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Books : History : Other Historical Subjects : Historians : Schama, Simon
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What do you get when you combine the resources and ethos of the BBC with the literary panache of one of the world's best narrative historians? The answer is Simon Schama's History of Britain, the first volume of which accompanies the BBC television series of the same name.In a beautifully written and thoughtfully crafted book, studded with striking portraits, pictures and maps, Schama, the bestselling author of books on European cultural history such as The Embarrassment of Riches and Citizens, as well as 1999's Rembrandt's Eyes, has managed to be both conventional and provocative. He tells the official version of Britain's island story--from Roman Britain, through the Norman conquest, the struggles of the Henrys and Richards with their bolshie barons and cautious clerics, Edward I and the subjugation of Wales, King Death (the plague), and on to the Henrician reformation, before closing with the remarkable reign of the virgin queen, Elizabeth I.
While sticking to a script familiar to anyone who sat up and listened in history lessons at school, Schama brings it all alive, with memorable prose--Simon de Montfort's rebel parliament is described as inaugurating the "union between patriotism and insubordination"; with Henry VIII, Schama says, "you could practically smell the testosterone". And with fine sensitivity too, particularly on the symbolism of buildings, memorials, language and ceremonies, and on the complex relations between England and her Celtic and Catholic neighbours. If history must have gloss, then let it be written and presented like this. --Miles Taylor
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The second volume of Simon Schama's BBC History of Britain: The British Wars, 1603-1776 is a more serious affair than the first. A History of Britain Vol I was free-range history: a fresh and at times iconoclastic survey of more than 1,500 years of the nation's story. Now Schama is more penned in, covering just a century and a half in 500 pages, and mixing it with the cockiest and wisest historians in the farmyard.The ingredients that made the first volume such a spectacular success are still there: highly visual prose, fine informative illustrations, insightful thumbnail sketches of all the leading players and above all a clever interplay between what happened and, often of more significance, what people thought had happened. But this time around Schama also has to weave his way through the complex narrative of the civil war and Protectorate, restoration, "glorious" revolution and establishment of empire. He does so with clarity and wit, but also with admirable sympathy for all the conflicting protagonists--the austere Stuarts, the reluctant hero Cromwell, the cunning Walpole, the gouty Pitt and the thousands of Scots, Irish and American, and the millions of Africans and Indians whose destinies shaped and were shaped by the forging of the British state in these years.
Predictably, some history gets left out. Apart from a colourful depiction of Hogarthian London, social and economic history get short shrift, leading Schama, for instance, to imply that the British push to empire was largely the result of a popular addiction to narcotics: tea, coffee and opium. However, Schama's larger story--how a nation that was created out of a titanic struggle for liberty then went on to impose dubious dominion on much of the rest of the world--is told in a masterly and compelling manner. --Miles Taylor
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The Fate of Empire brings Simon Schama's stylish and absorbing History of Britain to a stirring close. Of the volumes in the trilogy, The Fate of Empire is the most subjective, as Schama offers his own account of how the British shaped much of the modern world, and in turn were reshaped as a nation and a people by the experience of revolution, empire and war.Unlike the previous volumes, Schama only pays lip-service to the familiar narrative of British history. The great, the good and the unsung are all there--the Lake poets, Queen Victoria, Benjamin Disraeli, Mary Seacole, Winston Churchill and George Orwell--but Schama uses them as voices through which a different history of Britain can be heard. Ireland, India, the urban poor, suffragettes and striking miners are all restored to the national story. The emphasis on empire (along with India and Ireland the largest subject-entry in the index) is particularly welcome, although the finest hour of empire--the First World War--is dealt with all too briefly.
