- E
- L
- Embryology
- Martin, George R.
- Quotations
- Other African Countries
- Sports
- Baraka, Imamu Amiri
- Matthews, Carole
- Wilder, Thornton
- Sensory & Therapeutic Gardens
- Adobe Framemaker
- Commercial, Financial, Industrial & Taxation
- Audio CDs
- Desert War
- Wilson, August
- The Comedy of Errors
- Willis, Paul J.
- Prints
- Goodkind, Terry
- Anatomy
- Search Inside!
- Maine
- Windows Administration
- Parasitology
- Film Studies
- Gordon, James
- Gozzoli, Benozzo
- Asimov, Isaac
- Trevor, Elleston
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Fiction : By Period : 20th Century : Authors, A-Z : B
-
-
-
-
-
-
-
-
-
-
-
-
Charles Bukowski's fourth novel, Ham on Rye, is the semi-autobiographical story of the early years of his alter ego Henry Chinaski. It is a finely written and honest account of the painful childhood of a boy marked out from his peers. Regularly beaten by his father, Chinaski is shown growing through his difficult and violent adolescence (struck with the worst case of acne his doctors have ever seen) through to the first jobs he can't and won't hold down. In this moving story of growing up Bukowski disciplines his muscular, concentrated writing and creates a novel that distils his poetry into the finest full-length piece of prose that he ever wrote. Bukowski is often good but in Ham on Rye he's great.Sadly, best known as the alcoholic inspiration for the film Barfly (an experience he reflected on in his book Hollywood), it is as a poet, rather than a drunk, that Bukowski should be best remembered. His bitter, caustic, direct, humane, damaged poetry reflects a life dominated by poverty and booze. His poetry stretches over many, many volumes but Bukowski also wrote great novels: all of them have many faults but the first four books he wrote shine for similar reasons. Post Office and Factotum both dissect, quite brilliantly, the life of an angry, poor man forced to do mindless jobs, pushed around and considered mindless by the fools who force him to do them. Women, as Roddy Doyle points out in his short introduction, continues the themes but focuses on the numerous women who share his hero's bed and bottle. --Mark Thwaite
-
-
-
Easily one of the 20th century's most visionary writers, JG Ballard still lives far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S Burroughs, extensive text commentary by Ballard and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultra-realistic images of eroticism and destruction add an important dimension to Ballard's text. --Joaquim della Mirandella
-
-
The Complete Short Stories of JG Ballard are required reading for all connoisseurs of Ballard's writing. This compilation brings together 96 short stories drawn from previous collections of Ballard's short stories, including The Voices of Time and War Fever, as well as four previously uncollected stories. The result is an exhilarating overview of Ballard's development as a short-story writer, from the singing orchids of Vermilion Sands in Prima Belladonna, completed in 1956, to the millennial anxieties of Report from an Obscure Planet, written in 1992.The Complete Short Stories confirm Ballard's stature as a craftsman of the short story, which often suits his surreal brilliance above and beyond later novels such as Cocaine Nights and Super-Cannes. In his Introduction, Ballard reflects, "the short story is coined from precious metal, a glint of gold that will glow for ever in the deep purse of your imagination." Time and again, whether exploring the furthest reaches of science fiction, or the banal surrealism of English suburban life, Ballard's perverse insight lodges itself in your imagination, as he explores and often punctures what he refers to as "that over-worked hologram called reality". This collection will delight devotees, but it will also allow readers new to Ballard to experience a short-story writer of the stature of Borges, Bradbury or Edgar Allan Poe. --Jerry Brotton
-
Although Jorge Luis Borges published his first book in 1923--doling out his own money for a limited edition of Fervor de Buenos Aires--he remained in Argentinian obscurity for almost three decades. In 1951, however, Ficciones appeared in French, followed soon after by an English translation. This collection, which included the cream of the author's short fictions, made it clear that Borges was a world-class (if highly unclassifiable) artist--a brilliant, lyrical miniaturist, who could pose the great questions of existence on the head of pin. And by 1961, when he shared the French Prix Formentor with Samuel Beckett, he seemed suddenly to tower over a half dozen literary cultures, the very exemplar of modernism with a human face.By the time of his death in 1986, Borges had been granted old master status by almost everybody (except, alas, the gentlemen of the Swedish Academy). Yet his work remained dispersed among a half dozen different collections, some of them increasingly hard to find. Andrew Hurley has done readers a great service, then, by collecting all the stories in a single, meticulously translated volume. It's a pleasure to be reminded that Borges' style--poetic, dreamlike, and compounded of innumerable small surprises--was already in place by 1935, when he published A Universal History of Iniquity: "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." (Incidentally, the thrifty author later recycled the second of these aphorisms in his classic bit of bookish metaphysics, "Tlon, Uqbar, Orbis Teris.") The glories of his middle period, of course, have hardly aged a day. "The Garden of the Forking Paths" remains the best deconstruction of the detective story ever written, even in the post-Auster era, and "Pierre Menard, Author of the Quixote" puts the so-called death of the author in pointed, hilarious perspective.
But Hurley's omnibus also brings home exactly how consistent Borges remained in his concerns. Aslate as 1975, in "Avelino Arredondo," he was still asking (and occasionally even answering) the same riddles about time and its human repository, memory: "For the man in prison, or the blind man, time flows downstream as though down a slight decline. As he reached the midpoint of his reclusion, Arredondo more than once achieved that virtually timeless time. In the first patio there was a wellhead, and at the bottom, a cistern where a toad lived; it never occurred to Arredondo that it was the toad's time, bordering on eternity, that he sought." Throughout, Hurley's translation is crisp and assured (although this reader will always have a soft spot for "Funes, the Memorious" rather than "Funes, His Memory.") And thanks to his efforts, Borgesians will find no better--and no more pleasurable--rebuttal of the author's description of himself as "a shy sort of man who could not bring himself to write short stories." --James Marcus, Amazon.com
-
-
