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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : M : McNab, Andy
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Andy McNab's thrillers have been enormously successful, and Dark Winter will no doubt allow his publishers to add more noughts to his already impressive sales figures. McNab's secret is reliability. He always delivers the kind of high-octane thrills his readers expect and seems immune to the hit-or-miss syndrome that afflicts so many thriller writers.
Dark Winter has the tough (and battered) Nick Stone back in business, still parleying the skills he learnt in the SAS into his new role as a Special Intelligence Service operative. Al-Qaeda are concentrating their forces in south-east Asia (McNab is as topical as ever), and Nick is sent by the CIA to deal with one of Osama bin Laden's most dangerous biochemists. But Nick is given a female partner, and the mission takes unexpected turns. Back in the US, and struggling with the problems of being guardian to an orphaned girl, Nick finds a whole nest of terrorists plotting atrocities in both the US and the UK, and his involvement becomes (against his will) very personal indeed.
As always, the mixture here is incandescent, punctuating steadily accelerating narrative trajectory with stunningly orchestrated bursts of action at frequent intervals. McNab's characterisation of anyone other than the resourceful Nick is serviceable rather than detailed, but this is a strategy to ensure that the principal ingredient here--bone-crunching action--is always foregrounded. It may be a while since McNab was an SAS man himself, but the tradecraft is always coolly plausible, and McNab fans can count on getting their money's worth. --Barry Forshaw
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Last Light is a resounding demonstration of Andy McNab's evolving abilities, offering a richer level of plotting, along with the customary well-turned rough stuff. McNab might initially have seemed to be some kind of briefly shining star in the bestseller firmament, his SAS experience and well-advertised pseudonym guaranteeing a couple of toughly authentic thrillers in the style of Bravo Two Zero, and no more. But such successive books as Firewall, Remote Control and Crisis Four have categorically demonstrated that he has more than enough top-flight skills to sustain a long writing career.
In Last Light, after terminating an officially approved assassination bid at the Houses of Parliament when he realises the identity of the intended target, McNab's hard-as-nails protagonist Nick Stone, "deniable operator" of the intelligence services, is severely disciplined by his bosses. He is told to travel to Panama and finish the job, or he and Kelly (the 11-year-old girl he is guarding) will be "taken care of" themselves. As Nick gets ready for his assignment in central America, he soon finds that his enemies have turned the tables on him: he is now the hunted, and finds himself up to his neck in a murky plot involving Colombian rebels and the US government. All the usual McNab fingerprints are here: not too much shading, but flinty characterisation and a barrel load of high-velocity action.--Barry Forshaw
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All freelances have problems when work dries up, but Nick Stone, hero of Andy McNab's second adventure thriller Firewall has worse problems than most of us. Expensively trained by the SAS, he now works for British Intelligence as a deniable operative, and he needs a regular income to take care of his responsibilities, which include psychiatric care for a traumatised orphan. He takes a lucrative mercenary job kidnapping a leading Chechen Mafioso; when the job goes sour, his victim is impressed by his grace under pressure and hires him to baby-sit a computer espionage expert on a jaunt into Finland. Not all is as it seems--Nick was engaged in wishful thinking to believe it was--and he finds himself adrift with little money and no weapons in Estonia in the dead of winter with a friend to rescue, the interests of the West to retrieve and, if possible, money to earn... This is an effective thriller because of the clash between its hero's competence and his less than entire brightness--Nick gets himself into messes and then gets out of them because of skills in combat, disguise and survival. This is a book filled with adrenaline-pumping excitement and a sense of bitterly cold places. --Roz Kaveney This review refers to the hardcover edition of this title.
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