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Indignation

Philip Roth
Midnight's Children (Vintage Classics)

Salman Rushdie

Before Salman Rushdie had that problem with a certain religious-political figure with a serious need to chill out, he'd already shown he was an important literary force. Quite simply, Midnight's Children is amazing--fun, beautiful, erudite, both fairy tale and political narrative told through a supernatural narrator who is caught between different worlds. Though it's a big book, with big themes of India's nationhood and of ethnic and personal identity, it's far from a dry history lesson. Rushdie tells the story in his own brand of magical realism, with a prose of lyrical, transcendent goofiness.
All Quiet on the Western Front

Erich Maria Remarque
Wide Sargasso Sea (Penguin Modern Classics)

Jean Rhys
The Satanic Verses

Salman Rushdie

No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a fatwa from Iran's Ayatollahs decreeing his death. Furore aside, it is a marvellously erudite study of good and evil, a feast of language served up by a writer at the height of his powers and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's astonishing powers of invention are at their best in this Whitbread Prize winner.
The Enchantress of Florence

Salman Rushdie
The Fountainhead (Penguin Modern Classics)

Ayn Rand
Wide Sargasso Sea

Jean Rhys
Atlas Shrugged (Penguin Modern Classics)

Ayn Rand
Midnight's Children

Salman Rushdie

Before Salman Rushdie had that problem with a certain religious-political figure with a serious need to chill out, he'd already shown he was an important literary force. Quite simply, Midnight's Children is amazing--fun, beautiful, erudite, both fairy tale and political narrative told through a supernatural narrator who is caught between different worlds. Though it's a big book, with big themes of India's nationhood and of ethnic and personal identity, it's far from a dry history lesson. Rushdie tells the story in his own brand of magical realism, with a prose of lyrical, transcendent goofiness.
American Pastoral

Philip Roth
Exit Ghost

Philip Roth
The Human Stain

Philip Roth
Everyman

Philip Roth
Portnoy's Complaint

Philip Roth
Good Morning, Midnight (Penguin Modern Classics)

Jean Rhys
The Plot Against America

Philip Roth
Atlas Shrugged

Ayn Rand
The Ghost Writer

Philip Roth
The Dying Animal

Philip Roth

The Dying Animal is the latest addition to Philip Roth's already considerable and highly celebrated oeuvre. The protagonist is David Kepesh, a recurring protagonist in Roth's work, having been introduced first in the Kafkaesque 1972 novella, The Breast, and again in The Professor of Desire (1979). Kepesh, now a 70-year-old arts critic and lecturer in critical theory, is a sexual adventurer, who feels himself liberated from marriage, children and old school sexual mores by the 1960s sexual revolution, and uses his celebrity and intellectual reputation to seduce the young women that he tutors. Written in the form of a conversational confession, Roth has Kepesh introduce the method of his sexual conquests and then the foil to his method, the beautiful, mannered and busty Consuela Castillo. So begins a description of a descent into the madness of love; "crazy distortions of longing, doting, possessiveness ... this need, this derangement. Will it ever stop?"
. What begins as a chronology of sexual conquest becomes an exquisite meditation on the destructive and addictive nature of love and lust. Notions of social freedom, and sexual emancipation are explored as Kepesh, who for so long has considered himself a free animal, finds himself caged in by his obsession. His journey of sexual discovery becomes one of self-discovery, and as his life journey nears its close he also begins to realise in himself and those around him, "the dying animal" (from Yeats' poem "Sailing to Byzantium"),a different beast to the sexual animal yet still entwined with it through shared flesh.
This is a sexually candid novel, a brave and daring one, a novel that does not blink in the admission that so many of our actions are motivated by the sexual. In this it is reminiscent of the writings of Henry Miller, which are mentioned among the many literary references that populate this book. Every line of Roth's prose brings a desire to read the next; it is brilliantly written, and like the Yeats poem from which it draws inspiration, it is open to much interpretation. --Iain Robinson