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Books : Fiction : World : Scottish
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The phenomenal acclaim for Alexander McCall Smith's Botswana-set detective series featuring the 'comfortably built' Precious Ramotswe took the publishing world by storm, notably because the gentle, unforced humour of the books was such a contrast with the far grittier fare on offer from most publishers and crime authors. Of course, it's probably true that readers were ready for something a touch more ingratiating --- that's to say, crime books that didn't always end with the walls painted with blood.The latest book in McCall Smith's highly successful career, The Unbearable Lightness of Scones, is, however, not one of his Precious Ramotswe books, but an entry in the pleasing (and undemanding) Scotland Street series, full of the good-natured charm and inventiveness that is the author's hallmark. Bertie, McCall Smith's precocious six-year-old protagonist, is still at odds with his domineering mother, Irene, but enjoying his time as a cub scout. Matthew is struggling with the demands of marriage, while Domenica has her own struggle with the loneliness that accompanies her somewhat arid intellectual lifestyle. The residents of 44 Scotland St offer a kind of Celtic alternative to the humour of Armistead Maupin's delightful San Francisco-set Tales of the City (although unorthodox sexuality has less of a place here!).
It's a something of an achievement in the often dark world of the 21st century to deliver lightweight (but intelligent) entertainment such as this. There will always be those who want more uncompromising fare, but those attuned to Alexander McCall Smith's more gentle world view need not hesitate. --Barry Forshaw
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Elvis's wimpled sister rocks on in a convent she calls Graceland; Nancy Sinatra gets out her boots made for walking with the Kray Sisters; Mrs Midas misses the touch of her now dangerous golden-handed husband; and Queen Herod decrees the killing of each mother's son to protect her baby daughter in Carol Ann Duffy's startling new collection The World's Wife. Doubling is one of the most common themes--and stylistic ploys--of Western culture and thought, and the concept around which Duffy has ingeniously organised this profoundly playful collection. Mrs Midas, Mrs Aesop, Mrs Darwin, Frau Freud, Anne Hathaway, Mrs Rip Van Winkle, the Kray Sisters; these are some of the wives, and sisters, whose stories are told. These inventive, metaphorically precise poems offer much more, however, than just a recovery of the historical voice of her (supposedly) silenced indoors. Duffy dexterously rewrites Judao-Christian and classical mythologies, subverts fairytale and zestfully reinterprets the more modern myths of Darwin and Freud.Humour is the abundant keynote of this accessible collection. Mrs Rip Van Winkle enjoys the freedom to travel and paint allowed by her husband's permanent slumbers, "Until the day / I came home with pastel of Niagara / and he was sitting up in bed rattling Viagra." Frau Freud analyses her over-exposure to "ding-a-ling, member and jock, / of todger and nudger and percy and cock," and confesses with irony to being, "as au fait with Hunt-the Salami / as Ms M. Lewinsky." Mrs Aesop groans about her husbands unstoppable garrulousness: "By Christ, he could bore for Purgatory," and Mrs Darwin evolves the following summary her husband's research:
"7 April 1852
Went to the Zoo.
I said to Him--
Something about that Chimpanzee over there
reminds me of you."
The World's Wife throws open the windows on the stuffy annals of historical myth and breezes through some of its highlights with a sense of revelry and laugh-out-loud observation. In this wry take on the historical ubiquity of heterosexual coupledom that permeates so many cultural myths, Duffy has separated vibrant women from the shadows of their more famous husbands and brothers, and divorced them from the distortions of historical silence. --Rachel Holmes
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