim says robotics, Carl says affective modelling. Kenji says something indistinct that Ralph repeats for her benefit--genetic algorithms. "I can guess what robotics is," says Helen, "but what on earth are the others?"
The form of the novel carefully mirrors its intellectual concerns. We are given Ralph's attempts to tape-record his random thoughts; Helen's more introspective diary and the often hilarious writing assignments of Helen's motley crew of students, who attempt literary solutions to the problems Ralph poses Helen. Written with enviable deftness, Thinks... manages to be generous to its characters and serious about the intellectual and ethical questions it poses for itself without losing satiric bite. --Neville Hoad
Carl explains that affective modelling is computer simulation of the way emotions affect human behaviour.
"Like grief?" Helen says, glancing at Ralph.
"Exactly so," he says. "Though Carl is actually working on a program for mother-love."
"I'd like to see it," says Helen.
"I am not able to give a demonstration, I'm afraid," says Carl. "I am rewriting the program." -
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The unbridled greed, pettiness, buffoonery and intellectual gobbledegook in the world of higher scholarship are the topics of this thorough and thoroughly funny "roman à English department". It's interesting for a couple of reasons, aside from its humour and lampoonery: it's an insider's view of things--always the best kind--and it takes its old- fashioned time telling a story, complete with reasonable digressions about the state of literary criticism and what may or may not be a realistic view of the academic life.
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Since the death of Malcom Bradbury, David Lodge remains unquestionably the finest comic novelist working in the English language - with fierce intelligence matching the sardonic wit. Author, Author is not quite a new departure (the great novelist Henry James was a presence in Lodge's much-acclaimed Thinks ), but here The Master is the central character in a brilliantly vivid picture of the man and his times.
Those who find James' own abstruse sentences too impenetrable for their taste may fear that Lodge is aiming for a recreation of James' allusive 19th century style, but that's definitely not the case. When Lodge has James speak, it is, of course, exactly as we would expect the famous chronicler of suppressed emotion to speak - anything else would be a failure (Peter Ackroyd carried off a similar act of ventriloquism in The Lat Testament of Oscar Wilde), but the style of the novel is very much Lodge's own: humorous, sensitive to all aspects of human behaviour, rich in authentically recreated period detail. Needless to say, the effect is nothing like that of Lodge's contemporary novels such as the wonderfulNice Work and Small World; for some, that will be a cause for disappointment, but for readers prepared to follow Lodge on this journey into another century, the rewards are considerable.
Author, Author begins with the Great Man's death, surrounded by worried servants (struggling to cope with his growing irrationality); then we are shown his remarkable life, including his friendship with the affable Punch illustrator George Du Maurier. The literary success and the American ex-pat James' social lionising by the cream of London society are strikingly conveyed, as is the man's sexual repression. The most powerful passages involve James' disastrous failure as a playwright, and this section crowns Lodge's achievement. Lodge fans may prefer his customary style, but there are riches here. --Barry Forshaw
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