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Books : Fiction : Contemporary Fiction: 1970 Onwards : Authors A-Z : B : Berne, Suzanne
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.
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The set up for Suzanne Berne's second novel sounds positively Gothic: Mirella and Howard--she a lawyer, he an architect--desperately need a nanny to care for their two small children. Without carefully checking her references, they welcome the cozy-seeming Randi into their creaky Colonial saltbox. At first the arrangement does seem perfect: Randi cooks, cleans and works wonders with the heretofore recalcitrant children. But it becomes slowly clear that her sunny, reliable temperament might be cloaking a darker past. In elegant, sometimes quite funny prose, Berne cleverly readies the reader for domestic atrocities in the gruesome tradition of The Hand That Rocks the Cradle. Then she subverts our expectations by showing that Mirella and Howard have their secrets, too--quiet compromises they've made to achieve their ideal home. The reader keeps waiting for the Nanny Horror Show to begin, and meanwhile Berne shows a family falling apart under the pressure of trying to appear perfect. "Disaster could be small and dull and corrosive," she writes. "It might already have come."
To up the ante, Berne has installed her domestic melange in a charming New England town, where Main Street is populated by quaint shops and unsightly necessities (such as, say, the grocery store) are relegated to the hinterlands. Inhabiting the equivalent of a Norman Rockwell painting, each character is further pressed to idealise the notion of family; each has a distinctive mental of what a home should look like. Anger and frustration and failure are suppressed until they surface in horrible, comic eruptions. Thus do Berne's characters ultimately learn to appreciate the "terrible, desirable, exhausting plenitude" of life. Admirers of Joanna Trollope's domestic dramas--by turns witty and harrowing--should find much to love in A Perfect Arrangement. --Claire Dederer, Amazon.com
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The set up for Suzanne Berne's second novel sounds positively Gothic: Mirella and Howard--she a lawyer, he an architect--desperately need a nanny to care for their two small children. Without carefully checking her references, they welcome the cozy-seeming Randi into their creaky Colonial saltbox. At first the arrangement does seem perfect: Randi cooks, cleans and works wonders with the heretofore recalcitrant children. But it becomes slowly clear that her sunny, reliable temperament might be cloaking a darker past. In elegant, sometimes quite funny prose, Berne cleverly readies the reader for domestic atrocities in the gruesome tradition of The Hand That Rocks the Cradle. Then she subverts our expectations by showing that Mirella and Howard have their secrets, too--quiet compromises they've made to achieve their ideal home. The reader keeps waiting for the Nanny Horror Show to begin, and meanwhile Berne shows a family falling apart under the pressure of trying to appear perfect. "Disaster could be small and dull and corrosive," she writes. "It might already have come."
To up the ante, Berne has installed her domestic melange in a charming New England town, where Main Street is populated by quaint shops and unsightly necessities (such as, say, the grocery store) are relegated to the hinterlands. Inhabiting the equivalent of a Norman Rockwell painting, each character is further pressed to idealise the notion of family; each has a distinctive mental of what a home should look like. Anger and frustration and failure are suppressed until they surface in horrible, comic eruptions. Thus do Berne's characters ultimately learn to appreciate the "terrible, desirable, exhausting plenitude" of life. Admirers of Joanna Trollope's domestic dramas--by turns witty and harrowing--should find much to love in A Perfect Arrangement. --Claire Dederer, Amazon.com
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.
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A murdered boy, a runaway husband, a family spinning out of control-- Suzanne Berne's A Crime in the Neighbourhood is no ordinary coming-of-age novel. The narrator of this dark tale of 1970s suburbia is 10-year-old Marsha, who lives with her mother and older twin siblings in a suburb of Washington, D.C. In the spring of 1972, a young boy is molested, murdered and then dumped behind a shopping mall. That the child was not particularly likeable is just one of Berne's deviations from the expected, as clear-eyed Marsha recalls the boy's many character flaws, even as she relates the details of an undeniably horrifying crime. Though murder is the most visible crime in Marsha's neighbourhood, it is by no means the only one; when Marsha's father and aunt run off together, their enormous betrayal sends Marsha's mother into a tailspin and Marsha into a strange dalliance with Mr. Green, the neighbour next door.
A Crime in the Neighbourhood is a deft and provocative first novel that turns many of the coming-of-age conventions on their heads. There is nothing sepia tinted about Marsha's recollections of her childhood--the lives of 10-year-olds are mired in the mistakes of adults and the cruelties of other children. The pitiless eye Marsha brings to bear on the friends family, and acquaintances of her youth makes A Crime in the Neighbourhood an unusual and worthwhile read.