Along the way Schama reveals himself once more as one of the world's finest cultural historians, with brilliant vignettes on Rousseau in England, the 1851 exhibition, Orwell's complex patriotism and much else, together with original insights on photography, the effect of empire on English vocabulary, and the post-war "colouring" of Britain. For beginners this is an excellent 21st century perspective on modern British history. For connoisseurs it is a refreshing reminder of how little British history the English really know. --Miles Taylor
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What do you get when you combine the resources and ethos of the BBC with the literary panache of one of the world's best narrative historians? The answer is Simon Schama's History of Britain, the first volume of which accompanies the BBC television series of the same name.In a beautifully written and thoughtfully crafted book, studded with striking portraits, pictures and maps, Schama, the bestselling author of books on European cultural history such as The Embarrassment of Riches and Citizens, as well as 1999's Rembrandt's Eyes, has managed to be both conventional and provocative. He tells the official version of Britain's island story--from Roman Britain, through the Norman conquest, the struggles of the Henrys and Richards with their bolshie barons and cautious clerics, Edward I and the subjugation of Wales, King Death (the plague), and on to the Henrician reformation, before closing with the remarkable reign of the virgin queen, Elizabeth I.
While sticking to a script familiar to anyone who sat up and listened in history lessons at school, Schama brings it all alive, with memorable prose--Simon de Montfort's rebel parliament is described as inaugurating the "union between patriotism and insubordination"; with Henry VIII, Schama says, "you could practically smell the testosterone". And with fine sensitivity too, particularly on the symbolism of buildings, memorials, language and ceremonies, and on the complex relations between England and her Celtic and Catholic neighbours. If history must have gloss, then let it be written and presented like this. --Miles Taylor
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-
-
The Fate of Empire brings Simon Schama's stylish and absorbing History of Britain to a stirring close. Of the volumes in the trilogy, The Fate of Empire is the most subjective, as Schama offers his own account of how the British shaped much of the modern world, and in turn were reshaped as a nation and a people by the experience of revolution, empire and war.Unlike the previous volumes, Schama only pays lip-service to the familiar narrative of British history. The great, the good and the unsung are all there--the Lake poets, Queen Victoria, Benjamin Disraeli, Mary Seacole, Winston Churchill and George Orwell--but Schama uses them as voices through which a different history of Britain can be heard. Ireland, India, the urban poor, suffragettes and striking miners are all restored to the national story. The emphasis on empire (along with India and Ireland the largest subject-entry in the index) is particularly welcome, although the finest hour of empire--the First World War--is dealt with all too briefly.
Along the way Schama reveals himself once more as one of the world's finest cultural historians, with brilliant vignettes on Rousseau in England, the 1851 exhibition, Orwell's complex patriotism and much else, together with original insights on photography, the effect of empire on English vocabulary, and the post-war "colouring" of Britain. For beginners this is an excellent 21st century perspective on modern British history. For connoisseurs it is a refreshing reminder of how little British history the English really know. --Miles Taylor
-
-
The second volume of Simon Schama's BBC History of Britain: The British Wars, 1603-1776 is a more serious affair than the first. A History of Britain Vol I was free-range history: a fresh and at times iconoclastic survey of more than 1,500 years of the nation's story. Now Schama is more penned in, covering just a century and a half in 500 pages, and mixing it with the cockiest and wisest historians in the farmyard.The ingredients that made the first volume such a spectacular success are still there: highly visual prose, fine informative illustrations, insightful thumbnail sketches of all the leading players and above all a clever interplay between what happened and, often of more significance, what people thought had happened. But this time around Schama also has to weave his way through the complex narrative of the civil war and Protectorate, restoration, "glorious" revolution and establishment of empire. He does so with clarity and wit, but also with admirable sympathy for all the conflicting protagonists--the austere Stuarts, the reluctant hero Cromwell, the cunning Walpole, the gouty Pitt and the thousands of Scots, Irish and American, and the millions of Africans and Indians whose destinies shaped and were shaped by the forging of the British state in these years.
