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Books : Crime, Thrillers & Mystery : Authors, A-Z : G : George, Elizabeth
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In A Traitor to Memory, Elizabeth George proves that she belongs firmly in the upper echelons of crime writers. Her 10 previous novels of psychological suspense have carefully consolidated the character of her aristocratic detective Thomas Lynley, and with this book she creates for him a narrative more tangled and (seemingly) impenetrable than ever before.Gideon Davies is a classical violinist who has lost his ability to play. In the middle of a Beethoven trio, his mind has been wiped clear of everything related to music. But what he can remember is the weeping of a woman and a single name: Sonia. Davies is soon involved with the death of a young woman called Eugenie, who is run down by a car in the streets of London. On the track of her killer, Lynley and his associates Barbara Ramiz and Winston Nkata become aware of a connection with the violinist and a mysterious group of people somehow linked with a crime and its consequences that took place over 20 years ago.
As always, George is faithful to the demands of the classical detective narrative, and the reader is challenged by the slowly unfolding revelations just as much as her struggling protagonists. But, unlike so many of her contemporaries, George never forgets that the sense of place is quite as intrinsic to a mystery story as any whodunit elements, and the panoply of England unfolded before us here is richly and vividly realised. In earlier books, Lynley has seemed almost preternaturally gifted, but here his desperate attempts to penetrate the dark secret have much more of the quality of a struggle - and perhaps this is why A Traitor to Memory is possibly the most satisfying outing for George's detective yet. --Barry Forshaw
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Award winning novelist Elizabeth George (A Great Deliverance, Well-Schooled in Murder) returns with In Pursuit of a Proper Sinner, her 10th instalment in the Lynley-Havers series. Detective Inspector Thomas Lynley has his work cut out for him: two mutilated corpses are found in a prehistoric stone circle in Derbyshire. One is the daughter of Lynley's former mentor Andy Maiden.What's more, the Inspector's partner Barbara Havers has been suspended and is facing criminal charges of assault and attempted murder. Was Havers really saving a drowning child or was she disobeying orders? Why then did she fire a rifle at the Detective Chief Inspector and how could Lynley ethically justify it? As he grapples with the ramifications of his partner's radical insubordination, the case in Derbyshire grows in daunting complexity.
Once again, Elizabeth George delivers an intricately woven plot which efficiently navigates the reader through the book's 566 pages. Along the way, readers will be introduced to a delightful cast of supporting characters, from the dowdy Phoebe who finds the first gory cadaver to the stately Andy Maiden: "His face was drawn with exhaustion, and his growth of peppery whiskers fanned out from his moustache and shadowed his cheeks". And, of course, fans will get an eyeful of George's trademark; her vivid descriptions of death: "At her feet, a young man lay curled like a foetus, dressed head-to-toe in nothing but black, with that same colour puckering burnt flesh from eye to jaw on one side of his face". --Rebekah Warren
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A Place of Hiding is a solidly crafted novel by one of the queens of the traditional detective story, Elizabeth George. Someone killed millionaire Guy Brouard by slipping him a sedative and popping a stone in his throat and the Guernsey police have opted for a suspect who has, from their point of view, the advantage of being an American stranger. However, China has the good fortune of knowing English friends who are determined to see that justice is done, and who feel considerable loyalty to her and her brother Cherokee.Elizabeth George relies heavily on misdirection--there are almost too many suspects for this killing because Brouard was a games-player with a distinctly iffy set of personal habits and relatives. Not least among the plot strands is the whole question of Guernsey's occupation by the Germans in WW2; Brouard's involvement in a scheme to establish a Museum of Occupation precipitates an entirely different set of tragic events at a tangent to those surrounding his own death. This is a book impressively pervaded by vividly evoked places and by the legacies of history, both national and family; the eventual revelations about specific guilt and innocence are secondary, in a sense, to the implication that we are all involved, dangerously, in each other's lives. --Roz Kaveney
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More akin to a trio of light literary snacks than the lengthy gourmet mysteries she usually serves, Elizabeth George's 11th, The Evidence Exposed is a collection of three short stories. In the first, a motley group of anglophiles are on a two week course at Cambridge studying the "Great Houses of Britain." Within their microcosm, jealousy, sexual tension and infidelities abound, so when one in the party suddenly dies, everyone is suspect. That is, until Inspector Lynley (A Great Deliverance, For the Sake of Elena) arrives on the scene.The second tale, I, Richard, creeps into the mind of Malcolm Cousins, a bitter, middle-aged teacher with one goal: to obtain a priceless document that could clear the name of Richard III. If Cousins succeeds, he will re-write history and live like a king--but with one catch. He must murder his best friend.
In the Surprise of His Life Doulgas Armstrong thought he was just killing time before a prostrate examination when he first consulted psychic Thistle McCloud. However, her divinations strike at the core of his marital insecurities, fuelling a jealous passion. Six weeks and four consultations later, his cosmic obsession culminates in a dangerous lesson: Playing with destiny can have shocking results.
On par with watching a few episodes of the Twilight Zone, the 216 pages of The Evidence Exposed (including an extract of In Pursuit of a Proper Sinner) can be easily digested in an afternoon. This isn't meant to be a continuation of the Lynley-Havers series, but rather, a short diversion from the usual suspects. --Rebekah Warren
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