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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : T : Tremain, Rose
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Rose Tremain deserves a Hallelujah chorus dedicated just to her: a decade after the appearance of Restoration--and with a range of stunning novels and short story collections before and after it--now comes her glorious and enthralling Music and Silence.This treasure house of delights, as haunting as it is pleasurable, teems with characters, real and imagined; with intrigues, searches, betrayals, in vivid scene after scene which loop in and out, back and forth, like overlapping and repeated chords.
King Christian IV of Denmark is, in the year of 1630, living in a limbo of fear and rage for his life, his country's ruin, and his wife's not-so-secret adultery. He consoles himself with the weaving of impossible dreams and with music--played by his Royal Orchestra in the freezing cellar at Rosenborg while he listens in his cosy Vinterstue above. Music, he hopes, will create the sublime order he craves. Kirsten, his devious wife, is a continual maker of Beautiful Plans to outwit, avenge, feed her greed. And she detests music.
The awkward duty of assuaging the King's miseries falls to his English lutenist, Peter Claire, his "Angel", whilst Emilia Tilsen must bend to Kirsten's every whim. Yet what Peter and Emilia seek is each other, largely in silence both necessary and cruelly imposed. Other stories, each of them full of fabulous and often joyful and witty invention, intertwine through the Royal Court's machinations: the King's mother who hoards her gold in secret; his boyhood friend, Bror, a tormenting memory; the villagers who suffer and wait in the frozen Numedal; Emilia's mute young brother Marcus. And in Ireland, Johnnie O'Fingal, once a kind father and husband, is driven mad by hearing music of utter divinity in his dreams, but which neither he nor Peter Claire can make earthbound. His devoted but spirited wife has distracted herself with Claire, but now finds herself rejected. Palpable with desire and longing, this extraordinary narrative builds its grand themes in storytelling that is both profound and wonderfully satisfying. --Ruth Petrie
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Rose Tremain has long been one of the most vigorous and imaginative of novelists; her sweeping narratives (set against the most vividly realised of canvases) have made her books as dramatic and assured as anything being written today. The Colour represents a further burnishing of her considerable talents; it is a powerful drama of greed and aspiration set in the New Zealand Gold Rush of the mid-19th Century.Tremain's protagonists are Harriet and Joseph Baxter, who (along with Joseph's mother) leave England for the promise of the new world that New Zealand represents. Needless to say, their relocation comes with many attendant (and nigh-insoluble) problems. But their struggle against the land continues apace until Joseph discovers gold in a nearby creek and ill-advisedly conceals the find from his mother and his wife. Gold fever takes an all-consuming grip upon him, and he leaves the family-owned farm to traverse the gold fields of the Southern Alps. There he will find a strange fate: one that affects those he has left behind as well as him.
As a study of human nature in extremis, this could well be Tremain's most impressive book. Lacking the elegant stylishness of Restoration, The Colour grants us a fastidiously rendered picture of life lived at the sharp edge. And while her characters are confronted with terrifying decisions that few of us are ever likely to encounter, Tremain's narrative gifts make it easy to identify with the decisions (both wise and catastrophic) that her characters take. The sense of period is forcefully conveyed, and while this is not as ingratiating a read as such earlier Tremain books as The Swimming Pool Season, her new level of ambition makes it perhaps the author's most important book yet. --Barry Forshaw
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Rose Tremain has long been one of the most vigorous and imaginative of novelists; her sweeping narratives (set against the most vividly realised of canvases) have made her books as dramatic and assured as anything being written today. The Colour represents a further burnishing of her considerable talents; it is a powerful drama of greed and aspiration set in the New Zealand Gold Rush of the mid-19th Century.Tremain's protagonists are Harriet and Joseph Baxter, who (along with Joseph's mother) leave England for the promise of the new world that New Zealand represents. Needless to say, their relocation comes with many attendant (and nigh-insoluble) problems. But their struggle against the land continues apace until Joseph discovers gold in a nearby creek and ill-advisedly conceals the find from his mother and his wife. Gold fever takes an all-consuming grip upon him, and he leaves the family-owned farm to traverse the gold fields of the Southern Alps. There he will find a strange fate: one that affects those he has left behind as well as him.
As a study of human nature in extremis, this could well be Tremain's most impressive book. Lacking the elegant stylishness of Restoration, The Colour grants us a fastidiously rendered picture of life lived at the sharp edge. And while her characters are confronted with terrifying decisions that few of us are ever likely to encounter, Tremain's narrative gifts make it easy to identify with the decisions (both wise and catastrophic) that her characters take. The sense of period is forcefully conveyed, and while this is not as ingratiating a read as such earlier Tremain books as The Swimming Pool Season, her new level of ambition makes it perhaps the author's most important book yet. --Barry Forshaw
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Rose Tremain deserves a Hallelujah chorus dedicated just to her: a decade after the appearance of Restoration--and with a range of stunning novels and short story collections before and after it--now comes her glorious and enthralling Music and Silence.This treasure house of delights, as haunting as it is pleasurable, teems with characters, real and imagined; with intrigues, searches, betrayals, in vivid scene after scene which loop in and out, back and forth, like overlapping and repeated chords.
King Christian IV of Denmark is, in the year of 1630, living in a limbo of fear and rage for his life, his country's ruin, and his wife's not-so-secret adultery. He consoles himself with the weaving of impossible dreams and with music--played by his Royal Orchestra in the freezing cellar at Rosenborg while he listens in his cosy Vinterstue above. Music, he hopes, will create the sublime order he craves. Kirsten, his devious wife, is a continual maker of Beautiful Plans to outwit, avenge, feed her greed. And she detests music.
The awkward duty of assuaging the King's miseries falls to his English lutenist, Peter Claire, his "Angel", whilst Emilia Tilsen must bend to Kirsten's every whim. Yet what Peter and Emilia seek is each other, largely in silence both necessary and cruelly imposed. Other stories, each of them full of fabulous and often joyful and witty invention, intertwine through the Royal Court's machinations: the King's mother who hoards her gold in secret; his boyhood friend, Bror, a tormenting memory; the villagers who suffer and wait in the frozen Numedal; Emilia's mute young brother Marcus. And in Ireland, Johnnie O'Fingal, once a kind father and husband, is driven mad by hearing music of utter divinity in his dreams, but which neither he nor Peter Claire can make earthbound. His devoted but spirited wife has distracted herself with Claire, but now finds herself rejected. Palpable with desire and longing, this extraordinary narrative builds its grand themes in storytelling that is both profound and wonderfully satisfying. --Ruth Petrie
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