Books : Crime, Thrillers & Mystery

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Books : Crime, Thrillers & Mystery

  • No Time For Goodbye

    Linwood Barclay

    No Time For Goodbye
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  • The Ghost

    Robert Harris

    The Ghost
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  • Devil May Care (James Bond)

    Sebastian Faulks

    Devil May Care (James Bond)
    A variety of authors have written 007 novels since the death of Bond's creator, Ian Fleming -- and the results have been mixed, to say the least. As 'Robert Markham', Kingsley Amis penned the very first post-Fleming Bond, and this attempt by a novelist better known for his 'literary' work was judged a success. Now, after a decade of less successful entries by such writers as John Gardener, we have another serious writer, Sebastian Faulks (author of such acclaimed novels as Birdsong), taking up the challenge.

    Devil May Care has already collected a jaw-dropping amount of publicity, with even the Royal Navy helping to put the book firmly at the top of the best-seller charts (Bond is, of course, a naval commander), and few books have had such wind under their sails (the relaunch of the movie franchise with the re-make of Casino Royale and Daniel Craig's second Bond film, Quantum of Solace, is all part of the ever-accelerating momentum). Of course, this also gives the book farther to fall if it misses the mark.

    Faulks' author credit on the book ('Sebastian Faulks writing as Ian Fleming') is both revealing and encouraging - the author has reportedly said that he undertook the task with total seriousness, and he has tried to work within the parameters of the Ian Fleming formula (Faulks re-read all the extant Bond novels and stories) rather than the more glossy film incarnation. Among several very canny moves by the author is his decision to keep his 007 in the 1960s rather than catapulting him into the 21st century (as other ersatz Fleming novels - and, of course, the films -- have done. So how successful are the results?

    Fleming aficionados can relax - this is a sterling job of recreation, and a novel that functions with total authority in its own right. The evocation of time and place (or places, notably Paris and the Middle East) is impeccable, as are the plotting and detail (as colourful and violent as anything in Fleming); there is a satisfyingly unpleasant larger-than-life villain, Julius Gorner, with a grotesque deformity of the kind Fleming often gave such characters (the chapter 'The monkey's hand' gives this away) and grandiose, evil ambitions. Best of all, this is Ian Fleming's James Bond - not a superman -- worried about his health and his physical powers (which he fears may be on the wane). Delicious stuff in fact. Now... can Faulks be persuaded to write another such novel? --Barry Forshaw.

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  • Devil Bones

    Kathy Reichs

    Devil Bones
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  • A Snowball in Hell

    Christopher Brookmyre

    A Snowball in Hell
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  • The Shack

    William P. Young

    The Shack
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  • All the Colours of Darkness

    Peter Robinson

    All the Colours of Darkness
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  • A Quiet Belief in Angels

    R.J. Ellory

    A Quiet Belief in Angels
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  • The Private Patient (Adam Dalgliesh Mystery)

    P.D. James

    The Private Patient (Adam Dalgliesh Mystery)
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  • Deadline

    Simon Kernick

    Deadline
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  • Fractured

    Karin Slaughter

    Fractured
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  • Dissolution (Matthew Shardlake 1)

    C.J. Sansom

    Dissolution (Matthew Shardlake 1)
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  • The Pillars of the Earth

    Ken Follett

    The Pillars of the Earth
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  • Dark Fire (Matthew Shardlake 2)

    C.J. Sansom

    Dark Fire (Matthew Shardlake 2)
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  • Dead Man's Footsteps

    Peter James

    Dead Man's Footsteps
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  • Child 44

    Tom Rob Smith

    Child 44
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  • The Broken Window

    Jeffery Deaver

    The Broken Window
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  • Darkly Dreaming Dexter

    Jeff Lindsay

    Darkly Dreaming Dexter
    Meet Dexter Morgan, the chief protagonist of Darkly Dreaming Dexter. He's a highly respected lab technician specialising in blood spatter for the Miami Dade Police Department. He's a handsome, though reluctant, ladies' man. He's polite, says all the right things, and rarely draws attention to himself. He's also a sociopathic serial killer whose "Dark Passenger" drives him to commit the occasional dismemberment. Mind you, Dexter's the good guy in this story.

    Adopted at the age of four after an unnamed tragedy left him orphaned, Dexter's learned, with help from his pragmatic policeman father, to channel his "gift", killing only those who deal in death themselves. But when a new serial killer starts working in Miami, staging elaborately grisly scenes that are, to Dexter, an obvious attempt at communication from one monster to another, the eponymous protagonist finds himself at a loss. Should he help his policewoman sister Deborah earn a promotion to the Homicide desk by finding the fiend? Or should he locate this new killer himself, so he can express his admiration for the other's "art"? Or is it possible that psycho Dexter himself, admittedly not the most balanced of fellows, is finally going completely insane and committing these messy crimes himself?

    Despite his penchant for vivisection, it's hard not to like Dexter as his coldly logical personality struggles to emulate emotions he doesn't feel and to keep up his appearance as a caring, unremarkable human being. Debut author Jeff Lindsay's plot is tense and absorbing, but it's the voice of Dexter and his reactions to the other characters that make this one of the most original and highly recommended serial killer stories in a very long time. --Benjamin Reese, Amazon.com

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  • Sovereign (Matthew Shardlake 3)

    C.J. Sansom

    Sovereign (Matthew Shardlake 3)
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  • In the Dark

    Mark Billingham

    In the Dark
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