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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : M : Moynihan, Danny
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Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h
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Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h
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Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h
-
Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h
-
Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h
-
Danny Moynihan's Boogie-Woogie is the first novel that the New York art world has deserved for some time. As a curator and artist who has worked extensively in both New York and London, Moynihan has had ample opportunity to observe the bitchy, hysterical, pretentious and money-driven art world that he recreates with often hilarious results in Boogie-Woogie.
The book's title comes from Piet Mondrian's famous painting Broadway Boogie-Woogie, an iconic image of abstract expressionism painted in New York in the 1940s. Alfred and Alfreda Rheingold are the proud but eccentric owners of one of Mondrian's last Boogie-Woogie paintings. In sweaty pursuit of the Mondrian is the reptilian, golf-loving art dealer Art Spindle, who prides himself on once having "managed to sell a Picasso atercolour on the 11th green". What unfolds in the manic attempt to land the Mondrian is a dizzying montage of the great and the not so good of New York's art world. Its neurotic, self-seeking cast list includes the predatory tattooed lesbian video-artist Elaine, the vain but failed artist Jo Richard with a penchant for anal sex, and the lecherous stammering collector Bob Macclestone with his "ah, Brancusi, ah, in the, ah, hallway".
Moynihan paints a satirical and often hilarious portrait of the openings, closings and bad repartee of an art world where as one of Spindle's clients tells h







