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Books : Biography : Historical : Britain : Georgian to Victorian: 1701-1900
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Georgiana Spencer was, in a sense, an 18th-century "It Girl". She came from one of England's richest and most landed families, and married into another. She was, beautiful, sensitive and extravagant. Acquainted fairly young with Charles James Fox, her move from parties to Parties led her to become the intimate of ministers and princes, and she canvassed assiduously for the Whig cause, most famously in the Westminster election of 1784. By turns she was caricatured and fawned on by the press, and she provided the inspiration for Lady Teazle in Sheridan's School For Scandal. But, luckily for her biographer, she also had weaknesses that were to taint her life. As gin gripped the masses, so gambling enthralled the aristocracy. By 1784 Georgiana owed "many, many, many thousands", and the creditors she acquired dogged her until her death, but the sterility of her marriage meant that she never came close to disclosing the magnitude of her debts. Amanda Foreman describes astutely the mess that was personal relationships for the aristocratic subculture (Georgiana and the Duke engaged for many years in a ménage à trois with Lady Elizabeth Fraser, who inveigled her way into his bed and her heart). She is, by her own admission, a little in love with her subject, which can lead to occasional lapses of perspective, but generally it adds zest to a narrative built on, rather than burdened by, scholarship, that is at once accessible and learned. An impressive debut, in every sense. --David Vincent
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Georgiana Spencer was, in a sense, an 18th-century "It Girl". She came from one of England's richest and most landed families, and married into another. She was, beautiful, sensitive, and extravagant. Acquainted fairly young with Charles James Fox, her move from parties to Parties led her to become the intimate of ministers and princes, and she canvassed assiduously for the Whig cause, most famously in the Westminster election of 1784. By turns she was caricatured and fawned on by the press, and she provided the inspiration for Lady Teazle in Sheridan's School For Scandal. But, luckily for her biographer, she also had weaknesses that were to taint her life.As gin gripped the masses, so gambling thralled the aristocracy. By 1784 Georgiana owed "many, many, many thousands", and the creditors she acquired dogged her until her death, but the sterility of her marriage meant that she never came close to disclosing the magnitude of her debts. Amanda Foreman describes astutely the mess that was personal relationships for the aristocratic subculture (Georgiana and the Duke engaged for many years in a ménage à trois with Lady Elizabeth Fraser, who inveigled her way into his bed and her heart). She is, by her own admission, a little in love with her subject, which can lead to occasional lapses of perspective, but generally it adds zest to a narrative built on, rather than burdened by, scholarship, that is at once accessible and learned. An impressive debut, in every sense. --David Vincent
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Alive with the details of upper-class life in the 1700s, and sparkling with extracts from the letters of Caroline, Emily, Louisa and Sarah Lennox and their offspring, Aristocrats: The Illustrated Companion to the Television Series takes the reader on a Grand Tour of their 18th-century experience. Stella Tillyard's completely new text (the series Aristocrats is based on her highly acclaimed book of the same name), breathes intelligence and accessibility. Divided into themed chapters: Beginnings and Marriages; Town Life; Country Life; Travel and Endings, Aristocrats is gorgeously illustrated with informatively captioned paintings, photos of artefacts and stills from the television series. Helpfully, the book kicks off with a Dramatis Personae section, which explains who everyone is, tells us how they relate to each other, what they were like and fits them snugly into their context like the elegant, idiosyncratic pieces of a lavish three-dimensional jigsaw puzzle. Throughout, Tillyard's affectionately vivid prose combines with the stunning illustrations to recreate the opulence in which the Lennox sisters lived, loved, married, took lovers, raised children, survived scandals, played at architecture and design, and lived high politics.A book which combines gossip, art and history to terrific effect. Buy it even if you've read Tillyard's original book. Actually--buy two copies. Keep one and give one to someone you love as a present. --Lisa Gee
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We associate Wellington so much with the battle of Waterloo that it's easy to forget that, before the battle, he had had a long military career already and that, after it, he had an even longer career as politician, prime minister and pillar of the establishment. Richard Holmes's admirably clear and succinct biography of the Duke has a chapter on his youth as a slightly awkward loner from the Anglo-Irish nobility and a concluding chapter which races swiftly through the 37 years of his post-Waterloo life. However the bulk of the book, unsurprisingly, is given over to a description and analysis of his military exploits.As viewers of his TV series and readers of his previous books will know, Holmes is a brilliant interpreter of battlefields and what took place on them. He has visited most of the sites of Wellington's battles, not only those in Europe but those in India where the young Arthur Wellesley, as he then was, gained his first experiences as a general. (Wellington himself, in later life, claimed that his finest military achievement was not Waterloo but the winning of the Battle of Assaye during the Maratha Wars in 1803.) He uses his knowledge of the battle sites and his familiarity with all the extensive literature on the Peninsular War and Waterloo to produce a vivid account of Wellington's string of successes as a general. As the quotes in this book from his writings and despatches show, Wellington had a gift for the striking phrase and for concise description of complicated events. It's a gift his biographer shares and Holmes has produced a very readable and enjoyable book. --Nick Rennison
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Heir to the throne at the age of 11, queen at 18, mothering her own heirs at 21, and both a widow and a grandmother by the time she was 42, Queen Victoria's was an extraordinary life, even for a British monarch. Centuries collided in her life and times. She was a quaint survival of a medieval age--preserving the dynasty by marrying off her children and observing court ritual to the letter. But she was a thoroughly modern monarch too--she loved rail travel at high speed, had an unusually insouciant attitude towards religion, and despite her reputation for not being amused, she was, at least until Prince Albert's death, a woman to whom gaiety and mischief came naturally. Christopher Hibbert, the biographer and popular historian, has already produced a selection from Victoria's journals and letters. Now he has written a full biography, which is a light and enjoyable tour through a familiar landscape. But with 66 chapters in 500 pages there is not much space for depth. The world beyond Victoria's court and family life does not feature very much. And on the outstanding questions of her reign--for example, her relationship with John Brown, her unrealistic sense of her own constitutional position, or the remaking of the image of the monarchy which took place after 1870--the author's verdict is either missing or inconclusive. --Miles Taylor
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