Predictably, some history gets left out. Apart from a colourful depiction of Hogarthian London, social and economic history get short shrift, leading Schama, for instance, to imply that the British push to empire was largely the result of a popular addiction to narcotics: tea, coffee and opium. However, Schama's larger story--how a nation that was created out of a titanic struggle for liberty then went on to impose dubious dominion on much of the rest of the world--is told in a masterly and compelling manner. --Miles Taylor
-
-
The Fate of Empire brings Simon Schama's stylish and absorbing History of Britain to a stirring close. Of the volumes in the trilogy, The Fate of Empire is the most subjective, as Schama offers his own account of how the British shaped much of the modern world, and in turn were reshaped as a nation and a people by the experience of revolution, empire and war.Unlike the previous volumes, Schama only pays lip-service to the familiar narrative of British history. The great, the good and the unsung are all there--the Lake poets, Queen Victoria, Benjamin Disraeli, Mary Seacole, Winston Churchill and George Orwell--but Schama uses them as voices through which a different history of Britain can be heard. Ireland, India, the urban poor, suffragettes and striking miners are all restored to the national story. The emphasis on empire (along with India and Ireland the largest subject-entry in the index) is particularly welcome, although the finest hour of empire--the First World War--is dealt with all too briefly.
Along the way Schama reveals himself once more as one of the world's finest cultural historians, with brilliant vignettes on Rousseau in England, the 1851 exhibition, Orwell's complex patriotism and much else, together with original insights on photography, the effect of empire on English vocabulary, and the post-war "colouring" of Britain. For beginners this is an excellent 21st century perspective on modern British history. For connoisseurs it is a refreshing reminder of how little British history the English really know. --Miles Taylor
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-
The Fate of Empire brings Simon Schama's stylish and absorbing History of Britain to a stirring close. Of the volumes in the trilogy, The Fate of Empire is the most subjective, as Schama offers his own account of how the British shaped much of the modern world, and in turn were reshaped as a nation and a people by the experience of revolution, empire and war.Unlike the previous volumes, Schama only pays lip-service to the familiar narrative of British history. The great, the good and the unsung are all there--the Lake poets, Queen Victoria, Benjamin Disraeli, Mary Seacole, Winston Churchill and George Orwell--but Schama uses them as voices through which a different history of Britain can be heard. Ireland, India, the urban poor, suffragettes and striking miners are all restored to the national story. The emphasis on empire (along with India and Ireland the largest subject-entry in the index) is particularly welcome, although the finest hour of empire--the First World War--is dealt with all too briefly.
Along the way Schama reveals himself once more as one of the world's finest cultural historians, with brilliant vignettes on Rousseau in England, the 1851 exhibition, Orwell's complex patriotism and much else, together with original insights on photography, the effect of empire on English vocabulary, and the post-war "colouring" of Britain. For beginners this is an excellent 21st century perspective on modern British history. For connoisseurs it is a refreshing reminder of how little British history the English really know. --Miles Taylor
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-
-
-
What do you get when you combine the resources and ethos of the BBC with the literary panache of one of the world's best narrative historians? The answer is Simon Schama's History of Britain, the first volume of which accompanies the BBC television series of the same name.In a beautifully written and thoughtfully crafted book, studded with striking portraits, pictures and maps, Schama, the bestselling author of books on European cultural history such as The Embarrassment of Riches and Citizens, as well as 1999's Rembrandt's Eyes, has managed to be both conventional and provocative. He tells the official version of Britain's island story--from Roman Britain, through the Norman conquest, the struggles of the Henrys and Richards with their bolshie barons and cautious clerics, Edward I and the subjugation of Wales, King Death (the plague), and on to the Henrician reformation, before closing with the remarkable reign of the virgin queen, Elizabeth I.
While sticking to a script familiar to anyone who sat up and listened in history lessons at school, Schama brings it all alive, with memorable prose--Simon de Montfort's rebel parliament is described as inaugurating the "union between patriotism and insubordination"; with Henry VIII, Schama says, "you could practically smell the testosterone". And with fine sensitivity too, particularly on the symbolism of buildings, memorials, language and ceremonies, and on the complex relations between England and her Celtic and Catholic neighbours. If history must have gloss, then let it be written and presented like this. --Miles Taylor