Books : Fiction : Women Writers & Fiction

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Books : Fiction : Women Writers & Fiction

  • Pride and Prejudice (Penguin Popular Classics)

    Jane Austen

    Pride and Prejudice (Penguin Popular Classics)
    Elizabeth Bennet is the perfect Austen heroine: intelligent, generous, sensible, incapable of jealousy or any other major sin. That makes her sound like an insufferable goody-goody, but the truth is she's a completely hip character who ,if provoked, is not above skewering her antagonist with a piece of her exceptionally sharp, yet always polite, 18th-century wit. The real point of the book though, the critical question which will keep you fixated throughout, is: will Elizabeth and Mr Darcy hook up? Read this genuine all-time classic and discover the answer while enjoying a story that has charmed generation after generation.
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  • Jane Eyre (Penguin Popular Classics)

    Charlotte Bronte

    Jane Eyre (Penguin Popular Classics)
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  • Wuthering Heights (Penguin Popular Classics)

    Emily Bronte

    Wuthering Heights (Penguin Popular Classics)
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  • The Handmaid's Tale (Contemporary classics)

    Margaret Atwood

    The Handmaid's Tale (Contemporary classics)
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  • Frankenstein: or, the Modern Prometheus: Or, the Modern Prometheus (Penguin Popular Classics)

    Mary Wollstonecraft Shelley

    Frankenstein: or, the Modern Prometheus: Or, the Modern Prometheus (Penguin Popular Classics)
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  • The Complete Novels of Jane Austen (Special Editions)

    Jane Austen

    The Complete Novels of Jane Austen (Special Editions)
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  • Sacred Country

    Rose Tremain

    Sacred Country
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  • Wuthering Heights (Penguin Classics)

    Emily Bronte

    Wuthering Heights (Penguin Classics)
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  • Pride and Prejudice (Penguin Classics)

    Jane Austen

    Pride and Prejudice (Penguin Classics)
    Elizabeth Bennet is the perfect Austen heroine: intelligent, generous, sensible, incapable of jealousy or any other major sin. That makes her sound like an insufferable goody-goody, but the truth is she's a completely hip character who ,if provoked, is not above skewering her antagonist with a piece of her exceptionally sharp, yet always polite, 18th-century wit. The real point of the book though, the critical question which will keep you fixated throughout, is: will Elizabeth and Mr Darcy hook up? Read this genuine all-time classic and discover the answer while enjoying a story that has charmed generation after generation.
    More Information Buy Now
     
  • Sense and Sensibility (Penguin Popular Classics)

    Jane Austen

    Sense and Sensibility (Penguin Popular Classics)
    Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly", she finds him disappointing as a possible lover for her sister:
    Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!
    Soon, however, Marianne meets a man who measures up to her ideal: Mr Willoughby, a new neighbour. So swept away by passion is Marianne that her behaviour begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. misfortunes and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber, Amazon.com
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  • Pride and Prejudice (Oxford World's Classics)

    Jane Austen

    Pride and Prejudice (Oxford World's Classics)
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  • Jane Eyre (Penguin Classics)

    Charlotte Bronte

    Jane Eyre (Penguin Classics)
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  • Jane Austen 6-book Boxed Set: "Emma", "Pride and Prejudice", "Sense and Sensibility", "Persuasion", "Mansfield Park" and "Northanger Abbey" (Collector's Library)

    Jane Austen

    Jane Austen 6-book Boxed Set:
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  • Oranges are Not the Only Fruit

    Jeanette Winterson

    Oranges are Not the Only Fruit
    Jeanette, the protagonist of Oranges Are Not The Only Fruit and the author's namesake, has issues--"unnatural" ones: her adopted mam thinks she's the Chosen one from God; she's beginning to fancy girls; and an orange demon keeps popping into her psyche. Already Jeanette Winterson's semi-autobiographical first novel is not your typical coming-of-age tale.

    Brought up in a working-class Pentecostal family, up North, Jeanette follows the path her Mam has set for her. This involves Bible quizzes, a stint as a tambourine-playing Sally Army officer and a future as a missionary in Africa, or some other "heathen state". When Jeanette starts going to school ("The Breeding Ground") and confides in her mother about her feelings for another girl ("Unnatural Passions"), she's swept up in a feverish frenzy for her tainted soul. Confused, angry and alone, Jeanette strikes out on her own path, that involves a funeral parlour and an ice-cream van. Mixed in with the so-called reality of Jeanette's existence growing up are unconventional fairy tales that transcend the everyday world, subverting the traditional preconceptions of the damsel in distress.

    In Oranges Are Not the Only Fruit, Winterson knits a complicated picture of teenage angst through a series of layered narratives, incorporating and subverting fairytales and myths, to present a coherent whole, within which her stories can stand independently. Imaginative and mischievous, she is a born storyteller, teasing and taunting the reader to reconsider their worldview. --Nicola Perry

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  • The Secret Garden (Wordsworth's Children's Classics) (Wordsworth's Children's Classics)

    Frances Hodgson Burnett

    The Secret Garden (Wordsworth's Children's Classics) (Wordsworth's Children's Classics)
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  • The Back Passage

    James Lear

    The Back Passage
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  • North and South

    Elizabeth Cleghorn Gaskell

    North and South
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  • Beloved (Vintage Classics)

    Toni Morrison

    Beloved (Vintage Classics)
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  • Emma (Penguin Popular Classics)

    Jane Austen

    Emma (Penguin Popular Classics)
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  • "Wuthering Heights" (York Notes Advanced)

    Emily Bronte

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