Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : S : Seymour, Gerald

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Timebomb

Gerald Seymour
The Walking Dead

Gerald Seymour
Timebomb

Gerald Seymour
The Contract

Gerald Seymour
Archangel

Gerald Seymour
Harry's Game

Gerald Seymour
At Close Quarters

Gerald Seymour
The Journeyman Tailor

Gerald Seymour
In Honour Bound

Gerald Seymour
Holding the Zero

Gerald Seymour
The Glory Boys

Gerald Seymour
Rat Run

Gerald Seymour
Field of Blood

Gerald Seymour
Kingfisher

Gerald Seymour
Condition Black

Gerald Seymour
Traitor's Kiss

Gerald Seymour
The Untouchable

Gerald Seymour

Gerald Seymour has never compromised in his avowed aim of writing richly created, ambitious and innovative thrillers that always challenge the reader's expectations. Travelling to the hot spots that are so vividly rendered in his books gives him the backgrounds he excels in, and his use of locales (such as the Balkans in this novel, The Untouchable) remains non-pareil.Here, Seymour again demonstrates his grasp of cutting-edge issues: the grim effects the drug culture is having on the world, and locating the book in Sarajevo allows Seymour to tackle the issue of the West's involvement in foreign zones of conflict when the wars finish and they fade from our memory.
The eponymous "untouchable" is Albert William Packer, known to all as Mister. A career criminal, he dispenses rough justice on his manor without mercy, punishing any opposition terminally. When a Customs and Excise case against him is torpedoed, Packer decides to expand. Buying heroin from the Turks in London's Green Lanes no longer satisfies him, so he decides to travel to Sarajevo where he plans to negotiate safe transit through the black market crossroads that is the former Yugoslavia. But he has a nemesis: Home Office Archivist Joey Cann determines to bring Packer down and follows him and his thugs to Sarajevo.
Cann initially appears to be a loser, but the inevitable confrontation between the two men in the lethal surroundings of Sarajevo changes both their lives forever. Joey Cann is a protagonist more in the le Carré mould than Seymour's customary professional men of action, and his inexorable stripping away of Packer's sinister layers is expertly done. As always with Seymour (in such books as Holding the Zero and A Line in the Sand), the dividing line between good and evil is never clear and the moral ambiguities here are quite as satisfying as the utterly involving narrative. --Barry Forshaw
A Line in the Sand

Gerald Seymour
Red Fox

Gerald Seymour
The Waiting Time

Gerald Seymour