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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : M : Moggach, Deborah
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The Amsterdam of the early 17th century has been forever immortalised by the serene, precise domestic realism of the canvases of Vermeer and Rembrandt, and has been studied with meticulous care by Simon Schama in his marvellous book The Embarrassment of Riches. What Schama identified at the heart of the opulent display of conspicuous consumption in Dutch still-life painting was an anxiety about wealth and commodification which ran throughout 17th-century life in the Low Countries, an argument beautifully complemented by Ann Pavord's marvellous book on The Tulip.Deborah Moggach's novel Tulip Fever gives both Schama and Pavord's studies a compelling fictional twist. Set in 1630s Amsterdam, it begins with a typical Renaissance love triangle: a wealthy, elderly merchant, Cornelis Sandvoort, his beautiful but frustrated young wife Sophia and the painter who enters their life, Jan van Loos. Commissioned to paint the happy couple's portrait, Jan becomes embroiled in a series of emotional and financial speculations which are to change the character's lives forever. Interspersed with 16 beautifully reproduced Dutch paintings, Tulip Fever is a delightfully conceived story which offers a new dimension to what really goes on within the apparently placid domestic interiors of such canvases. --Jerry Brotton
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Deborah Moggach's Final Demand is a bleak, uncompromising novel about the greed and selfishness of Natalie, the novel's tough, street-wise heroine. Natalie, who works for "NuLine Communications", a soulless telecommunications company based in Leeds, is frustrated by the realisation that "the next big thing in her life should be happening but thought time was speeding up, the days whisking past, a breathlessness to them now, [her] life remained doggedly the same". She is pretty and intelligent, but when her boyfriend dumps her and she runs into financial problems, she sees the opportunity to turn her boring job processing cheques to her advantage. But first of all, her ingenious plan requires a husband with a very specific name...Final Demand is very different from Moggach's enormously successful Tulip Fever, but it catches the amoral, cynical world of Natalie and all the characters that she proceeds to dupe in a series of ever bleaker situations. Natalie's crimes seem small, but Moggach attempts to unravel the ways in which even the most trivial crime can have devastating consequences. At times, the story loses focus as Moggach follows those affected by Natalie's misdemeanours, while her heroine is so thoroughly selfish that it become difficult to sympathise with her plight. However, Final Demand neatly captures the soulless sign of the times. --Jerry Brotton
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